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** Special Time-Limited Offer ** On April 29 and May 7, 1968, iconoclastic saxophonist Ornette Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note: New York Is Now! and Love Call. The alchemy of this group, which combined Coleman’s first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results.UHQ-CD…
** Special Time-Limited Offer ** Tony Williams Spring represents the drummer-composer at a crucial moment in his artistic trajectory. By 1965, Williams had already participated in landmark Blue Note sessions - Herbie Hancock's Empyrean Isles, Eric Dolphy's Out To Lunch, Andrew Hill's Point Of Departure, Jackie McLean's One Step Beyond. Despite barely being in his twenties, he had already established himself as a musician capable of listening at the highest level, responding to ensemble dynamics …
** Special Time-Limited Offer ** On Life Time, Tony Williams upends expectations of a drummer’s debut, convening shifting ensembles that include Sam Rivers, Bobby Hutcherson, Herbie Hancock, Ron Carter, and Gary Peacock. Rather than a showcase of drum solos, the album is a series of explorations in texture, space, and form. Williams’ playing ranges from explosive to whisper‑soft, but always with an acute sense of placement: each cymbal stroke, roll, or accent is structural, not ornamental. The o…
** Special Time-Limited Offer ** Evolution documents Grachan Moncur III stepping out as a composer‑leader with Lee Morgan on trumpet, Jackie McLean on alto, Bobby Hutcherson on vibes, Bob Cranshaw on bass, and Tony Williams on drums. The pieces blend post‑bop structures with freer approaches to metre and harmony, resulting in music that feels constantly tilted yet never topples. Moncur’s trombone leads themes that are by turns mournful, eerie, and boldly declamatory; the band responds with solos…
** Special Time-Limited Offer ** Destination... Out! sees Jackie McLean stepping decisively into less charted territory, flanked by Grachan Moncur III on trombone, Bobby Hutcherson on vibes, Larry Ridley on bass, and Roy Haynes on drums. Moncur’s compositions stretch form and harmony to the point where the music hovers at the edge of abstraction while still clinging to memorable themes. McLean responds with heightened intensity; his alto lines slice through the ensemble’s cool, translucent textu…
** Special Time-Limited Offer ** Volume 2 of At the “Golden Circle” finds Ornette Coleman, David Izenzon, and Charles Moffett pushing even further into the freedoms opened the night before. The pieces feel more expansive, the silences more charged, the interactions even bolder. Coleman’s improvisations unfold like stories without fixed endings, full of sudden turns that never break the underlying logic. Izenzon’s bass veers between bowed cries and elastic walking; Moffett’s drums slip from polyr…
** Special Time-Limited Offer ** The first volume of At the “Golden Circle”, Stockholm places Ornette Coleman’s alto saxophone in front of his stripped‑down trio with David Izenzon on bass and Charles Moffett on drums, in a snowy club where the microphones catch every spark. Free of a chording instrument, the group moves with startling elasticity: themes flash by and dissolve into collective improvisation where roles are fluid. Coleman’s tone is both keening and tender, capable of slicing throug…
Super tip! Holy ghost music. The real deal. The sound of four men tearing a hole in the fabric of what jazz was supposed to be and letting something else pour through - something ancient and raw and utterly new. In their short time together, Albert Ayler and Don Cherry created a body of music that genuinely exists in the moment. Oblivious to rules and aesthetic boundaries, they played what they felt on their nerve-ends, embracing mistakes and wrong turns as part of the experience of making art i…
*100 copies limited edition* "Ben Bekele does not exist. At least not the one I'm thinking of. It's a mix of memories and fantasies from the mid-80s when it was my father who visited Ethiopia, returning with two small drums, a couple of pictures and tons of tales. One of them was a story of a boy named Bekele, who taught him a traditional Ethiopian song.
Father passed this song on to us, as best as he could - now I'm having doubts as to what the message is actually about - but back then I was fa…
We Release Jazz is very happy to announce the limited vinyl edition of Ill Considered's transcendent new live album Live in Jura, an expansive document of the trio's 2023 performance at Spiegelberg Festival - now available as a double LP with a bonus D-side, housed in a heavyweight sleeve with obi and an original artwork by Vincent de Boer.
