Jazz & Improvisation / Avant-Garde Jazz

Temporary Super Offer! These sessions were recorded exactly two years apart, in early November 1966 and 1968 (both were released in 1969). While they can’t be called “bookends” by any means, they do bracket a remarkable period in Don Cherry’s musical evolution, on his journey from the more strictly jazz environments, as adventurous as they were, of Ornette Coleman, Albert Ayler and others, to a philosophy that embraced many non-Western traditions. While these included various African forms, espe…

Temporary Super Offer! "Attempts to dismiss Sun Ra as an “outsider” artist, an eccentric who made strange claims, are always own goals. Of course he was an outsider. That was precisely his point. And not just an outsider. He came from so far away we could not imagine it. But he also came from right inside American culture and was deeply shaped by it. There is perhaps no more representative an American artist of the modern period. If the Saturn V rocket was the symbol one kind of hegemony, govern…

"Christian Weber said in an interview for “Jazz’N’More": No matter how I move along the timeline, my attention is focused on what is to come. At the same time, I always keep in mind what happened before, without analyzing. This way, I avoid the improvisation becoming arbitrary. Both arbitrary openness and narrow restriction, neither suits me." And therein lies the whole secret of this record and ultimately the definition of great art: it is the ability of a musician to have control over space an…

"This, it seems to me, is the great strength of Sophie Lüssi’s music here on Atlantic Puffin. It is clearly skilled and doesn't deal in casual approximations. It is built on solid technique, a brilliant appropriation of classical violin methods in the interests of improvisation. But her music, which draws on folk as well as canonical forms, is one that emanates from and addresses the whole person. It's generous music, kindly and open, and in its gentle humour it engages a part of the spirit that…

"Given their distinct backgrounds and individualistic sense of creative process, it’s not surprising to discover that the sounds Levin, Mariam and Miguel generate do not fall into common improv tactics, stylistic clichés, or the isolation of chance. There are individual characteristics that affect our perception of the flow, cessation, and singularity of events heard here, and serve to identify and intensify the moment." – Art Lange

Temporary Super Offer! "Only ghosts don’t make footfalls (another Beckett title!) that we can hear, don’t need to open and close doors to effect passage. These men together are enacting over a longer duration a strong sense of life- as-lived. They are conspiring, not in the political or legal sense, but simply breathing-together. It isn’t forbiddingly abstract music. It simply enacts our various ways of living together. Take a deep breath and enjoy." - Brian Morton

Temporary Super Offer! 'The music on this CD is an impressive document of such a search for meaning and artistic legitimacy. It doesn’t want to add something even louder to the supposedly spectacular. On the contrary: Here, it is about the subtle intimacy and emotionality of human relationships, about breathing as one. It is about being interested in each other beyond ever new superlatives. This is where the unobtrusive authenticity of this music comes from, what makes it special and thoughtful.…

Temporary Super Offer! 'The CD’s title is borrowed from computer language: STRG + X is the key combination for “cut to the clipboard” to be temporarily stored and pasted somewhere else at a later time. Perhaps the most important quality of this carefully thought-out yet anything but cerebral music: it is aware of its means and can twist and turn and rearrange them as it pleases, in which case improvised contexts create their own forms and play with original material in a fresh, new way. This is …

Balloons On Grass is a collaborative album by Tony Orzano, Bryan Rohmer, and Jeremy Wexler that thrives on the unpredictable energy of improvisation. Recorded in a single, free-form session, the album is a vivid journey through the intersecting worlds of post-rock, noise, and free jazz. Each track unfolds organically, with the musicians responding to each other in real-time, creating a dynamic tapestry of sound that is both spontaneous and deeply intentional. The album opens with shimmering guit…

Draguns & Cozzolino Reunite as Flying Sutra to Win Over a New Generation of Fans with Fresh Hit Album Featuring Blossoming Saxist Ayumi Ishito

When Jacobo Vega-Albela left New Mexico for upstate New York to pursue a lifelong dream of becoming a performer and composer, he knew it would change him forever. Ready to expand his potential, he soon found himself on a path that some only fantasize about. He has since transformed his extraordinary journey and its captivating highs and lows into his first album with 577 Records.   “Un-Belonging is a record underpinned by tremendous joy, optimism, and love for the world counterbalanced by a pers…

Bukas: How Karl Evangelista is Exploring the Future of Free Music with his Quintet and Special Guest, Andrew Cyrille

1991 release ** The third in a three volume compilation (each available separately) of 114 improvisers from around the world, covering a wide variety of approaches to improvisation. "A turbid dive into new music, this release packs everything from free-form jazz-like scraw to variations in composition, structure and situation to solo exploration." Featuring Pluto, Amy Denio, Davey Williams, LaDonna Smith, Marty Walker, Crawling With Tarts, IDLH, Ed Herrmann, Andrew Voigt, Tom Nunn, Tamio Shirais…

