Jazz & Improvisation / Japanese Jazz

"Following the sell-out success of our landmark compilation, J Jazz: Deep Modern Jazz From Japan 1969-1984, BBE Records is thrilled to present another exploration into the very finest Japanese modern jazz.J Jazz Volume 2 builds on the solid foundation of the first compilation and sees co-compilers Tony Higgins and Mike Peden once again pick choice sections from their own record collections. They present a deep dive into an intoxicating and beguiling range of styles: from cinematic roaring big-ba…

BBE Music presents J Jazz volume 3, the latest in its definitive compilation series exploring the finest modern jazz from Japan. Since the first volume in February 2018, the J Jazz compilation series has showcased some of the most creative, inspired, and sought-after jazz recorded in Japan during a golden period spanning the 1960s to the 1980s. Illustrating the richness and versatility of the composers and musicians on this collection, the music spans a wide yet coherent range of styles: samba, …

** 2021 Repress ** In the years following World War Two, Japan developed one of the most insatiable, dynamic and diverse markets for jazz. For a crucial period of little over a decade – from the late 1960s to the early 1980s – Japanese jazz culture progressed at an astonishing rate, producing an extraordinary array of artists, recordings and record labels that created some of the most forward thinking and impressive jazz to be committed to tape. This amazing journey is explored on J Jazz: Deep M…

*Much needed repress* BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines. Reissued for the first time since original 1970 release, Mine is joine…

*Much needed repress* As part of the widely respected BBE J Jazz Masterclass Series, Koichi Matsukaze‘s incredibly rare and much sought after album Earth Mother sees a deluxe repress on BBE Music. This is the third highly anticipated release in the series. Regarded as one of the most sought-after yet elusive albums from a pivotal era in Japanese jazz, Earth Mother was originally issued in 1978 on ALM, a private label home to some of the most innovative jazz, contemporary classical and free impro…

**In process of stocking** BBE Music presents the fourth release in their acclaimed J Jazz Masterclass Series: Topology by Makoto Terashita and Harold Land. Originally released in 1984 on the cult Aketa’s Disk label, Topology captures a surprising yet fascinating and engaging collaboration between a young Japanese jazz pianist and an elder American statesman of jazz.Reissued by BBE Music for the first time since original release 36 years ago, Topology showcases the extraordinary compositional an…

Original release completely reproduced as faithfully as possible. Pressed and printed in Japan. A recording of a passionate live performance held in the northern land of Nemuro, which continues to be loved along with the first album "Tact." The title song is literally epic, like ice floes colliding in the ocean. Played by a group under the direction of the legendary Japanese drummer Motohiko Hino, the music is firmly in the finest modal way. The reed players, Mabumi Yamaguchi on tenor and Yasuak…

** Black Vinyl edition **  A spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled performers they demonstrate extraordinary compositional talent that transcends their sensibilities and wisdom of more conventional jazz. They are together a wonderful combination of techniques, but without …

Black Vinyl. For more than 20 years, Cinedelic has gained a remarkable reputation for illuminating unexpected trajectories within the world of avant-garde sound. While the primary body of their efforts has been dedicated to reissuing unconventional soundtracks and Italian library music, increasingly they’ve been casting their eye abroad. This was partially noteworthy with the launch of their Orient Series in 2021, which endeavors to make seminal gestures of historic Japanese music available to a…

Following the highly acclaimed Volume I, dig further into the Wamono sound - the cream of the Japanese jazz,  funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan! Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold…

Tip! *Japan import with Obi Strip* In 1967, drummer Takeo Moriyama joined pianist Yosuke Yamashita’s group, later forming a legendary trio together with saxophonist Seiichi Nakamura in 1969. This group consisting of Moriyama, Yamashita, and Nakamura became known worldwide as one of Japan's leading free jazz combos. Moriyama left the group in 1975 and later returned to the scene in 1977 with the Flush Up live album, where he evolved and deepened his musicality in a more melodic and rhythmic direc…

Tip! Three Blind Mice revitalized the Japanese jazz scene during the 1970s and 1980s. Its initial mission was to proactively produce albums of new musicians. Another goal was to expand its fan base, which was done by releasing albums of famous musicians. Through these efforts, TBM has greatly contributed to enriching the Japanese jazz scene. Tsuyoshi Yamamoto and Isao Suzuki were two of the leading figures who gained prominence by their works on TBM. Yamamoto quickly became a star in the Japanes…

Japanese edition.  180 gram vinyl, comes with Ob A fantastic electric album from one of the most unique bassists of the 70s – Blow Up is one of the most sough-after titles from the acclaimed Three Blind Mice catalog. Isao Suzuki's Blow-Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded "Jazz of Japan" Award and the Jazz Disc Award of "Swing Journal" in 1973."This adventurous set finds Suzuki and his band mates (drumme…

