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*300 copies limited edition* The Feedbackorchester (Feedback Orchestra / FBO) consists of 8 electric guitarists who play exclusively feedback on their instruments. Situated at the intersection of rock music and sound art, the group was founded in Berlin in 1999 and has since been performing mainly in unusual locations with unique acoustic or architectural features, such as churches, stairwells, water reservoirs, ruins, barns, etc. After a number of self-released CD-Rs, this is their first vinyl …
*200 copies limited edition* We’re delighted to announce the triumphant return of Steve Marreyt, aka Edgar Wappenhalter. Here he reverts to making gritty reverb-drenched folksongs. But the poetic and electronic elements from his previous album remain – they’re just incorporated in the songs this time. It makes ‘Ijsschots Veenlaag Mist’ probably Wappenhalter’s most balanced work thusfar. Songs like ‘Hallusineren’ or ‘Vogel rok diamant’ prove he’s one of the best intuitive songwriters around, wher…
*2024 stock. 250 copies limited edition* I recorded the album after a conversation with Caleb about doing an album for the label and talking through ideas of what it could look like - compared to my previous release, Heart Music (2022, Where to Now? Records), which was written and recorded over 1-1.5 yrs, Recall the Dream Breath was written and recorded within the span of 2 weeks in March 2021. Heart Music was written in quarantine more or less, so that album became very dense as I wasn't too co…
“I hate all the words” by Luca Scarabelli and Michele Lombardelli’s Untitled Noise, the eight instalments in the celebrated Die Schachtel’s “Decay music” series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche: Misery, the awareness; The Time, the suspension of disbelief; and Heaven, the existential atonement through detachment. The sounds and the voice proceed alternately, overlapping, where each, in its progression, asserts itself autonomo…
This album was commissioned by KAAP / Concertgebouw Brugge for Jazz Brugge Festival.
Music, production, pianos, Fender Rhodes, synthesizers and pipe organ by Giovanni Di Domenico. Featuring Alexandra Grimal on soprano saxophone (Part I) and Eric Thielemans on drums (Part II and Part III). Recorded in January 2023 at Concertgebouw Brugge by Christophe Albertijn and in April 2023 in Zaal Miry (Ghent) by Peter Desmedt. Mastered by Joe Talia at Good Mixture. Vinyl cut by Andreas at Schnitstelle. Art…
The ultimate improbient that pursues the original human way of dealing with sound, imagining the very sounds that emerged from people's activities long ago. This is the first vinyl release of a 2007 masterpiece by Ken Ikeda, known for his collaborations with computer music pioneer Carl Stone, David Toop, a leading figure in the British experimental music scene, and Japanese jazz saxophonist Akira Sakata.
Tip! "It seems that this morning the moon has swapped its pale coldness for an acid yellow: the journey begins as the night draws to a close. Bodies writhe, given over to some mystical revelation: would have we forgotten that the day was going to rise? Chaos stands there in rare purity, like a farewell to all hesitation. Black celebration. After the introduction, the title track ‘les orvets’ sets the tone: powerful and synthetic waves, like a trip, the rhythm is tenuous and the sounds so thick …
De Fabriek Teams up with the great Ausland (Roberto Auser) for this wonderful journey. It's an album that travels the globe in search for a common language, only to find a Babylonian Confusion of Tongues
Fourth volume of Library Music miniatures by Daniel O’Sullivan (Ulver, Æthenor, This is Not This Heat, etc) for VHF, this time commissioned by the legendary German Music Library, Sonoton. Another sampling of Dan’s versatility and brilliance as a composer, performer, and sound designer, the focus on The Pastoral Machine is more “electronic” compared to the three previous albums Dan recorded for KPM (also issued on LP by VHF), with simpler arrangements and a focus on gentle and emotive synthesised…
*150 copies limited edition* ‘This here empty room’ is a collection of thirteen miniature compositions for solo acoustic guitar and solo piano. Pieces i until vii are played by Frederik Leroux on steel-string acoustic guitar, pieces viii until xiii are played by pianist Heleen Van Haegenborgh.
