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2014 release ** "The forty-four minute pilgrimage presented by Montibus Communitas is nothing if not clear in its intentions. Each of the album’s six songs – from the slow, shining “The Pilgrim Under Stars” to the album-ending title track – is a chapter in which we find the titular pilgrim (which is the band, which is the listener, which is everything at once) on another stage of this massive, mesmerizing, metaphysical road trip. Heavy, heady, be-here-now stuff, right? Without question. Yet the …
*350 copies limited edition* An’archives are proud to announce the release of the debut album by Tête de Chou, the trio of Mark Anderson, Kurumi Kido, and Arlo Wynks. Some may know Anderson for his membership of Greymouth, 番長Taste, Mysteries Of Love, and Suishou No Fune; Kido and Wynks have more personal, sporadic musical histories, which informs the intimacy and gently exploratory nature of the eight pieces contained here. The trio’s movements seem spontaneous and open-ended, which makes sense …
*200 copies limited edition.* What sets 400 Lonely Things apart is its ability to turn seemingly mundane or discarded sonic artifacts into evocative, almost cinematic experiences. The project’s work resonates with fans of dark ambient, hauntology, and experimental sound design, offering a gateway into worlds where time has fractured and memories linger like spectral echoes. Subdivisions, the latest album from 400 Lonely Things, marks a departure from the project's conceptual and thematic approac…
*100 copies limited edition* ⎤⎤⎤, the duo of Chantal Michelle and Grace Villamil, are interested in what they term "sound obliteration"—a paradoxical process that, in their hands, reveals teeming masses of sonic detail. The pair works in a variety of modes, including composition, installation, and performance. Live at Opus 40 begins with machinic drones that expand and dissolve into the warm, open-air environment where it was recorded, initially anchored by the site's rock formations. The piece …
Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
2009 release ** "Bob Rutman was born in Berlin in 1931. His mother was Jewish and had to escape from Germany with her son when the Nazis rose to power. Rutman attended refugee schools in England during the Second World War and settled in the USA after having completed his education in 1950. He worked as a salesman in Texas before enroilling in art school in Mexico City, where he married and fathered a child. Together with his wife and son Rutman returned to the US in 1962 and started an art gall…
Hidden Harmony is proud to present the first full-length LP from Estonian composer and keyboardist Volodja Brodsky. The six compositions on ‘Whispering Ln’ were entirely recorded during Brodsky's trip to the USA in 2018-2019 and showcased his passion for the transformative power of minimalism as an art form. The follow-up to his keyboard duties on psych funk/rare groove Estonian outfits Estrada Orchestra, Centre El Muusa, Misha Panfilov Septet, on ‘Whispering Ln’ Brodsky reinventing himself as a…
I have two stories behind this beast of a record. The first one is of course the oldest type of story around, the stranger comes to town. The stranger in this story is Zach Rowden. He shows up in Bucharest, once or twice, with his band (or duo if you want) Tongue Depressor. On one of the occasions he meets one of the locals involved in Bucharest avantgard circuits, Laurenţiu Coţac. And they decide to play together. They jam their double and electric basses. And it gets recorded. 23 minutes long …
broken velocities & miss understood micro fractions ⋆.ೃ࿔*:・Henrique Vaz ~ :() # define ':' — whenever we say ':', do this: { # beginning of what to do when we say ':' : # load another copy of the ':' function into memory... | # ...and pipe its output to... : # ...another copy of ':' function, which has to be loaded into memory # (therefore, ':|:' simply gets two copies of ':' loaded whenever ':' is called) & # disown the functions — if the first ':' is killed, # all of the functions that it has …
*2025 stock* There is something really special about music based on drones. Whether it's the vocals of Pandit Pran Nath, the ARP 2500 of Eliane Radigue, or the nearly-blown amps of Sunn O))), by changing the listeners's focus on details to one that favors flow, drones are uniquely capable of transporting our brains far far away. The debut LP, 'Repeater', by this loudly droning Austin septet is a goddamn splendid example of how the process works. Using the motto, “Maximal Repetition Minimal Devia…
"This tape is the registration of a session I played on invitation by Knotwilg Records on Saturday, June 8, 2024 at the town hall of Meetkerke, a one street village tucked away between Bruges and the North Sea in the midst of Flanders flatlands. The session was broadcasted live during the Kneautwilg radioshow on Studio Néau that afternoon. I recorded the air waves on magnetic tape with a Korg CR-3, two SM57 mics and two AKG C1000 mics. This tape is the result of those analog recordings." - Knotw…
Annie A, the one-off collaborative project between Félicia Atkinson, Time is Away, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with an inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?
It is a geographically diverse yet like-minded ensemble whose seeds were sown during an A Colourful Storm show in London, where tim…
From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine the exhilaration of our early ancestors calling to one another in the dark cathedral like caves which held wonder, and security, for them. Today the ways in which sound occupies space, the so-called liquid architecture, holds just as much wonder, albei…