David Maranha

David Maranha's electric organ and Rodrigo Amado's tenor saxophone in a single 41-minute piece recorded live at Out.Fest 2025: drone, noise and free jazz, with liner notes by Stuart Broomer.

* Limited to 100 hand-numbered copies. Pink colored c40 cassette with white imprint. Comes in regular jewel case and 4pp 170gsm paper covers. Includes download code. * In a forthright response to the always speculative query, "Which musicians would you like to see collaborate", Coherent States proudly presents the "Na boca do Alvanel" album by David Maranha and Stefano Pilia. Delving deeper, "and why?" becomes clear: Stefano’s extended guitar manipulation and David’s ethereal violin, flute & org…

Stellage delivers a compelling split LP from Katya Shirshkova and David Maranha, "Le Héron / A Reuniåo," set for release in July 2024. Created and produced in residence at La Box contemporary art gallery at ENSA - École national supérieure d'arts de Bourges in 2023, this album is a profound exploration of the two artists' respective voices, showcasing their distinctive approaches. Katya Shirshkova opens the LP with side-long "Le Héron." This piece is an unadulterated exploration of voice, devoid…

*Limited edition of 200 copies. Includes a 48 pages art book and 2CD.* Six musical compositions by Phill Niblock, soil and cutting tree of Amanatsu orange from Masanobu Fukuoka Natural Farm, wooden pedestals, speakers, wooden benches, wooden planter, acrylic case, water, sunlight. An exhibition by Mathieu Copeland. Nurturing Exhibitions was one of two concomitant exhibitions that formed Exhibition Cuttings at Le Forum / Fondation Hermès in Tokyo, Japan between April 23rd (Fri.) and July 18th (Su…

** Edition of 75 White Vinyl ** If you’re reading this and know the incredible careers of Chris Corsano (US), David Maranha (PT) and Richard Youngs (UK) you can already imagine what you’re getting into… or maybe not. Opened up to virtually infinite possibilities, this is a blessed gathering by three of the most idiosyncratic and illuminated artists working in the sprawling field where the most defiant and unmapped music converge. Leading figures of the unnameable, each of them on his own has cre…

Recorded live by Michal Kupicz in Basilica of the Sacred Heart of Jesus in Warsaw on 13th December 2014 during the Playback Play #7: Adwent. Curated by Michał Libera and Michał Borkiewicz. Cover Design by Kama Sokolnicka. Mix by Gerard Lebik, David Maranha. Mastering by Joe Talia. Phil Minton - voiceDavid Maranha - organGerard Lebik - generators

“Cai-Bem” is a splendid addition to the already extensive discography of David Maranha. It is also the first full-length vinyl LP in Tanuki Records’catalogue. There is a story behind this new album, although you would not guess what it is, unless told. Keen to explore new ways of playing, as he has done during his whole career since he began playing with his band Osso Exotico in the 1980’s, Maranha suggested that they should all play other instruments that their regular ones. He himself switched…

** shipping within a few days** In an everlasting process that continuously repositions and reevaluates infinity as a consciously unachievable but ultimately rewarding goal since the early '90s, David Maranha's music has been riding that arc with ferocity and aplomb. A unique vision that has been translating the eternal in a sprawling language through countless performances, approaches and records like Marches of the New World and the Roaratorio released classic Antarctica. Always the unse…

Portuguese multi-instrumentalist David Maranha has made no secret of his appreciation for Tony Conrad’s music over the years, and so it’s not so much of a shocker that this duo encounter with Sweden-born, Philadelphia-based cellist Helena Espvall renews that association. After all, the pairing enables him to explore the productive clash of bowed, amplified strings, a friction that’s at the heart of Conrad’s sound. But this music doesn’t really behave much like Conrad’s mathematically der…

Brand new David Maranha album, here with Gerard Lebik in a a sound performance held at Cave 211, Lisbon, January 2014 "An accumulation of resonances reinjected into an impressive granular continuum with a growing audio signal stretched to the limits of saturation. Music that leads to trance! David Maranha His work encompasses sculpture, music and architecture. In 1986 he started to develop his work as a musician both as a solo artist and with several bands and has since released more than 30 a…

The Swifter is a trio featuring Andrea Belfi (drums and percussion), BJ Nilsen (electronics) and Simon James Phillips (piano). Their eponymous debut LP was released by The Wormhole in 2012; a follow-up album is in preparation. On this occasion, The Swifter (joined by special guest David Maranha on organ) was recorded live at Teatro  Maria Matos, Lisbon, by Pedro Alçada on 2 February 2013. 