Captured in the heights of Saignelégier, Switzerland, in the middle of a pasture overlooking the Jura mountains, Live in Jura bottles the singular Ill Consid…
Thereupon is the long-anticipated return of the all-star collaborative trio Fieldwork, which has been described by NPR as a “power trio for the new century.” This long-standing collective comprises three internationally revered innovators of contemporary music: alto saxophonist-composer Steve Lehman, pianist-composer Vijay Iyer, and drummer-composer Tyshawn Sorey. In the seventeen years since their last recording, Door (Pi), all three musicians have climbed to the pinnacle of the creative music …
Ornette Coleman, who died in June 2015 from cardiac arrest, must be counted as one of the most influential musicians in the jazz genre. His importance does not only lie in his ground-breaking recordings in the late Fifties and early Sixties, but lies more significantly in the educational effect of his work – in the fact that he always went beyond himself to the very end. Just a little more than a month after his ground-breaking release "Free Jazz", Coleman recorded the present album, in which he…
Two Rooms Records is excited to announce its tenth and most significant release yet, "Live on WUOM 1979" by Griot Galaxy. Nearly lost to history, this double-length release captures an extended radio performance by the seminal Afro-futurist jazz group, aka “The Sci-Fi Band,” featuring stunning versions of their classic repertoire circa 1979, in a compact, quartet setting.
Known for mixing complex polyrhythms, polytonality and non-western scales with grooves and minimalist elements from popular m…
Talk Show is a new duo collaboration featuring Steph Richards on trumpets and resonating surfaces and Qasim Naqvi on drums, almglocken bells and modular synthesizer. Having worked together on other projects for almost two decades, Miss America, to be released by We Jazz Records on 21st November, marks their first, pure duo collaboration – a space to engage with a sonic language they’ve been cultivating together for years. The album was recorded live, with Qasim crafting real-time electronics and…
*150 copies limited edition* The Belgian free jazz scene of the early 1970s remains criminally under-documented. While Fred Van Hove's participation in the legendary Machine Gun sessions (1968) with Peter Brötzmann, Han Bennink, and Evan Parker placed Antwerp on the international map, a wild ecosystem of temporary combos and performative madness flourished in the shadows. The WIM (Werkgroep Improviserende Musici) collective - founded in 1972 after Van Hove and saxophonist Cel Overberghe refused…
2005 release ** Cardboard sleeve. All 4 tracks are electro-acoustic improvisations that delight the ear through their unorthodox tones and unexpected turns. Noisy and mystifying sounds develop into subtle compositions while playful rhythms and dynamic drones invite the listener on a 45 minute journey into the extreme.
1996 release ** Gatefold caedboard sleeve with insert (no OBI). The title is a play on the non-existent word "gospelized." This is Ware's most overt attempt at acknowledging the influence of Albert Ayler, not only on his playing style, but also on his method of hearing and formation. Accompanied by drummer Susie Ibarra, pianist Matthew Shipp, and bassist William Parker, Ware digs deep into the church and the level of spiritual reality to be found there and creates his own sonic vision of how tha…
26 October 2024, an album comprising a live performance by the Creative Unit of Yosaburō Toyozumi, Namchirak Signho, and Masatsugu Harada with Senko Terukina and Kosei Yamamoto at Gallery Mai within the Mōri Residence in Hofu City, alongside recordings from Masatsugu Harada's studio in Kure City. The performance at Gallery Mai could be described as ‘a once-in-a-lifetime resonance carved in Hofu by masters of improvisation.
There are super groups, and then there are Supergroups. This trio, comprised of three prolific journeymen improvisers whose work has been recognized across the globe, is neither. This is a band of down-to-earth, hard-working musicians, whose focus and dedication to the music is exceptional. That’s not to say that these three don’t have a combined CV that straddles a who’s who list of contemporary music across multiple scenes. But their ethos is one that emanates from their midwestern locale …