Z'EV (1951 to 2017), born Stefan Joel Weisser in Los Angeles, was an American percussionist, text-sound artist and mystic, best known for his catacoustic work, music made from reflected sound. He began recording in the late 1960s in a handful of psychedelic projects and by the end of the 1970s had taken the Z'EV name to explore the spatial poetics of the polyrhythmic clamour he drew from hand-built instruments of scrap metal, plastic and industrial junk, swung and struck in performances of great physical force.
Dariusz Wojtaś (Hati) recorded Tibetan bowls, field recordings and vintage reverb units in Toruń; Z'ev processed and mixed them in London into two long, shifting metallic drone pieces. A5 gatefold cover, limited to 350.
Early hallucinatory ritual percussion works from the much-missed rhythmajik master. This legendary album by Industrial pioneer Z'EV was originally released in 1986 (LP, Dossier), now finally available with the state-of-the-art remastering it deserves. Also included is the bonus 20 minute track 'Titan Night', recorded at Berlin Atonal in December 1983, now available here for the first time on any format since the original 1984 split LP with Psychic TV (who performed their iconic set at the same e…
Four exclusive tracks. Released in conjunction with a live performance at the Lagerhaus Bremen on 17. April 2004. Record One features two very dynamic untitled tracks by legendary industrial percussionist Zev recorded and mixed in early 2004 , while record Two features Zerfall-Gebiete a new collaborational project by Thomas Köner and Ulrich Krieger (former Zeitkratzer member who besides his solo work also plays in various other projects e.g. in a band project called Text Of Light with Lee Ranald…
2007 release ** "After my recent trip to Asia, my interest in oriental music has definitely greatly increased and then this release fell into my lap... Serendipity or coincidence, I eagerly went through this double bill, listening to all the nuances and influences I could trace back to my trip or recognize the origin of... There is definitely a lot going on but sadly the recording quality didn't seem to have always been determining factor in the choice of material. The release is dubbed as a CD …
2001 release ** "The birth of Face the Wound was a difficult one and listening to it can be uneasy, too. The follow-up to (or more precisely the second part of) Z'EV's Heads & Tales CD, it was begun in 1995, completed in 1998, and finally released in 2001. The artist's mother was diagnosed with cancer and died during the writing process. The concept underpinning each of the 19 tracks is pain, both individual and collective. The title Face the Wound refers to Z'EV's belief that many of our modern…
2010 release ** "In the planning (and many faxes, emails and discussions in person) for 20 years, finally this stunning collaborative release for Cold Spring from Japanese Noise king Merzbow and legendary elemental sound artist Z'EV is here. The tracks were created in London and Tokyo, with each artist remixing the other's original sounds. Two tracks weighing in at 22 minutes and 28 minutes respectively! Dark Ambient Noise."
Erratum Musical, Studio Forum and C.A.R.E. are very pleased to announce the release of this groundbreaking historical LP from 1976 recorded in Los Angeles. First ever recordings of sounds by Serge Modular System + Z’EV + Will Jackson!