Voices by David Grubbs, Magorzata Penkalla and Pete Simonelli, guitars by David Grubbs and Miron Grzegorkiewicz, organ and violin by David Maranha, Text excerpted from Vanishing Point: How to Disappear in America without a Trace Music by David Grubbs, Miron Grzegorkiewicz, David Maranha, Gosia Penkalla, Pete Simonelli Three takes on America - three journeys and three documents. Written and recorded.Year 1939, John A. Lomax and Ruby T. Lomax in their Plymouth - going South. 6502 miles, tons of …

Voice by Pete Simonelli, guitar by David Grubbs, organ by David Maranha, percussion by Andrea Belfi. Selection of texts follows that of Harry Partch's „Eleven Intrusions” Texts by Ella Young, Ella Young and Lao Tzu, Tsurayuki, Willard Motley, George Leite, Giuseppe Ungaretti

“Strings” documents the long awaited first encounter of David Maranha and Stephan Mathieu, taking place in the Tennis Court of the Parque de Serralves, in Porto, on a sun-drenched yet gusty late-afternoon in July 2011. Having discussed in advance which instruments, tuning and notes to use, the piece was accomplished as an improvisation on the violin, shruti-box and virginals, reflecting both players love for classic minimalism, but also their ability to transform this language and make it their …

"Certain musicians names can speak for themselves, before even a note of music has been played. Their reputations proceed them, although of course there will also be those ignorant of both reputation and name. David Maranha - solo or with Osso Exotico - explores the territories opened up half a century ago by John Cale and Tony Conrad. Z'ev is the grandmaster of industrial/ tribal percussion. The fusion they create together is a magma of movement and stasis before which only legless cripp…

Latest collaboration of the acclaimed minimalist portuguese musician David Maranha with the talented free-form drummer Gabriel Ferrandini in a 42 minutes of a virulent organ+drums out-jazz drone improvisation. “A fonte de Aretusa” is the convergence between the legendary organist David Maranha and the free-form young revelation drummer Gabriel Ferrandini. Based in Lisbon, Portugal this duo started in 2010, with regular rehearsals and concerts that lead to this first album that captures a b…

Recorded in Lisbon over two months in 1999, for violin, double bass, bass drum, harmonium, Hammond organ and guitar. The Wire called the timbre steel wool: pieces that set a texture going and leave it running, with a screech that politer minimalists leave alone.

RESTOCKED, very last copies...Awesome new arrival, two side-long excursions into monolithic drone-rock in Tony Conrad + Faust vein. David Maranha’s recordings stretch back over 20 years with the Portuguese avant trio Osso Exótico, as well as collaborations with Z’ev and Minit. A followup to Marches Of The New World (2007), Antarctica is made up of two side-long excursions into monolithic drone-rock. In the vein of Tony Conrad & Faust, “Venus In Furs,” La Monte Young and Terry Riley, Maranh…

Reissue of this 1999 release and out of print since a long time. Some reviews at the time of release : ' After a tentative opening consisting of damp harmonic scrapes, the piece takes off like a single-engined light aircraft when David Maranha kickstarts his four-motored Piano effect and then starts to tease single notes from the bubbling background with his bow. This is a great and physically affecting slab of sound, where the slightest minimal shift causes tectonic plates to groan. It's gravy …

“Noe’s Lullaby is a mysterious recording in several senses of the word. Portuguese composer David Maranha has chosen to be obscure regarding instrumentation, listing the performers (a septet) but not what they’re using to produce the sounds. From the aural evidence and what one can discern from past projects of his, it appears that such devices as stroked metal strings, wine glasses, harmoniums, guitars, and percussion (all with perhaps some electronic modulation) are among them. The music itsel…