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Guitarist Ava Mendoza, violinist gabby fluke-mogul, anddrummer Carolina Pérez release their debut album, MamaKilla, named for the Inca goddess of the moon. Mama Killaoffers eight tracks of high-volume, riff-based guitar-violinimprovisation bolstered by thunderous drumming. Working together for the first time, these three musicians havecreated a record that blends country, blues, and psychedelicrock with blast beats and the heaviness of black, death anddoom metal, wrapping it all in feedback, dis…
The compilation "Return to Acapulco - Music for Hotels Vol. 1", curated by Vittore Baroni and released in the summer of 2024, collected 16 songs created by as many musicians as a soundtrack for the different areas of a typical seaside hotel structure. The second volume of this unique collection that seeks new solutions to combine tourism and culture starts from a different concept, with 20 covers of well-known and lesser-known songs dedicated to summer by 20 Italian musicians and bands (plus a c…
*300 copies limited edition* Edificio is the debut album from Diles Que No Me Maten, one of Mexico’s most vital underground bands known for their raw, hypnotic fusion of krautrock, post-punk, industrial textures, and poetic spoken word. Originally released digitally in 2020, Edificio is now available for the first time on vinyl via BPN Recordings, an independent label launched by Perfecto Miserable Records based in Guadalajara, Mexico.
Named one of the most important Mexican albums of its year a…
Recorded from late 1996 through early 1997, Hold Onto I.D., The Shadow Ring’s fourth album, marks the apogee of the trio’s experimental rock epoch—their last record clinging to their factitious bandness before they let all song and structure go awash in sonic malaise for their final run of releases on Swill Radio. The surrealist dreams of City Lights and Put the Music in Its Coffin give way to pseudo-expressionistic lyrics mired in the banality and bleakness of the everyday, set against the back…
Wax-Work Echoes, The Shadow Ring’s 1996 album, marks a shift to original material and features Tim Goss in the main lineup. Fusing atmospheric soundscapes and wry lyricism, it captures the band’s restless energy. Out of print for decades, it now returns on vinyl.
The Serpentine Similar, the seminal debut studio album from American experimental rock innovators Gastr del Sol, is now available on Drag City. Originally released in 1993 by TeenBeat Records and reissued by Drag City in 1997, this album marks a pivotal moment in experimental and post-rock music. Formed from the ashes of the post-hardcore band Bastro, Gastr del Sol features guitarist David Grubbs, bassist Bundy K. Brown, and additional percussion by John McEntire. Recorded in Chicago’s Experimen…
Drag City is proud to announce the reissue of “Crookt, Crackt, or Fly,” the groundbreaking album by avant-garde duo Gastr del Sol. Originally released in 1994, this record stands as a landmark in experimental and post-rock music, now remastered and available once again for a new generation of listeners.
Formed by David Grubbs and Jim O’Rourke, Gastr del Sol emerged from the fertile Chicago music scene of the early 1990s, pushing the boundaries of rock, folk, and modern composition. “Crookt, Crac…
The Oganesson Remixes EP follows the March 2025 release of the “Oganesson” digital single, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney, indie music icons Broken Social Scene, and International Anthem labelmate Makaya McCra…
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Historically Fucked—four Manchester-based musicians—create eruptive, improvisational rock, blending voices, guitar, bass, and drums. Their album, “The Mule Peasants’ Revolt of 12,067,” fuses avant-garde chaos, primal energy, and playful experimentation, defying genre for raw, uncivilized sound.
In true ‘Ex fashion’, If Your Mirror Breaks picks up where 27 Passports left off, and erupts like a musical short story collection, a ten-part series of surrealist daydreams, calls to action, ominous warnings and bursts of vitality tapped into the pulse of time. What time could be more appropriate to release this album in, as the current one? Arnold de Boer, Katherina Bornefeld, Andy Moor and Terrie Hessels once again impress with their trademark urgency and creativity.
Starting from a stacca…
First 12-inch edition of Chance Operation's Spare Beauty, originally a double 7-inch on Jeep Records in 1982. A dense four-track EP of hypnotic, infectious, sax-driven Japanese post-punk by the Higo Hiroshi-led project, finally laid out in the format the music has always demanded.
First-ever reissue of Chance Operation's self-titled 1981 debut 12-inch on Jeep Records. A foundational document of Japanese avant-funk and post-punk that captures the Higo Hiroshi-led project at the moment of its formation.
Spittle Records reissues Chance Operation’s 1985 debut “Place Kick,” a genre-defying mix of post-punk, funk, and jazz, now on vinyl for the first time—restoring a vital underground classic for new audiences.
In the summer of 2024 I was browsing through some unmarked tapes in my studio, Where I found a cassette with a mysterious recording which I couldn’t figure out who had made. In the following month I played it for a dozen different people to see if they had any knowledge about this magical treasure but no one knew anything about it. However after a lot of searching I figured out that the tape included recordings of my great friend Johannes’s new rock group Bending Backwards, we shared studio spac…
First-ever vinyl reissue of Mizutama Shobodan's 1985 sophomore album A Skyfull of Red Petals, mixed by Fred Frith. A theatrical, uncompromising women-led ensemble at the height of its powers, balancing the contrasting voices of Kamura and Tenko over a band that operated somewhere between art-cabaret, post-punk and avant-folk. With printed inner sleeve and four-page fold-out insert.
First-ever vinyl reissue of Mizutama Shobodan's legendary 1981 debut A Maiden’s Prayer DA-DA-DA!. A wild theatrical mix of avant-post-punk worked out by one of the most uncompromising women-led ensembles ever to emerge from the Japanese underground, an outstanding document from "another Japan". With printed inner sleeve and four-page fold-out insert.
Following three full-length collections and a transcendent series of individual long form works, Iceland’s Hyldýpi makes his Past Inside The Present debut with Heilun (tr: “Healing”), a set of seven pieces that flow across 90 blissful minutes. Formed only with guitar and a modest selection of hardware, each movement is an improvisation born from a state of meditation. According to the artist, these sonic sculptures are “inspired by the raw nature [of Iceland], both within and without… I feel as …
*2025 stock* Finally the recorded studio work of Bill Ylitalo as Otto Kentrol and Faceless has been assembled! Prior to this, none of his work had been available digitally. No Mistakes features hard to find post punk & no wave cuts, four track demos, and previously unissued gems. Featuring sax, strange electronic instruments, recitative vocals and sporadic bass, guitar and drums- it’s a wild journey!
Girls At Our Best! were one of the greatest and most influential bands to emerge in the early 1980s as part of a new wave of independent acts. DJ John Peel championed them, playing their singles repeatedly and inviting them to record a session for his programme. Wry vocalist Judy Evans and brutal yet melodic guitarist James Alan who’d met at art college in Leeds fronted Girls At Our Best!, the proto-Indie band that formed from the ashes of Alan’s 1977 punk band SOS! Pleasure, the sole album, rea…
*350 copies limited release* Boris Gronemberger is everywhere, but nowhere as much as in V.O and River Into Lake. Insiders of the Belgian indie scene already took notice of his undeniable talent through his multiple musical adventures. With surprising ease, Boris manages to remind us of Brian Wilson, Gastr del Sol, Sonic Youth or Hood while injecting in his compositions enough personality to constantly surprise and even bedazzle the unexpecting listener. Folky moments are followed up by a noisie…