Don Cherry
From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases that evoked ancestral worlds via the abstraction of exotic styles, predating Jon Hassell's "fourth world" music (and the whole world-music bandwagon) by more than a decade.
From the very beginning, Los Angeles-raised Don Cherry (1936) displayed an anti-virtuoso attitude that contrasted with the ruling dogmas of jazz music. Cherry shunned both acrobatic exhibitions and radical experiments in favor of humility and pathos (thus appealing more to the rock crowd than to the jazz crowd). His style focused on the idiosyncratic timbres of his pocket trumpet and on languid phrases that evoked ancestral worlds via the abstraction of exotic styles, predating Jon Hassell's "fourth world" music (and the whole world-music bandwagon) by more than a decade.
Roundtrip
First CD edition. Remastered from the original master tapes. OBI Strip, Twelve pages booklet with exclusive pictures and liner notes. After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M. This concert was recorded in 1977 at the Paris MIX festival (Théatr…
Maghreb Cantata, Live 1969
** Much-needed repress ** A marvellous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European Jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North-African deep flavoured Jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (piano, celeste) leading …
Musikforum Schloss, Viktring, Austria – July 20, 1972
* Much-needed repress * Recorded live in Austria in 1972 this outstanding document marks an important event such as the meeting between Don Cherry and Dollar Brand. Here the modern jazz trumpet master and the great South-African pianist along with percussionist Nana Vasconcelos and bassist Johnny Dyani are caught in the middle of a sound ritual where Jazz elements and world music echoes appear as fully integrated in some sort of visionary, organic music form. A deep sensorial experience based on…
Where Is Brooklyn?
Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Blue Note founders Alfred Lion and Francis Wolff had open ears and open minds, as they proved time and time again through the early-1960s as they documented some of the most adventurous players of the modern jazz scene like Andrew Hill, Eric Dolphy, and Tony Williams. But it wasn’t until they brought Ornette Coleman and Don Cherry to Blue Note in 1965 that t…
Live In Ankara
Recorded in November 1969 at the US Embassy, Live In Ankara saw the adventurous jazz trumpeter Don Cherry performing with saxophonist Irfan Sümer, bassist Selçuk Sun, and drummer Okay Temiz, with arrangements by trumpeter Maffy Falay, who had introduced Cherry to Temiz in Stockholm. Mostly comprised of Cherry originals and adaptations of Turkish folk songs, there are one-off takes of compositions by Ornette Coleman and Pharoah Sanders as well, the sparse musical ensemble giving Cherry ample room…
Song Of Soil
Masahiko Togashi was a pivotal figure in the development of the Japanese free jazz scene in late 60s. Percussionist and composer, he lost the use of the legs in an accident which nevertheless didn’t not prevent him from continuing an astonishing career that includes long and established collaborations with figures of the likes of Steve Lacy, Charlie Haden, Mal Waldron and Paul Bley. This session, recorded in Paris at the Ramèse Studio Du Village in 1979, sees an explosive collaboration by the t…
A Tribute To Blackwell
In Nov. 1987, a three-concert Ed Blackwell Festival was held in Atlanta. The festival served as a good excuse to reunite the members of Old And New Dreams (trumpeter Don Cherry, tenor-saxophonist Dewey Redman, bassist Charlie Haden and drummer Blackwell), a quartet comprised of Ornette Coleman alumni. The unit interprets three rarely-performed Ornette Coleman compositions and a tune apiece by Blackwell and Redman. All of the musicians are in top form on this no-changes music, creating fresh and …
Tomorrow Is The Question!
