We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tones of electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience.
The project album Ancient Moment mar…
During a 2016 trip to Colombia, I was very fortunate to be welcomed by the staff of the Rio Claro Natural Reserve, located in the central Cordillera. After several days of recording in the caves—the ones open to the public—inhabited by small colonies of cave-dwelling Guacharos (Steatornis caripensis), Juan Guillermo Garcés, director and founder of the Rio Claro sanctuary, allowed me to access a secret location outside of the reserve, home to what ornithologists reckon is one of the largest known…
Bright Lights, L'il City was recorded from November '22 until August '25 in Chicago, Kilkenny, Cork and Glasgow. Played, Recorded and Mixed by Sam Scranton and Neil Quigley
The Kilkenny Electroacoustic Research Laboratory (K.E.R.L.) announces the release of the third and final volume of its acclaimed anthology, a richly layered exploration of experimental sound, artistic collaboration, and the cultural phenomena orbiting the enigmatic Kiely cousins, Owen and Tom. Bringing the series to a compelling close, this volume bridges archival research, oral history, and critical reflection, tracing the roots and reverberations of a uniquely Irish avant-garde movement. The b…
This is my ode to corn in 3 parts, all featuring corn as corn himself. There are 6 pieces composed for 7 handmade instruments, made entirely out of different parts of corn, with some thread and wood glue as well. There is a cornfield recording, taken on a day they were harvesting just under a mile or so away. And there is a musique concrete type of piece featuring field recordings and the instruments.
This album was made during my residency at Art Farm in Marquette, Nebraska, surrounded by infin…
Textures of belonging, relentlessly woven into the epigenetics, layer upon layer, building palimpsests of human existence that are both fragile and resilient, with nothing but a wobbly strand of DNA. The way our grandparents' experiences spill across our systems, the way their grandparents’ experiences formed them in the first place, like a busy cityscape humming in the background, keeping the flow, making things operate, and despite their physical peril, hearts still flicker and divulge poetry …
"I call it ‘the Shadow Pattern Vignette’. A fragmentary and pleasingly non-discriminatory exercise in audio capture which, when sequenced, compiled or arranged alongside other such vignettes, leads to the finished work of Nate Ivanco’s Shadow Pattern. You can reach into the hermetic depths of his Hamilton Tapes micro label, recent transatlantic appearances via Infant Tree, Chocolate Monk or adhuman, or indeed, this new LP ‘Live at Somewhere’ and find the Shadow Pattern Vignette. Forever in evide…
Mike Cooper returns to Discrepant with »The Dream Island of Birds«. Neither documentary nor abstraction, »The Dream Island of Birds« sits between field recording, memory, and invention — an island heard through time and circuitry.
In the early 1990s, Cooper met illustrator and writer Charles van Sandwyk while walking on a small island in Fiji. Van Sandwyk was living there quietly, working from a modest bamboo house near the beach. Years later, Cooper learned that following a serious car accident…
The tracks that make up Fragments of Soaring Vessels are conceived as “sensitive vehicles.” Although they seem quite different at first listen, closer listening reveals multiple points of intersection—often overlapping, sometimes paradoxical. The Inexpressible Feeling of Dereliction approaches an attempt at a sonic transposition of a feeling of emptiness and rupture that may arise in an extreme situation, in which a pious person is confronted with a moment of absolute disillusionment regarding t…
Excellent experimental LP split bwtween short electronic/instrumental pieces and a long evocative musique concrète composition, released by ReR Megacorp in 1989.
Great and underrated obscure experimental 1970 LP on Orion pairing a lovely piece for cello and tape with two truly amazing ear-splitting electronic/tape pieces. Brown labels.
Great and underrated obscure experimental 1970 LP on Orion pairing a lovely piece for cello and tape with two truly amazing ear-splitting electronic/tape pieces. Black labels.
1967 re-press (Allentown) of the second album on Turnabout's landmark "Electronic Music" series presenting three classic and essential early experimental electronic compositions originally released in 1966.
Original US pressing of the third album on Turnabout's landmark "Electronic Music" series presenting four classic and essential early experimental electronic compositions, released in 1967.
Great album of early electronic / musique concrète pieces realized at the University of Toronto Electronic Music Studio, released by Folkways in 1967 and never re-issued. Mono version with blue labels, with insert.
Very rare and excellent panorama of Mexican electronic music in the early 1980's presenting four fantastic electro-acoustic compositions by as many composers, released on CIMM's "Colección Hispano-Mexicana De Música Contemporánea" in special silk-screened PVC bag.