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For a number of years now, Splintered have played a sporadic selection of live shows in London, Krakow and Wroclaw. Due to the fact the original members found themselves both still getting on well together and being able to tap into the chemistry that was there until the group ground to a halt in 1997, the idea of recording new material was never far away. As such, between 2021 and 2024 Splintered began working on new material and managed to finish a few songs that are now presented on the first…
*300 copies limited edition* Originally released in spring 2021 by US label L.I.E.S. on vinyl, Anthony Di Franco of Ramleh returns to Fourth Dimension Records with a timely and well-deserved reissue. Featuring three additional tracks to the original six, 'Avalanche Zone' is a weighty and abrasive follow-up to 2018's 'Weapon Design' that's propelled by cranium-crunching bass, icy and portentous textures, battlefield rhythms and just the faintest nod to Anthony's love of both old school noise and …
Several years ago Gary Mundy of Ramleh/Broken Flag (and far more besides) declared to me that he wished to do one new Kleistwahr album every year until he's no longer able to do them. Fourth Dimension Records has subsequently fulfilled a promise to honour this plan as much as possible and is managing to keep up so far. How Gary manages to keep pulling new ideas out of the proverbial hat at this rate is anybody's guess, but the latest album, 'For the Lives Once Lived', illustrates very clearly th…
Tip! *300 copies limited edition* “This collaborative release presents three immersive movements of avant-electronics full of unexpected tonal contrasts and shifts in intensity. Powered by modular synthesis, “concrete” assemblage technique and a pervasive desire to work with the full spectrum of sound. Tokokawa is the product of its two producers’ commitment to a dynamic, ever-renewing sense of aesthetics.” -Thomas Bey William Bailey
Composed from 2023 to 2024, these three pieces present a deep …
Original press, nice conditions.
Issue 21 of Vague magazine, a British cyberpunk bible edited by Tom Vague. This issue has articles on cyberpunk, Jon Savage, Sex Pistols, Jamie Reid, Culturcide. 114 pages.
Original press, nice conditions.
Issue 18/19 of Vague magazine, a British cyberpunk bible edited by Tom Vague. Control Data Manual issue,23rd anniversary of JFK assassination, contains articles on plagiarism, neoism, Illuminati, Videodrome. 98 pages.
*2025 stock* Free jazz trio made up of leading improvisers pianist Agusti Fernandez, bassist Barry Guy and drummer/percussionist Ramon Lopez, recorded live in Cologne in 2013. Agusti Fernandez gives some insight into the music, “I believe that the essential thing for us is our shared desire to create an extraordinary, unexpected and unusual moment through music. A moment that cannot, perhaps, be described in words, but which can be perceived perfectly, as one of those fantastic occasions when mu…
FIRST PRESSThis book launched the current Lounge Music Revival and has single-handedly caused the re-release of hundreds of neglected recordings (virtually every LP pictured has been brought back into print). Featured album cover art is now the hipster style imitated by rock bands. Incredibly Strange Music surveys "easy listening, " "exotica, " and "celebrity" (massive categories in themselves) as well as recordings by (singing) cops and (polka-playing) priest, undertakers, religious ventriloqui…
FIRST PRESSThis book launched the current Lounge Music Revival and has single-handedly caused the re-release of hundreds of neglected recordings (virtually every LP pictured has been brought back into print). Featured album cover art is now the hipster style imitated by rock bands. Incredibly Strange Music surveys "easy listening, " "exotica, " and "celebrity" (massive categories in themselves) as well as recordings by (singing) cops and (polka-playing) priest, undertakers, religious ventriloqui…
"Starless and Bible Black is the eighth in a series of audiophile King Crimson vinyl reissues and completes the availability of the band's studio output from 1969/74 on 200g vinyl editions. Newly cut from masters approved by Robert Fripp, this super-heavyweight vinyl re-issue is housed in a reprint of the original gatefold sleeve. Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring…
Trost continues its Trost Jukebox Series of 7"s. Okkyung Lee - cello; Lasse Marhaug - electronics. Recorded at Lasse's studio in Oslo. No overdubs, minimal editing. Mastered by Martin Siewert. Artwork by Lasse Marhaug.
An unearthed treasure from the '70s Italian avant garde archives! A previously unreleased recording from the legendary Beat72 club in Rome in 1973, featuring a one-off Italian-American all-star ensemble with Roberto Laneri founding member of the experimental vocal group Prima Materia, maverick American composer Alvin Curran co-founder of Musica Elettronica Viva. Trombone specialist Giancarlo Schiaffini from the historical Gruppo di improvvisazione Nuova Consonanza. Cello virtuoso Frances Marie U…
** LP - Black Vinyl with 4-page booklet. Includes download card ** Desertshore was co-produced by John Cale and Joe Boyd. Unlike its predecessor The Marble Index it incorporates elements from Western traditional pop."Janitor of Lunacy" was composed as a tribute to her friend Brian Jones who died the previous year. The back and front covers feature stills from the film The Inner Scar by Philippe Garrel which starred Nico, Garrel and her son Ari Boulogne. A few of the songs from the album were inc…
Big Tip! While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts’ spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is j…
Tip! The original environmental album from the Kyoto Connection available on Vinyl for the very first time. The album was composed, produced and recorded by Argentinian producer Facundo Arena over the course of one month in early 2018. A self trained musician and digital synths enthusiast, for this project Facundo wanted to move out of his comfort zone and compose the album purely using plugins and sequencing software on his iPad, running the songs directly onto tape, in this case his trusted 19…
*50th anniversary edition of the 1974 classic, featuring a new 2024 mix by Steven Wilson and an album of Elemental mixes by David Singleton - all mixes approved by Robert Fripp. 200-gram super-heavyweight vinyl* Red is the fourth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. One of the most powerful and influential albums in the band's remarkable c…
Released in 1967 with personnel including Lonnie Liston Smith (piano), Ronnie Boykins (bass), and Grady Tate (drums), Now Please Don’t You Cry… marked the beginning of Roland Kirk’s groovier explorations that would eventually lead him to record Blacknuss (1971). It’s vintage Kirk in a pared-down setting and is considered an essential Kirk album. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…
2024 Repress. Eastern-infused outstanding album by German trombonist Albert Mangelsdorff – recording here in 1964, but sounding years ahead of his time, with an amazing a blend of jazz and Asian styles! The album's one of Mangelsdorff's best ever – a set of rhythmic tunes that seem clearly informed by the work of Ornette and Joe Harriott, but also based along eastern themes picked up by the group on a tour of the Orient – and performed by a sharp-edged quintet that includes Heinz Sauer on tenor …