TO was founded in 1976 in San Francisco by Will E. Jackson (1945-2019) & Stefan “Z’EV” Weisser(1951-2017), occasionally performing under the code name “Center for Inter-Species communication”. The real missing link between works by California’s modular synthesizers…
*350 copies limited edition.* 2024 stock.Nick Parkin and Z’ev were introduced to each other by Charles Powne of Soleilmoon Recordings at a social get together in London in 2005. The following year they ran into each other again at the ICA’s Sonic Arts Festival, and after a series of meetings and conversations realised they had a number of common sonic and philosophical threads, and decided to try recording together. The two musicians shared an interest in site-specific recordings and the atmosph…
*200 copies limited edition*
Rhys Chatham: trumpet in B flat, transverse flute in C, alto and bass flutes, electric guitarZ'EV: Yamaha DTXPRESS, 16-bit AWM2
Recorded at Studio Myrha, Paris 2014
*In process of stocking. 2022 stock.* Oren Ambarchi is a composer and multi-instrumentalist experimenting in the dark trance-inducing worlds of ambient, industrial and electronic music. His newest collaborative project features the legendary percussionist/composer and mystic Z’EV in a hypnotic series of pieces exploring the inner meanings of the Hebrew Alef-beit. A remarkable vision from beginning to end, with sounds both fragile and powerfully intense, Oren and Z’EV take the sonic investigation…
** 2022 stock ** Limited edition of 423 copies. Released in six-panel Digipak with additional insert card. This is the second collaborative album by the industrial legend the Polish duo from Torun, and is a sonic postcard from their 2011 tour in May 2011 and is composed of two, supposedly without overdub, livesets: „Live in Torun” is the first set, a long track, and is focused on the resonance of the cymabals and gong notoriously used by the players in the first part of the gig while the develop…
Here we have Kommissar Hjuler un Frau working with Z'EV and Bryan Lewis Saunders in their ongoing (seemingly) endless series of disjointed mail collaborations. Fantastic and absurd! As with all BN tapes this one comes with two vinyl stickers (these feature a self portrait by Saunders done especially for the hounds) and a 1" button. Limited to 100 copies. - Blossoming Noise
**50 numbered copies + 18 un-numbered copies** "On December 7, 2014, Z’EV opened up for Steven Wilson & Thomas Köner as part of the Extrapool program Brombron at the local Doornroosje venue. Z’EV was an earlier guest, recording with KK Null in 2009, and provided a great audio-visual support. The next day, he set up his electronic drums in Extrapool and Peter Johan Nÿland and Frans de Waard rooted the sound to various speakers in- and outside the venue, using the acoustic qualities of the spaces,…
"Heart Beat Ear Drum" is a feature length documentary about the late artist and musician Z'EV (1951-2017), known for his punk era scrap metal music - an extraordinary range of acoustic phenomena resulting in trance-inducing sounds. This documentary shows how his music changed and grew and how his personal journey led him to the margins of art and the depths of heart. From 2007-2015, director Ellen Zweig followed Z'EV, shooting concerts and interviews, and collecting archival footage. In addition…
With side A and side AA “Shed light on the origins” dissolves the B side, mocking polarities. Thus, Carbon Sink & Z’EV invite us to enter in an electric climate world, crossed by AC high voltages, and by electromagnetic waves of luminous gases. A trip across the elementary particles on hypnotic rhythms, to the encounter of cyborg-birds, interferences and echoes. “Shed light on the origins” is an electroacoustic music in a “dark-tropical” style.
Sub Rosa presents works by industrial music pioneer, Z'EV. The physical vibrations of the objects in his works with both text and sound has been influenced by the Middle Eastern mystical system best known as Kabbalah, as well as -- but not limited to -- African, Afro-Caribbean and Indonesian rhythms, musics and cultures. He has studied Ewe music, Balinese gamelan, and Indian tala. From 1959-1965 he studied drumming with Arnie Frank, then Chuck Flores and then Art Anton at Drum City in Van …
Marc Hurtado, voice and instruments (recorded by Marc Hurtado at Fire Music Studio, France). Z'ev, percussions (recorded by Z'ev in London, UK). Mixed and mastered by Marc Hurtado at Fire Music Studio. Art Direction and photos by Marc Hurtado.
