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Their previous album Arrival of The New Elders presented a more varied and reflective trio, still as groovy as ever, but more structured and less jam oriented, earning them a 9/10 review in Uncut and a spot in their albums of the year list, noting their telepathic communion and concluding with “this is an Elephant9 you´ll never forget”. Reviews in Jazzwise, Shindig, Prog, Electronic Sound, The Quietus and several others followed in the same fashion. We´re delighted to confirm that Mythical River…
LP version. After a solid run of five studio albums and 2019's two double live albums, Psychedelic Backfire I and II, Elephant9 had taken their groovy mix of high energy rock and power jazz as far as they could. In this respect, Arrival Of The New Elders comes as a welcome and most timely addition to their recorded output. More varied, mature and reflective, don't let the self-ironic (?) title mislead you, they are as groovy as ever, but more structured and less jam oriented, with the longest tr…
LP reissue in triple gatefold sleeve as the original album, with sound taken the master tapes. Some records survive because someone searched long enough for them. The debut album by Alphataurus is one of those: recorded in Milan in 1973 on Magma Records, a label just founded by Vittorio De Scalzi of New Trolls and his brother Aldo, it passed almost unnoticed on release, in a pressing the collectors' market now values between three and three and a half thousand euros for an intact original copy. …
2024 Stock. On their fourth album, counting the limited vinyl-only Live At The BBC (RLP 2118LP), Elephant9 join forces with Reine Fiske, the quite excellent Swedish guitarist from Dungen, The Amazing and Träd, Gräs och Stenar, for yet another heavy slice of mindblowing modern rock'n'jazz psychedelia. Writers have called upon names like Tony Williams´ Lifetime, Deep Purple, Brian Auger and early '70s Miles Davis to describe Elephant9's music, pointing to the fact that they are comfortable in both…
Black vinyl reissue limited to 300 copies. Gatefold sleeve. Already a firm live favorite on the Norwegian scene for a couple of years due to a handful of highly energetic and very enthusiastically received concerts, the trio of Ståle Storløkken (Supersilent, Humcrush), Nikolai Eilertsen (The National Bank) and Torstein Lofthus (Shining) on drums finally deliver their debut album. Ståle Storløkken is widely considered to be the most inventive and musically creative keyboard player to spring out o…
Jimmy Giuffre, a versatile musician known for his innovative jazz compositions and arrangements, took a break from recording after a prolific career spanning from the 1950s. Following a decade focused on live performances, he returned to the studio with "Music for People, Birds, Butterflies and Mosquitoes." Giuffre's unique approach to jazz, fostering free interplay among musicians, emerged during his tenure as an arranger for Woody Herman in the late 1940s. Transitioning to the West Coast cool …
One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendents Of Mike & Phoebe is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass t…
On Like an Old Fashioned Waltz, Sandy Denny leans into cinema-lit nostalgia, braiding English folk melancholy with 30s-inflected strings and jazz standards. Time, memory and solitude waltz together, her voice hovering between confessional intimacy and silver-screen reverie, poised at the fragile brink of reinvention.
When Andrey Tarkovsky's Solaris premiered at Cannes in 1972, winning the Grand Prix Spécial du Jury, it announced a new cinematic language where sound was as essential as image. The collaboration between Tarkovsky and composer Edward Artemiev created what film critic Phillip Lopate would later call a work that belongs to that handful of filmmakers who created a universe. Roger Ebert described it as a thoughtful, deep, sensitive movie that uses the freedom of science fiction to examine human natu…
Perception is the 1973 second album by Catalyst, the Philadelphia jazz-funk quartet whose blend of soul jazz, fusion, and avant-garde set them apart as a cult phenomenon. Featuring Zuri Tyrone Brown (bass), Onaje Sherman Ferguson (drums, percussion), Nwalinu Odean Pope (tenor saxophone, flute), and Sanifu Eddie Green (electric piano), the album stretches from spacious, electric fusion to driving, groove-forward funk and episodes of free improvisation. Recently reissued to renewed acclaim, Percep…
**Double 200gm vinyl LP pressing.**After an absence of over 40 years, the first edition of Exposure - Robert Fripp’s startling 1979 solo debut - is available on vinyl again. The term ‘Classic album’ has been devalued somewhat through overuse, but if ever an album has proved worthy of the term it’s Exposure. An invitation from David Bowie and Brian Eno in July 1977 resulted in his appearance as lead guitarist on Heroes, David Bowie’s 2nd 1977 album from his own golden year and marked Fripp’s ret…
*2023 stock* "Motorpsycho's Salad Days vol. 2 includes the following titles, with all artwork recreated by from the very best available original sources and the music remastered from the original tapes where these were available: Mountain EP; Another Ugly EP; Live at Blitz '93 (LP); Demon Box (2LP)."
**Orange Coloured Vinyl 180gr HQ, Gatefold, 45rpm audiophile. Edition of 500** In autumn/winter of 1969 Edgar Froese, founder of Tangerine Dream, met Klaus Schulze and Conrad Schnitzler. This trio formed the line-up of Tangerine Dream to record the debut album Electronic Meditation. The band was supported by two other musicians: Jimmy Jackson (organ) and Thomas Keyserling (flute), but both were mysteriously left out of the credits of the original album. Edgar Froese: "In 1969, I met Klaus in Ber…
"An album that puts jazz at the center. Emanuele Cisi records his first release for Mono Jazz (Right Tempo) returning to those elements from which everything begins and in which everything is fulfilled. With melody and swing, a deep sense of blues—not just as a style but as a fundamental state of music—and spirituality, the improvisation here becomes a space where the pieces reveal themselves as springboards for self-expression.
Rushin’ is not merely a collection of references and tributes, alth…
** Deluxe 180gr. Black vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1969 BYG album. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri ** Don Cherry and Ed Blackwell, graduates of the revolutionary Ornette Coleman quartet, are in perfect accord on this seminal free jazz set, recorded in Paris during the late sixties. The emphasis, as on all Don Cherry releases, is on the life-giving, often magical qualities of pure sound, c…
Something of a sequel to Eternal Rhythm, his classic meeting of free jazz and world music from five years prior, Eternal Now found Don Cherry entering the studio for the tiny Sonet label, once again with members of the European avant-garde scene (this time from Sweden).
This time around, though, the focus swings decidedly to the world-folk end of things: The only standard Western instrument is the piano, featured on only two of the five pieces (one of which is a non-traditional, African-styled r…
Temporary Offer. Verve by Request Manufactured at Third Man Pressing in Detroit MI 180g Audiophile Quality Vinyl. As one of the last albums Don Cherry recorded before he passed away in 1995, “Art Deco” could be considered something of a return home – or at least a glance back over the shoulder. By 1988, the non-conformist trumpeter had been travelling the planet for about three decades, absorbing folk music of all styles, which led to collaborations with a wide variety of musicians. From South A…
Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller, Laurie Anderson, describes the impact of this transfo…
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…