This album is another exploration of the acoustic space, as you might expect from Leroux. What is new is the purely composed nature of the music, giving Leroux full control over the soundworld he wants to …
Back in full force, Northern Spy returns with what might just be the best record we’ve heard all year: The Necks’ “Bleed”. A creatively visionary and astounding immersion into the band’s singular realm of sonority, unfolding at a glacial pace over the 42-minute composition’s duration, these two vinyl sides comprise some of the most tense and ambitious moments we’ve ever heard from one of the most important bands working today.
Rediscovered and compiled for release shortly before her death in November 2023, Further Selections from the Electric Harpsichord presents a never-before-heard recording of composer and artist Catherine Christer Hennix's early magnum opus. Originally debuted in 1976 at the festival Brouwer's Lattice at Stockholm's Moderna Museet, The Electric Harpsichord has steadily mystified fans and students of Western minimalist music for its implacable, transformative qualities, and the long-held, relative …
This debut full-length album of Stockholm-based composer and electroacoustic experimentalist Theodor Kentros, could easily be interpreted as 'just' an assemblage of pieces written between 2021-2024. Named after the paranoid hallucination (or, if said hallucination is real, the underground secret mail system) figuring in the 1966 Thomas Pynchon novel ‘The Crying of Lot 49’, it should rather be perceived as a very distinct, coherent stream running through his output during these years.
The six tra…
*200 copies limited edition* Renowned French alto sax and organ player Jean-Luc Guionnet is also an outstanding composer. "One for One" is a work that Guionnet composed in 2015. Santiago-based guitarist Cristián Alvear (born in 1979) is active on the contemporary classical and experimental music scenes inside and outside Chile. Juan Sebastián Lach (born in 1970) is a composer and keyboard player from Mexico. In 2013 Lach released the album "ISLAS," a collection of his chamber music compositions,…
2024 stock. Christian Kesten - Untitled (solo for accordion). (Written for Jonas Kocher and premiered in Paris in April 2014). "The accordion contains some remarkable mechanical characteristics. In the highest register of the right hand, the last few buttons don’t play the expected tones. The pitches are simply too high. The necessary reeds would be too small and fragile to produce them. These buttons transpose the tones an octave down. The buttons in the neighbouring octave do play the expected…
Tip! *200 copies limited edition* Sax player Katsura Yamauchi (born in 1954) is based in Oita, Japan. He began performing in earnest in the early 2000s, and since then has toured in Japan, Europe, North America, Southeast Asia and Taiwan and continued to expand his distinctive musical activities. Jason Kahn (percussion, voice, electronics, guitar) was born in New York in 1960 and lives in Zurich. He has performed throughout the world and been a prominent figure on the improvised/experimental mus…
“The score aims to evoke the experience of proximity to the sun—a dual force that can be soothing one moment and hazardous the next. Sunkiss embodies this duality, where the sun's radiant energy sustains life's flourishing while also capable of devastating destruction. To be kissed by the sun signifies both blessing and curse, illuminating the fragile balance between vitality and peril that defines life on Earth.”
Sunkissed is a live recording of a four-hour performance directed by Mylan Hoezen …
*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 stock* Vanity Records, started in 1978 by the late Yuzuru Agi's Rock Magazine, released 11 LPs in the four years to 1982, and this DADA work was chosen as the first release. This is the first album by the unit of Mutsuhiko Izumi and Kenji Konishi, and contains tranquil improvisations that create a sound image of the Japanese ‘Yin’ world inspired by the ‘Hungry Demon Paper Scroll…
‘Lacuna and Parlor’ is anchored in the left-field chamber music and incidental recordings that have long accented more eaze’s roving sound. Composed with one ear pressed to the rich textures of instrumental recording environments, this is a resonant and tactile collection tinged in rephrased space and skewed time. Taking the rudiments of tonal music theory as her conceptual base, more eaze formed the compositions around her own manipulations of these core principles. Simple chord progressions st…