Z’ev and Simon Balestrazzi are two masters of the industrial and post-industrial sound.The first inventing his own world of self made metallic percussions, the second spreading the seeds of the industrial noise pollinated with electronica and future folk forms through his various outputs, T.A.C. (Tomografia Assiale Computerizzata), Dream Weapon Ritual and Candor Chasma.This record takes shape from several encounters between the two. A Z’ev live recording in Cagliari, Sardinia from 2007 is …
DOUBLE CD EDITION: For the second time in 20 years Charlemagne Palestine and Z'ev performed together, and this was the first time they recorded it. Part of the Sub Rosa/Laboratoire Central sessions, this is unreleased material from Charlemagne's lair -- a place now called "Charleworld," where both fellows spent three days in June 2010. "I first started to play the bells while at a high school for music and art in the '60s at St. Thomas Church across the street from the Museum of Modern Art…
Ghost Time is Ken Hyder, Z'EV, Andy Knight. Ghost Time is a unique trio, fusing tastes of ambient and drone with spices of neo-folk and jazz into Dead Jazz. A true witch's stew where everything is of the moment. Recorded live and direct from the Ghost Time. The lineup is unusual too. English pocket trumpeter Andy Knight is flanked by two drummer-percussionists, Z'EV from the USA and Ken Hyder from Scotland. As a group they allude to traces of greatly diverse influences and traditions. Bas…
"Certain musicians names can speak for themselves, before even a note of music has been played. Their reputations proceed them, although of course there will also be those ignorant of both reputation and name. David Maranha - solo or with Osso Exotico - explores the territories opened up half a century ago by John Cale and Tony Conrad. Z'ev is the grandmaster of industrial/ tribal percussion. The fusion they create together is a magma of movement and stasis before which only legless cripp…
After leaving Subterranean Records, Z' ev moved on to the fabulous German label Dossier for his next two albums. "Schönste Muziek" and "Bust This!" were released in 1986/1988 and bring you the classical Z'ev percussion sound. Rarely has he been more innovative and more experimental in his work, a great variety of sounds is being created out of all kinds of percussion instruments. On this CD re-issue, both these albums have been carefully remastered. Possibly a perfect starting point if you want …
A singular document. EyEar presents, for the first time, the visual dimension of Z'EV's practice - a body of work that had, until this release, remained inseparable from the live event, resistant to any fixed form.
Born Stefan Joel Weisser in Los Angeles in 1951, Z'EV stands as one of the most uncompromising figures in the history of experimental and industrial music. From his first solo percussion performances in San Francisco in the late 1970s - deploying self-constructed instruments assembled…
EVP recordings made in 2009 by Esposito at the onetime home of Duncan in Prospect Heights, Illinois, to which the current resident would not permit entry (though his spouse had previously agreed to it). Heidi Harman, the medium who was present at the encounter, heard Duncan's name specified by the voice. There Must Be A Way Across This River represents Duncan's involvement and processing of the events at his childhood home; The Abject is the result of Z'ev dealing with the occurrences in …
A monumental album featuring three impressive tracks in which Z'EV (mythical avant-garde experimental artist, percussion master and world wide performer), collects and exhibits brave and incredible sonic solutions, mixing and alternating enormous, deep and sometimes exploding and devastating sound masses based on low frequencies, to noisy metallic sounds, gongs and cymbal stratification... all oriented in temporary resounding "tunnels", where sonic elements are mixed through suggestive cyclic ec…
The album combines both the live recording of the first ever Larsen & Z'ev In V.Tro live performances with extreme aural-mixes of Larsen's In V.Tro studio sessions by Z'ev.
Larsen and Z'ev In V.tro is a soundtrack for micro-cinematic images of cellular studies captured by professors Dario Cantino and Antonio Barasa of the Istituto di Anatomia Umana Normale (Basic Human Anatomy Institute) between 1935 and 1985. Cantino and Barasa wanted to review the history and techniques of in vitro cultures as…
'Six tracks. Recorded at the studio of Extrapool in Nijmegen for a series of 'Brombron' project in October 2009. Mixed and produced by Kazuyuki Kishino at Prima Natura Studio.' label info
'Z'EV: percussion. Jason Kahn: percussion, analog synthetizer. Recorded by Jason Kahn April 13-14, 2009 in Zürich and Lausanne, Switzerland. Mixed and mastered by Z'EV. Artwork by Mirt.' label infoJason Kahn, born 1960, New York, USA. Composition, installations, percussion, electronics. Based in Zürich, Switzerland. Z'EV. After studying at CalArts with Concrete Poet Emmett Williams he concentrated on producing visual and sound poetries, and was included in the ÔSecond Generation' show at the Mu…