*Limited edition of 500 copies.* This was definitely a perfect title for Ornette Coleman's second and last album for Contemporary before switching on Ertegun's Atlantic label. Originally released in 1959 "Tomorrow is the Question" was an early evident step towards the revolution to come. An adventurous yet accessible, bluesy album with Coleman and Don Cherry tasting for the first time the freedom of a pianoless rhythm section featuring Percy Heath or Red Mitchell on bass and the great Shelly Man…
Where Is Brooklyn? & Eternal Rhythm
These sessions were recorded exactly two years apart, in early November 1966 and 1968 (both were released in 1969). While they can’t be called “bookends” by any means, they do bracket a remarkable period in Don Cherry’s musical evolution, on his journey from the more strictly jazz environments, as adventurous as they were, of Ornette Coleman, Albert Ayler and others, to a philosophy that embraced many non-Western traditions. While these included various African forms, especially those of west-ce…
Home Boy, Sister Out
CD Edition. Don Cherry's downtown Paris funk masterwork Home Boy, Sister Out, produced in 1985 by Ramuntcho Matta and originally released by Barclay in France only, finally gets a worldwide release on Wewantsounds. Featuring French post-punk muse Elli Medeiros, avant-garde poet Brion Gysin, and cult Senegalese drummer Abdoulaye Prosper Niang (Xalam), this is a unique soundbite of Paris in the early '80s at its coolest when funk, jazz, and new wave were mingling with sounds from Africa, Jamaica, …
Cherry Jam
* Cardboard sleeve with Japanese replica obi strip and fold out liner notes sheet * Never-issued work from Don Cherry – and a really key piece of the puzzle in the career of this legendary trumpeter! The recordings were done for Swedish Radio, with great fidelity – more than just live tracks captured in a club, and instead some really thoughtful material that marks an early pairing of Cherry's talents with the Swedish scene that he would soon call home! Don plays cornet, and the music is maybe …
Eternal Now / Hear And Now / Brown Rice
Includes three albums: MJJ423CP - Eternal Now (LP, Pink) MJJ424CB - Brown Rice (LP, Brown) MJJ425CY - Hear And Now (LP, Yellow)
Hear And Now
Hear and Now's cover depicts a smiling Cherry posing like Buddha, and holding a trumpet with a bent mouthpiece -- an indication of some meditative sounds, but it's really a mishmash of styles with a leaning toward African rhythms. An underlying social message runs through the album of Cherry compositions (except one) produced by Narada Michael Walden. Cherry plays very little trumpet on "Universal Mother"; the African-based excursion is carried by Neil Jason's bass, Sammy Figueroa's congas, and …
Brown Rice
If Eternal Rhythm was Don Cherry's world fusion masterpiece of the '60s, then Brown Rice is its equivalent for the '70s. But where Eternal Rhythm set global influences in a free jazz framework, Brown Rice's core sound is substantially different, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations. And although purists will likely react here the same way they did to post-Bitches Brew Davis, Brown Rice is a stunning success by any other standard. By turns hy…
Eternal Now
Something of a sequel to Eternal Rhythm, his classic meeting of free jazz and world music from five years prior, Eternal Now found Don Cherry entering the studio for the tiny Sonet label, once again with members of the European avant-garde scene (this time from Sweden).
This time around, though, the focus swings decidedly to the world-folk end of things: The only standard Western instrument is the piano, featured on only two of the five pieces (one of which is a non-traditional, African-styled r…
The Summer House Sessions / Organic Music Theatre (3LP in bundle)
This bundle includes the following Don Cherry LPs recently released by Blank Forms:Don Cherry "The Summer House Sessions" (LP)Don Cherry "Organic Music Theatre - Festival de jazz de Chateauvallon 1972" (2LP)
Don Cherry "The Summer House Sessions" (LP)* Black vinyl, pressed at RTI and housed in a heavy-duty tip-on Stoughton jacket, with insert. * In 1968, Don Cherry had already established himself as one of the leading voices of the avant-garde. Having pioneered free jazz as a member of Ornette C…
Beautiful Young Generation
* Limited Edition 180-Gram white vinyl. Comes in a deluxe matte laminate gatefold sleeve * Newly mastered from original BYG tapes. BYG were a pioneering independant record compagny, one of the first labels to actively promote diversity and support black African-American musicians and multi-cultural artists worldwide during the 1960’s and 1970’s. Launched in the late ’60s in Paris, a city then in the throes of great social upheaval, BYG became the home of music that was uncompromisingly new. The…
Complete Communion & Symphony For Improvisers
Super Tip! Don Cherry cornet, Gato Barbieri tenors saxophone, Pharoah Sanders, tenor saxophone & piccolo, Karl Berger vibes & piano, Henry Grimes & J.-F. Jenny-Clark double bass, Edward Blackwell drums.“The 1960s were a decade of diversity and discovery for Don Cherry. They began with him an important part of Ornette Coleman’s pathbreaking quartet, and ended as he ventured deeply into the process of. defining his distinctive approach to a world music. But the first six years plot a course of ex…
Communicate, How?: Paintings and Tapestries, 1967 - 1980 (Book)
* Exhibition catalogue. Limited edition. Produced on the occasion of the exhibition, extensive and copiously illustrated, with texts by Evie Ward, John Corbett, Lisa Alvarado, Christina Forrer, Naima Karlsson* Corbett vs. Dempsey is pleased to present Moki Cherry, Communicate, How?: Paintings and Tapestries, 1967-1980. Following Blank Forms’ exhibition in New York, which took an in-depth look at the Don Cherry and Moki Cherry partnership, Communicate, How? places the spotlight squarely on Moki, …
Live at Café Monmartre 1966 Volume Three
Live At Café Montmartre Volume Three features more great music from the Don Cherry Quintet. Recorded in March 1966, Don Cherry joins forces with Gato Barbieri, Karl Berger, Bo Stief and Aldo Romano for two exciting, extended performances of "Complete Communion" and "Remembrance". A recording that will surely be known as classic, Volume Three is essential music for all fans of improvised music.