We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"An Ivan The Tolerable album is a journey that is visceral, expressionistic, and full of heady intentions."
"Going into an Ivan The Tolerable album it's best to expect the unexpected. His music swings and swerves from psychedelic flights of fancy to free jazz explorations to cosmic drone swirls, sometimes all in the same song. An Ivan The Tolerable album is a journey that is visceral, expressionistic, and full of heady intentions.
Time Is A Grave, the latest from Ivan The Tolerable (aka Oli Heff…
Tip! A pivotal force in the foundations of Noise music in Japan, Fumio Kosakai is half of The Incapacitants, and has recorded with other acts such as Hijokaidan, CCCC, and Club Skull. Originally released on cassette in an edition of fifty copies in 1993, "The Warm Garden" is a pinacle for collectors of 90s noise and the outer realms of Japanese psychadelia. The work steps away from the denshi zatsuon (electronic noise) of his other groups and instead comprises two pieces of minimal electronics, …
Lucky restock! *90 copies limited edition* Thought Broadcast return with a highly limited new long player via the freshly minted Amok Age. It's been over a decade since we first heard from Ravi Binning's project, arriving at around the same time as Blackest Ever Black and what felt like a renewed interest in blasted post-industrial electronics. Whether that interest still prevails i'm not sure, but Nameless Science nonetheless finds Binning worshipping at the same cursed altar, and as compelling…
Edition of 300. Sold out at the label. In the twilight territories where industrial decay meets visionary electronics, certain recordings emerge from the shadows carrying the weight of forgotten futures. Such is the case with Mentocome's self-titled album from 1992, a spectral transmission from Düsseldorf's underground that has remained largely obscured for over three decades until now. This haunting collection of post-industrial chamber works represents one of the most enigmatic and prescient …
On The Final Tour: Copenhagen, March 24, 1960, Miles Davis and John Coltrane turn a standard club set into a knife‑edge drama, Davis all poised understatement, Coltrane in full escape‑velocity experimentation over one of the greatest rhythm sections in jazz.
*2026 much needed repress!* Akusmi is the new project moniker of French-born, London based composer, multi-instrumentalist and producer Pascal Bideau, who signs to the new Tonal Union imprint for the release of his album ‘Fleeting Future.’ With its hallucinatory, genre-defying blend of minimalism, cosmic jazz and Fourth World influences, and in its quest for optimism in the face of unknown and limitless possibility. ‘Fleeting Future’ stands apart as an inventive and inspirational debut. The crea…
Infinite Fog Productions is excite to announce this vinyl edition of early works by Peter Davison, one of the most important ambient reissues on the year and a pure gem of early ambient music. The first step into a realm of peace and love will be the long-awaited re-edition of "Music On The Way" to celebrate its 40th anniversary. "Music On The Way" was the artist's debut in 1980 and has not been reissued since its initial release. A mesmerising ambient recording with just a touch of early new-ag…
Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.
The long-awaited reissue of rare Eastern and psychedelic Jazz LP by the famous Hungarian guitarist, originally released in 1968. The first time, extended Edition with four bonus tracks: radio version from singles 7” 1968. Deluxe Gatefold Vinyl comes with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne. Gabor Szabo was at his creative peak at the end of the 60s, when he recorded his masterpiece “Bacchanal”. Szabo’s 60s quintet, featuring guitarist Jimm…
*100 copies limited edition on clear vinyl* New 10 track studio album by Andrew Chalk and Timo van Luijk, recorded 2020-2021 at Impression Lointaine and Kulta Saha.
"Forth unobserved I wentIn darkness and security,By the secret ladder, in disguise,In secret, seen of none,Oh night more lovely than the dawn!Lost to all things and myself,And, amid the lillies forgotten,Threw all my cares away"
Often dark, sometimes repetitive or experimental, sometimes rhythmical and exotic, always based on emotion inducted by the Sound. One could define it as dark age music (as opposite to new age music), a sort of minimal come back to the roots and purity of acoustic sound without the cultural background linked to the 'academic' use of some instruments (for example African senzas are transformed and tuned to sound like Indonesian instruments, sitar or harmonium are used as rhythmical instruments, va…
Edition of 100, signed and numbered. In the last 10 years Akira Matsuoka (aka Veltz) has established himself as a key figure in the next generation of Tokyo noise artists. His work covers a wide range: metal junk noise, erased tapes, field recording and audio dedications to analogue television. Analogue broadcasting in Japan was switched of in 2011, an event recorded by Matsuoka and presented at the end of this album. The collection of broken televisions he has since amassed have become his prim…
* Special embossed, die-cut sleeve with 56-page booklet - 200 copies on black vinyl * Aude Van Wyller (aka Oï les Ox, aka AI les Axes) joins forces with acclaimed poet Lucy Van, author of The Open (2021) and Australian Women's Historical Photography (2024). This debut collaboration weaves together Van Wyller's ambient mutations with Van's incisive, luminous words.
In Material, words reach for the image, sounds reach for the word, and one thing becomes another. The result is an intimate, tactile …
Music-lovers of all lands, rejoice! Here you have the re-release of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4: Jo Maka. But before that, a bit of history: The Intercommunal Free Dance Music Orchestra was created in 1971 by an "old hand" of French free jazz, François Tusques. "Free Jazz" was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François J…
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…
In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
On American Bus, Jason Black and Arawak ride a 1977 dream of the U.S. West Coast: lean, blues‑edged funk‑rock cues, honking sax and one off‑route reggae detour, all conceived as Italian library visions of San Francisco from behind a bus window.
180gr. Black vinyl. There is no figure in Italian music, nor within the country’s shimmering, expansive avant-garde, who demands the respect and awe offered to Franco Battiato. He is the beginning and the end. An artist whose output, stretching across six decades, is so diverse and singular, that it defies any concrete definition - darting from psychedelic Prog, definitive gestures in the history of Minimalism, to the heights of explicit Pop. Like many of his contemporaries, Battiato’s journey t…
‘Anima Latina', Lucio Battisti's ninth studio album. It is considered one of the most beautiful and important records in the history of Italian music.
The album was conceived after a trip to Latin America and marks a clear break from previous production.
Il Nostro Caro Angelo by Lucio Battisti is a crucial milestone marking the artist’s shift towards rock-oriented structures and deeper, more critical lyricism. The music is more electric, the arrangements more varied, as Battisti and Mogol probe the complexities of ideals and disillusionment, forging a sound that is both accessible and challenging. Each track acts as both confrontation and invitation, demanding listeners reassess inherited truths through fresh sonic and poetic codes.