special price offer: "Ghost Stories" was originally produced by Van Lagenstein for Helmholtz Theatre and recorded at De Duif, a legendary church in Amsterdam that features a major stained glass window of The Green Man. It was recorded in four hours, and all the takes were 'first takes'. It was remastered by Z'EV and Mark Wheaton for this release. The 20 pieces recorded at De Duif employed the entire range of instruments collected by Z'EV during the previous seven years of his residency in Europe…
special price offer: Opus 3.1 consists of 20 tracks divided into five acts. Each cut--or scene--represents a different percussion instrument. Some are quiet, others cacophonous, but even the slow, stark resonance of a ringing gong maintains a sharp level of intensity. The sole drawback is inconsistency: After being soothed into a reflective trance state, the listener is occasionally jolted by the strident opening clang of the subsequent cut. Ghost Stories, a 1-track, 68-minute live recordi…
Viva Negativa! A Tribute To The New Blockaders: Volume III: USA. Volume III in a series of UK-European-US and Japanese artists' tributes to the pioneering UK Noise group The New Blockaders including exclusive tracks by Z'ev, Keith Fullerton Whitman, Alan Courtis, Controlled Bleeding, Plethora, Macronympha, Prurient, Richard Ramirez, Blue Sabbath Black Cheer, Carlos Giffoni, AMK, Aaron Dilloway, Wolf Eyes, Idea Fire Company, Mnortham, Thurston Moore, Jim O'Rourke, Damion Romero, The Haters, Emil …
Super limited edition of 300 hand-numbered copies. Hand screened jackets printed by Neil Burke at Monoroid. For years, both Z'EV and Jon Mueller have explored these possibilities, both within traditional forms, and singling out specific elements within those forms. For Z'EV, an entire book, called Rhythmmajik, was written about the properties of rhythm, while his history pairs him with a wealth of collaborators, from Carl Stone, Glenn Branca, and many others, as he pursued the quest for rhythmic…
2002 release ** "One of the world's premier noise percussionists and a learned scholar of Kabbalah, Torah and Talmud, Z'ev has been a vital force in the downtown scene since the late 1970s. In addition to his collaborations with Glenn Branca, Rudolph Grey and his fascinating solo work, Z'ev is also a prolific writer and musical thinker. He has written on subjects ranging from music composition, ritual performance and has also translated several esoteric Tibetan and Hebrew texts into English. His…
the new album by the über-prolific and often esoteric Z'ev sees this musician leaves the drums aside and focus on long, slightly noisy and constantly rumbling low-frequency drones. Dark and brooding, but clearly grittier and dirtier as, let's say, Lustmord, "Sum Things" is a decidedly atmospheric album in the truest sense of the word, but will also appeal to anybody interested in dense, carefully laid and deep drone works."Through an element darkly… In the fall of 2005 Z’EV began dipping deep in…
This is an original copy of "Bust This", by far one of the best Z'ev albums,chosen in 1988 by The Wire as one of the greatest 50 percussion albums of all time. His brand of scrap-metal/found object percussion originates in intense musical training and background. Beginning with his days at the California Institute of the Arts, Z'EV has studied techniques such as Balinese Gamelan, EWE (Ghana), Tala (south India), and Vou Dun (Hati).
One of the earlier Z'ev recodings, under his real name (Stefan Weisser) this amazing artist records develops a personality all it's own, a wonderfully crafted noise product to be played at any speed, depending on the mood, drugs, or time at hand. Pioneered by Lou Reed's "Metal Machine Music," the only comparison to be found. Complete of all the instert, hand signed
For close to forty years z'ev has been at the absolute fore front of new musics. Playing his unique brand of percussive music he gained a lot of attention, but in more recent years he returned to working with electro-acoustic manipulations.Since 2003 he has also begun a wide ranging series of collaborations, working with Francisco Lopez, Stephen O'Malley, David Jackman/Organum and Oren Ambarchi among others. One such ongoing collaboration is with Frans de Waard, with whom he released 'Forwaard' …
Their third collaborational work following 'Tinnitus VU' mini CD on Touch and the full length 'Tocsin' album on Die Stadt (DS77). Z'EV started out with reworking basic sound material from the Organum archive back in 2006, which resulted in a collaborative mixing of the material until early 2008. The finishing touches were then left to David Jackman between March and June 2008. The overall tone on 'temporal' owes more to the 'classic' Organum sound than to Organum latest works, the trilogy : 'San…
2005 release ** "In "Rhythmajik", Z'EV has radically reformulated the mystical tradition commonly known as the Qabalha from an Astral/Cosmological focus, to an Earth-based paradigm, in harmony with the needs of our current time. It requires no knowledge of the Qabalha, nor does it assume or call for a prior knowledge of any of the traditional literatures. Stripping away the mysticism surrounding these teachings, Z'EV elucidates the principles behind the theories and transmits the results in as n…