New Vienna is the fourth concert recording to be released from Keith Jarrett’s final European solo tour. It follows Munich 2016, Budapest Concert and Bordeaux Concert. Why New Vienna? As Jarrett aficionados will know, his discography already includes a legendary Vienna Concert (recorded at the Vienna State Opera) whose music, he once claimed, spoke “the language of the flame itself”, after long years of “courting the fire”.  Keith Jarrett’s 2016 return to the Austrian capital brought the flames …

2009 release ** "Creative music making is a matter of energy, heart, and trust, and when all three are present the music flies. A meeting of three old Chicago friends and collaborators, flutist Nicole Mitchell, drummer Hamid Drake, and bassist Harrison Bankhead, the Indigo Trio soars with the kind of spiritual energy that has inspired Great Black Music from its inception... Building a bridge between composition and improvisation, Bankhead, Drake, and Mitchell have created an inspiring album. Wit…

The 2018 live performance captured on Carlos Niño & Miguel Atwood-Ferguson’s 'Chicago Waves' marked a beautiful turning point for International Anthem. The moment was recorded at our then-HQ in Chicago, Co-Prosperity, the day after Niño and Atwood-Ferguson performed as part of Makaya McCraven’s ensemble to celebrate the release of 'Universal Beings' and recreate their contributions to that album's “Los Angeles Side." The two musicians were keen to use their time in Chicago to not only support Ma…

Ornette Coleman’s "Ornette On Tenor" marks a pivotal moment in jazz, featuring his switch to tenor sax and the addition of Jimmy Garrison on bass. The album’s earthy, darker soundscape, collective improvisation, and absence of fixed themes highlight Coleman’s ongoing musical revolution.

1990 release (RARE) ** Recorded live at Volksbühne East Berlin on June 13, 1982.

What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Polic…

1995 release ** "This work had its origin in the '60s. That's when I met Irene Aebi and Frederic Rzewski in Rome. The three of us have been working together ever since. The Living Theatre (founded by Julian Beck and Judith Malina in New York) was at that time very active in Italy and, as the most powerful and innovative theatre group anywhere, was becoming part of all our lives. I knew them from New York from the late '50s (The Connection, The Brig), and so did Frederic, who had composed and pla…

1997 release ** Daniel Carter, alto saxophone, tenor saxophone, flute, clarinet, trumpet, piano, voice - Randall Colbourne, drums, piano - Paul Flaherty, alto saxophone, tenor saxophone, voice - Raphe Malik, trumpet, piano - Sabir Mateen, alto saxophone, tenor saxophone, flute, clarinet, piano, voice.

2025 stock We’re very happy to announce that the record Elin Forkelid Plays For Trane is released on Sail Cabin Records on September 18, available on CD, 2 LP Vinyl (180g) and all major digital platforms. The record features Elin’s own personal take on the music of John Coltrane and features some of Sweden’s greatest jazz musicians. Elin Forkelid, saxophones / David Stackenäs, guitar / Mattias Ståhl, vibraphone / Ville Bromander, bass / Jon Fält, drums

Trevor Watts has been at the forefront of the Jazz and Free Improvisation scene since the 1960s and is highly respected by his peers and quite rightly so. Much of the UK listening audience though, seem to be unaware of the amazing breadth of Trevor’s works on a global scale. With that in mind, Jazz in Britain have decided to try and address this issue with this release.In 2022 we issued The Art Is In The Rhythm which featured an improvised performance of Trevor in partnership with drummer, Liam …

An unearthed treasure from the '70s Italian avant garde archives! A previously unreleased recording from the legendary Beat72 club in Rome in 1973, featuring a one-off Italian-American all-star ensemble with Roberto Laneri founding member of the experimental vocal group Prima Materia, maverick American composer Alvin Curran co-founder of Musica Elettronica Viva. Trombone specialist Giancarlo Schiaffini from the historical Gruppo di improvvisazione Nuova Consonanza. Cello virtuoso Frances Marie U…

Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…

Big Tip! Tzadik is proud to present Asterisms, a beautiful and exploratory instrumental project by Sean Ono Lennon, one of the most creative and versatile musician/composer/producer/songwriters working today. Sean has written countless songs, composed film scores, produced, and performed on dozens of albums-and here he steps out as the leader of an all-star band of Downtown luminaries. Years in the making, the music is powerful, trippy, and intensely imaginative, blending rock, electronics, jazz…

Lost celestial solo piano transmissions retrieved!

