Jazz /
Message to Our Folks
** Deluxe 180gr. Marbled vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album facsimile-edition. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri **'A Jackson in Your House' is the first of the Art Ensemble of Chicago’s renowned trio of albums for BYG's Actuel series. This album is The Art Ensemble’s most celebrated release and finds the American avant-garde jazz collective at their most sensational, mocking and st…
A Jackson in Your House
** Deluxe 180gr. Marbled vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album facsimile-edition. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri ** 'A Jackson in Your House' is the first of the Art Ensemble of Chicago’s renowned trio of albums for BYG's Actuel series. This album is The Art Ensemble’s most celebrated release and finds the American avant-garde jazz collective at their most sensational, mocking and s…
New American Music, Vol. 1
*2024 stock. Custon CDr* From Milford Graves’ guttural experiments with percussion and the body to Mary Lou Williams’ jazz combo interrupted by atonal “fungus,” this compilation of new (1970s) music makes for an eclectic mix of musical sounds. Star innovators Gil Evans, Sam Rivers, Sunny Murray also contribute to this collection of jazz.
At The Helm
*2024 stock. Custom CDr* East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorporates elements of the West Indies, and both the Near and Far East. Originally issued in a very small pressing by Folkway Records in 1974, at a time when the label was doing some great underground recordings!
The sound is loose and free – spiritually…
Sax Qt (Lorraine) 2022
4CD + 40 pages booklet with photos and an essay in english and Italian by Mario Gamba
Live at SuperDeluxe - Volume 1
Tip! From the outset this ad hoc quartet hit the gas, launching into a frenzied, high-octane set with alto saxophonist Rasmussen engaging in a furious tightrope-walk of upper register screams while O’Rourke unspools some of the most gnarly guitar noise. The entire recording is a testament to refined listening. Even at the most scorching peaks each player is deftly attuned to one another’s sonic projections. Bridging generations, continents, and individual aesthetics, Rasmussen, Corsano, Sakata, …
Causa y Efecto, Vol. 2
*200 copies edition* The New Album by Francisco Mela and Zoh Amba 'Causa y Efecto, Vol. 2' is a celebration of differences and unity. Creativity in general and experimental music in particular can serve as a conduit to the inner soul of its creators, a kind of spiritual path that goes two ways and allows a deeper understanding also of ourselves. It's a light projecting the humanity of the players that simultaneously reflects the creator and the humanity in all of us. The vulnerability of the art…
Shadows
John Cassavetes’ directorial debut Shadows was a largely improvised film set in the bohemian jazz scene of 1950s New York; often referred to as the first truly independent film of American cinema, it featured a brief disjointed soundtrack improvised by Charles Mingus and his saxophonist Shafi Hadi, with various percussionists slotting in, including Phineas Newborn Jr. Gloriously messy, reportedly unfinished and referred to with scorn by Mingus, the Shadows soundtrack sketches ultimately yielded …
Lebroba
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
Standards Combustion
Trio with Daunik Lazro on tenor sax, Benjamin Duboc on bass and Mathieu Bec on drums. The album is entitled Standards Combustion, 9 tracks, mostly jazz standards, 2 Ayler compositions, 2 by Coltrane, 1 by Lacy and 1 by Shorter…
Recorded at Les Instants Chavirés, Montreuil, France on November 17 and 18, 2022.
?Ecstatic
*2024 stock* This recording was made on the day of the fortieth anniversary of saxophonist Mario Schiano's first jazz concert. He is joined by longtime collaborators, trombonist Giancarlo Schiaffini and bassist Bruno Tommaso, all of whom engage in nine free excursions of the highest order. Schiano sounds as fresh as ever, his revolutionary fervor never diminishing. Performing on both soprano and alto saxophones, his bittersweet tone and focused flights of fancy mesh brilliantly with Schiaffini's…
Winter Winds (The Complete Works: 1968 -70)
*2024 stock* "Between 1968 and 1970, the P.E. Hewitt Jazz Ensemble recorded three LPs. Self-released at the time in small runs (50 to 100) by teenaged bandleader, composer, pianist, and vibraphonist Phil Hewitt, they documented an enthralling and energetic — and somewhat outsider — vision rooted in post-bop modal jazz. Based in the San Francisco Bay Area, Hewitt was 16 when he made the first record. He was already a pilot and was also pursuing studies in the field of music as a healing agent. Al…
Victor
lll人 = Daichi Yoshikawa + Paul Abbott + Seymour Wright. lll人 came from London in 2012, and played there, and internationally: Berlin, Bratislava, Budapest, Dala Floda, Glasgow, Hong Kong, Ljublana, Paris, and Tokyo. With lll人 the tools are familiar, the listening is not. VICTOR is a 2-CD for lll人's friend Victor Schonfield (1940-2022).
SpiriTuaL HeaLinG: Bwa KaYimaN FreeDoM SuiTe
Saxophonist Omicil builds atmospheres then upends expectations in this free-jazz homage to Haiti’s successful 18th-century slave insurrection - The Guardian
Live At Fat Tuesday's, February 9, 1980 First Visit
First visit archive offers previously unreleased recordings of historic and musical importance. "When, in this music, he succeeds in fusing the emotional (translated into its lyrical and dramatic qualities) pas- sage of ritual with the complex architecture of his ensemble’s infrastructural procedures, we have a bridge into Cecil Taylor’s creative spirit, and far beyond." - Art Lange
"I was present at the recordings, sitting in the recording truck in front of Fat Tuesday’s in NYC. The recording w…
Three For Shepp to Gesprächsfetzen „Revisited“
"Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespächsfetzen Revisited. Brown’s opening “New Blues” and Shepp’s closing “Delicado,” though compelling,are relatively orthodox expressions of mid 1960s NewThing. The four tracks they bookend, however, are distinctive even today. Brown’s exquisite “Fortunato,” though it sounds like nothing Pharoah Sanders ever wrote, inhabits similarly pretty terrain as Sanders’ astral-ja…
Elastic
When Mars Williams dove into his vault to excavate several recordings for a Mars Archive series on Corbett vs. Dempsey, he immediately landed on a concert date from a decade earlier. The event, recorded at Chicago's Elastic Arts Foundation in 2012, featured a trio with Williams on reed instruments, Darin Gray on bass, and Chris Corsano on drums. This configuration had already been highly enough estimated by Williams that he'd posted one set on Bandcamp, but he saved the other set for future rele…
I know You Are But What Am I?
At the tail end of 1996, saxophonist Mars Williams and drummer Hamid Drake took the tall corner stage at Chicago's Empty Bottle for two sets of duets. The rock club had just started a weekly Jazz & Improvised Music Series, curated by Ken Vandemark and John Corbett, which would run for nearly a decade. This rare pairing brought together two pivotal figures in the city's creative music scene, both of whom had extensive experience in diverse areas of music, from the free jazz focus of this intimate…
Labyrinth: British Jazz On Record 1960-75 (Book)
Hardcover Edition, large format. Labyrinth is a massive hardback book, 375pp in length, printed on high-quality art paper, with an embossed cover and cloth quarter-binding, written by Richard Morton Jack. This beautiful, limited edition hardback is the most comprehensive overview of the subject ever published. It celebrates over three hundred albums, offering detailed background info about each, alongside excerpts from original reviews and masses of high-quality images that reproduce their fabul…
Maua
“A blissfully ecstatic sprawl of spiritual-jazz explorations of the most transcendent order” – Brooklyn Rail