"Okinawa-born tenor sax star Ryusei Tomoyose famously studied under Sadao Watanabe in Tokyo words the final part of the 190s. Once his studies were complete, he went home and decided to focus on teaching and nurturing young musicians, which he did for the rest of his life while also becoming a pioneer in the Okinawa jazz scene. This album which was originally released in 1979 is packed with his playing passion and is a legendary record into which he pours his whole heart and soul. It was recorde…

Jinya Disc presents The complete works of Jojo, 2 DVD set, valuable footage of Action Direct and duo. This release contains 2 DVD: The Complete Works Of Jojo: Action Direct Masayuki Takayanagi: guitars, motors, tape recorders, ring modulators, analog effects, megaphone speakers, etc. Filmed by Yasunori Saito and Kyoko Saito at the New Direction for the Arts Regular Concert Vol. 69 (1, 2) and Vol. 70 (3, 4), at Jean Jean, Tokyo, August 4 and December 17, 1990. Recorded by Masaki Shimada (1, 2) an…

Dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Wewantsounds is delighted to announce the release of one of Japan's most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai's superbly crafted songs and crystal clear voice over Ohno's lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available…

300 copies. Mototeru Takagi (tenor saxophone) Kim Dae Hwan (percussion) Choi Sun Bae (trumpet). NoBusiness Records in cooperation with Japanese Chap-Chap Records has started a series of releases of unreleased concerts that took place in Japan in the 90s. Concerts were organised by big fans of free jazz and improvised music Takeo Suetomi and Sadamu Hisada. The idea of the series of the concerts was to arrange and record cooperative projects of American-European musicians with Asian musicians, as …

Mari Nakamoto's third Three Blind Mice (TBM) release showcases her tender vocal style, complemented by the masterful accompaniment of Isao Suzuki on bass and Kazumi Watanabe on guitar.

Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.

* 2020 Stock * Not Blues is a live recording of the contemporary jazz group Masayuki Takayanagi Jazz Contemporary 4, which was formed in February 1969. It was the year when the group New Direction was formed and the first recording "Independence" under the name of New Direction was released in September the following year. In other words, this work is a record of "jazz performance" just before Masayuki Takayanagi moved to free jazz. According to the commentary by guitarist Kazuo Imai (that studi…

Tip! *Japan import with Obi Strip* From the opening tune “The Vamp” to the final “Head Rock”, this album is a dazzling jazz rock showcase with dreadnought songs that are filled with ideas and passion. This is a masterpiece that has an overwhelming presence in the history of jazz in Japan, as an heresy left on the prestigious jazz label Takt.

Tip! *Japan import with Obi Strip* Hiromasa Suzuki is a legendary composer and arranger, and a key player who has been active in the Japanese music world, including jazz as well as movies, television and commercials. In the late ‘60s and mid-’70s, he was deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki in their most radical times. The album “High-Flying,” recorded in 1976, showed his innovativeness, which was always one step ahead of the times. This is an essential …

Big Tip! Originally released in 1983 through Apollon Music industrial corp’s alty sublabel, Mule Musiq sub-label Studio Mule presents the first official digital reissue of Shinsuke Honda 本多信介’s rare Silence = サイレンス (夕映え) album. recorded as part of alty’s resort mind music series, Honda-san’s contemplative guitar instrumentals tint the air with nostalgia, longing and a gentle sadness at the impermanence of all things, transporting the listener to an eternal sunset of the mind. A masterful guitari…

The second in the Masaru Imada reissue series that jazz collectors all over the world have been eagerly awaiting! This is a tour de force of Imada's hard bop style, featuring Shigeharu Mukai on trombone and Seiichi Nakamura on saxophone. All songs are Imada's own original numbers, and he also demonstrates his true potential as a melody-maker.

Reissue of Masaru Imada Trio's Blue Eyes. Originally issued on Yupiteru Records YJ25-7029. Recorded on June 25 and 27, 1979. Comes in mini LP replica with obi, four page booklet in Japanese

The second in the Masaru Imada reissue series that jazz collectors all over the world have been eagerly awaiting! A solo piano album that allows you to fully enjoy the beautiful tone and fluid touch of jazz piano poet Masaru Imada. The album features Imada's signature tune 'Pico', as well as 'Sum Time A Go', which was also performed by Chick Corea.