*2025 stock* PMP is proud to release Anthony Braxton’s “Four Compositions (Wesleyan) 2013”, a limited deluxe 4-CD box set documenting the one-time meeting of an all-star trio featuring the legendary saxophonist and composer alongside Roland Dahinden (trombone), and Hildegard Kleeb (piano). This is the first album of the Czech label PMP.Art Lange describes the impetus for the session in the liner notes: The 4 CD set box Four Compositions (Wesleyan) 2013 is built on the latest evolutionary stage o…

Tip! An orchestra that played for Nazis. A silence that lasted for generations. A work that lets this silence speak, sing, and scream. Motvind Records presents John Andrew Wilhite’s monumental piece, Bristol Silence, written for the Motvind Festival and premiered at Hotel Bristol in Oslo in the summer of 2023. In this work Bristol Silence, the double bassist and composer brings to light a chapter of Norwegian music history that has remained in the shadows. Wilhite writes: "Having known that Nazi…

*2025 stock* A beautifully recorded session at Germany's Club Lila Eule for Radio Bremen from 1969 by the Marion Brown Quartet, his touring band at the time with AACM legendary drummer Steve McCall and German double bassist Siggi Busch and trombonist Ed Kröger, performing eight solid free jazz pieces including "Ode to Coltrane" and "Juba Lee"; a spectacular addition to Brown's discography.

Sitting in a darkened room in Dalston, London… the music pushes across a very nicely tuned sound system, (a la Cafe Oto). The crowd is captivated by this multi-instrumentalist maestro Jimi Tenor. He plays smoky sax, juxtaposes it with some crazy Moog, all the while underlaid by a funky electronic looping groove. It's a conversation piece! At the end, Jimi says "I'm not quite sure what to do with this track, or what to call it"…. In a moment of 'bravado' one shouts out in reply "Release Me!", the…

"First visit to the audio equivalent of a graphic novel. Follow A Very Heavy Person is more than an album—it is an experience, an inquiry, an adventure into the unknown, defying easy categorization and existing in the liminal space between music, poetry, and philosophy. Armaroli and his quintet have crafted something truly singular—a journey through sound that is both timeless and profoundly rooted in the ephemeral beauty of the present moment." - Mark Corroto

Eero Koivistoinen Quartet's rare live album from 1978 reissued for the first time in nearly half a century via Svart Records.

2010 release ** "One of the most hypnotic current albums comes from Switzerland: No wonder, given that so many exciting niches live here, where culture and mentality stand for free spirit, which is evident time and again in the music created there. Ruedi Häusermann, Marco Käppeli, and Claude Meier form what we might call a chamber music, folkloristic, and imaginary trio. In the broadest sense... Ruedi Häusermann, the initiator and creator of the Ume songs, uses various flutes, clarinets, bariton…

"Here, after Schindler+Richter and Schindler/Holzbauer/Lillmeyer, multi-reed player and flautist Udo Schindler meets an old companion from the 90s. Hubert Bergmann, a Fernando Pessoa-adoring and Tai Chi & Qi Gong-inspired jack-of-all-trades from Überlingen on Lake Constance, has already played piano in Schindler Interferenz.3 and with Trio BGS. Now a master craftsman in his own workshop for improvised and new music and, as such, also a duo partner with guitarist Mary Halvorson, Bergmann proves h…

*2025 stock* Heard in the Carpathians, "Watra" is a word of Wallachian origin which refers to a large bonefire with a wooden construction set up. Burned and accompanied by singing and recalling the old times, it symbolizes the return to the roots and serves the purpose of glorifying the ancestors. Watra is also what we ourselves associate with inspiring meetings bustling with stories of tradition, travel and music from around the world, when, by the fire, different musical worlds of jazz and fol…

An essential jazz masterpiece from celebrated Canadian pianist Paul Bley, presented in a deluxe edition. Originally released in 1969 as part of the iconic Actuel series, this definitive remastered edition of Ramblin' invites listeners to experience the artistry of Paul Bley’s 1966 Rome session in unprecedented clarity. Recorded at Studio RCA in the Eternal City on July 1, 1966, Ramblin’ captures Paul Bley alongside the formidable rhythm section of double bassist Mark Levinson and drummer Barry A…

1991 release ** "During the late '80s and early '90s, the Art Ensemble of Chicago recorded a number of albums for the Japanese DIW label. While a couple of these releases were fine additions to their catalog (notably, Dreaming of the Masters, Vol. 1 and The Art Ensemble of Soweto), the majority found the band treading water, breezing through tunes and structures long a staple of their repertoire but rarely either breaking new ground or playing with inspiration. Dreaming of the Masters Suite is a…

In 1983, Bill Laswell's Celluloid label released a minor masterpiece by a downtown power trio called Massacre; the group consisted of Fred Frith on guitar, Laswell on bass and Fred Maher on drums. The album was called Killing Time, and it was a brilliant combination of quirky but composed avant-gardisms, experimental noise and post-punk funk. That album remains one of the great monuments of the downtown scene, right up there with A Taste of DNA and No New York. Fifteen years later, Frith and Las…

1993 release (RARE) ** "Based in Chicago but originally from Japan, Tatsu Aoki is an acoustic bassist who recorded mostly avant-garde jazz in the '90s but can also handle straight-ahead post bop and traditional Japanese music. At times, he has combined jazz with elements of Asian music. Aoki was born and raised in Tokyo but moved to Chicago in 1978, when he was 19. Much of Aoki's music owes a strong debt to the AACM school of "outside" improvisation; often favoring space and silence over density…