One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his later projects. Born in Tokyo, in 1941, Masahiko Satoh's ear…

** 2LP version. 180 gram vinyl. Heavy sleeve and obi ** I had no idea that Ryo Fukui had left behind such a sound source. This is a completely unreleased live performance recorded on June 8, 1977. The recording was done at Sapporo's live house "Vidro" by Masataka Ito, the producer of Fukui's "Scenery" and "Mellow Dream” albums. It is exactly the performance of the Fukui Trio from that period, but at the same time, it has an overwhelming energy and freshness that is not found in studio recordings…

*Limited Edition* This late '60s Japanese "Playboy Manual" features a sexy cover and a unique format. Each track begins with Japanese spoken segments from Norio Maeda, possibly on seduction, followed by groovy instrumental music. The blend of jazz and easy modes, with romping piano, blasting horns, and mod rhythms, makes it a stylish and lively record.

For this brand new chapter in the highly acclaimed Wamono series, DJ Chintam goes digging into the vaults of one of the most revered Japanese labels, Trio Records, and unearths some killer drum breaks, dope bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981!

*2024 stock* "I think we've created something that can be called 'Japanese jazz.' I want to take it to the world." With these words, Oki Itaru left Japan in 1974. This album is a live recording of a concert he held just before leaving for France. The sound, which is filled with the achievements he had made up to that point and his determination for the future, is still vivid when listened to today. This album captures one of Oki's peaks.

*Limited Edition* Embark on a wonderful French journey with the Japanese duo of saxophonist Mototeru Takagi and pianist Takashi Kako, accompanied by the exceptional Kent Carter on bass and cello, along with Ron Pittner on drums and percussion. This performance showcases Takagi and Kako in a slightly different light, possibly influenced by the Paris ambiance. While their creativity remains modern and distinctive, there's a nuanced sentimentality in their playing, evoking a special undercurrent th…

*2023 stock* The impossibly cool 1973 album What's Going On from Late, Great Japanese Funk & Jazz Don Takehiro Honda which swings through jazz orchestral renditions of American R&B and Funk Classics like Marvin Gaye's "What's Going On, "Otis Redding's "Sitting On The Dock of the Bay," and James Brown's "Ain't It Funky Now" turning them into the most Down Home, Grits 'N' Gravy Grooviest Versions and sounding like they were recorded at the studio of the band that taught the Memphis Rhythm Sections…

*Limited Edition* Immerse yourself in the charm of a Japanese piano trio session, elevated by the rhythmic enchantment of conga player Yohichi Ogawa. The trio, featuring Kunihiko Sugano on piano, Eizoh Honda on bass, and Teruhiko Takada on drums, takes on a sweet and dynamic quality. Ogawa's conga rhythms add a distinctive flair, injecting energy into Sugano's music—a blend of lyrical imagination, gentle swing, and freewheeling vitality. With extended tracks this session is a delightful explorat…

*Limited Edition* Oki Itaru went to France in 1974, and recorded this album in 1977 when he temporarily returned to Japan. The group consisted of Keiki Midorikawa and Masahiko Togashi, with whom Oki had collaborated since the early days of his career, and Takashi Kako, who had befriended him in Paris. The matured musicality of the group finally reached its climax with this reunion and encounter. This is one of Oki's masterpieces, and at the same time a masterpiece that conveys the maturity of Ja…

*Limited Edition* Percussionist Yoshisaburo Toyozumi – aka Sabu – heads up a brilliant set of creative jazz based on compositions by the Art Ensemble Of Chicago in a record that's clearly titled with a nod to the musical achievements of the AACM! The album's three long tracks are all AEC compositions and they're performed by the group with a style that's got the same sort of organic improvisation we love in the Art Ensemble a mode that's free, yet never too much so and always skewed with just th…

*Limited Edition* Trumpeter Itaru Oki leads, but Takashi Tokuhiro's mesmerizing bass solo on "Shirasagi" steals the show. Side two transforms "You Don't Know What Love Is" into an unrecognizable, free-flowing improvisation leading to "October Revolution." Bass and trumpet, supported by percussionists Joe Mizuki and Tatsuya Nakamura, shine in this album, where standout moments redefine musical boundaries.

*Limited Edition* Japanese trumpeter Terumasa Hino delivers an exceptional moment in this early '70s session recorded in America, featuring the brilliant contributions of Gary Bartz on alto saxophone and Reggie Workman on bass. Unlike Hino's later fusion-based American dates, this album embodies a sublimely spiritual style with extended tracks that echo the energy of Bartz's early works. The music, much like Bartz's, stretches out without veering too far into avant-garde territory, maintaining a…

*2024 stock* Takashi Kako, who immersed himself in "the world of improvised music, where composition and performance progress instantaneously" while studying in Paris, recorded this album live on his temporary return to Japan in 1976. It is the culmination of this period, a dense and intense performance.