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Tip! Years in the making split full length of brand new material of ‘harshtronics and exclamation’ from japan’s Masonna and ‘doom electronics’ by america’s Prurient. Arranged in alternating sequence with one track from each artist until burning annihilation.
40 page magazine printed as an edition of 50 copies. Absolutely full with articles and reviews. See image 2 for contents. A great collector's item.
cover article: Captain Flapattak - French underground todayplus: Don Falcone (Spirits Burning) interview, Flasket Brinner - Scandinavian fusion legends 9, Mange Ferraille, Intermodulation (1970s avant-garde ensemble): Unlikely Connections, Choice French label classics: Atem, The Dr Space / ØSC & co. Sector, labels: Whitelabrecs, ReR Megacorp, PQR-Dis…
Audion 27 ((3/1994) 40 pages. Cover article: Ozric Tentacles - A Psychedelic History plus: UK Electronica 1993: Land Of Yrx, Richard Pinhas, Geinoh Yamashiro Gumi, Carlo La Manna, Progressive Rock Worldwide, World Music Messenger Service, Progfest '93 Citadel, Änglagård, Quill, IQ, Man live, Klaus Schulze - Silver Edition, Bacillus Records - Classic labels #5, Happy Family - A Japanese Zeuhl Monster, etc.
Audion 31 (4/1995) 40 pages. Cover article: Rock In Opposition, part 2 - the Henry Cow legacyplus: Cuneiform Records, Legend Music, Lost Vinyl, Discipline Global Mobile, Tony Conrad With Faust + AMM - QEH, London, 17/2/95, Art Gallery, Teru's Symphonia, Bi Kyo Ran: A Japanese Progressive Legend, Magical Power Mako, Jorge Reyes, plus: MIA, Grey Lady Down, Frei Zinger, reviews, etc.
Audion 66 (12/2021) 40 pages. Cover article: Datashock - "Neo-Hippie-Spook-Folk"plus: Alco Frisbass, Etherfysh - interview, The return of Ken Moore, Guranfoe, Dave Powell: Fried Rosin, The Scratch Orchestra: with Cornelius Cardew, Vangelis: the progressive/experimental era, Witthüser & Westrupp , Choice British Label Classics: Dandelion, Alan Freeman - Topology Of A Phantom City (review), the return of "the avant-garde sector", Prix Russolo at The Western, Rescued Relics: The Electric Prunes, Ta…
Audion 80 (12/2024) 44 pages. Cover article: Dr Space - a chat with the pilot of the Øresund Space CollectiveCornelius Cardew Treatise (event), Mirthrandir - article & interview, Pekka Pohjola - Scandinavian fusion legends 7, Choice British label classics: Virgin part 2 (plus Caroline, and a round-up of other releases), Modulight & others - live at The Church of Sound (event), Alain Basso, labels: Bam Balam, Fou Records, Seelie Court Digital, reviews: Flasket Brinner, Lightwave, Moonseeds, Nurse…
*300 copies limited edition* Aicher is the work of longtime label veteran Liam Andrews (My Disco, Eros), with additional production from his My Disco spar Rohan Rebeiro – an experimental percussionist and erstwhile collaborator of Roland S. Howard and HTRK. Together, they make resoundingly coarse, bullish industrial musick, distilling fascinations with tone and space through eight gristly and darkly sublime cuts, sharpened by production from Boris Wilsdorf of Einstürzende Neubauten and Swans fam…
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
2025 repress The bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the Arabic background, those semitone…
*2025 repress* Jorge López Ruiz is one of most versatile of musical talents to emerge from Argentina. As a bass player, composer, performer and arranger he has worked across many genres including jazz, pop as well as stage productions and feature films. BA Jazz was originally released in 1961 on Vik Records as the debut album from Lopez Ruiz featuring a mix of covers and original material. Alongside Ruiz Lopez are Roberto Fernandez on trumpet, Ruben Lopez Furst on piano, Pichi Mazzei on drums an…
"Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reinhardt, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Bo…
** 2024 Repress ** Steve Reich remains one of the most important figures in 20th century music. Though he studied at the prestigious arts institutions Julliard and Mills College, by the mid-1960s Reich set about dismantling the very orthodoxy that he had been trained in. Forming a new musical language based on repetitive processes, Reich became established as part of the so-called "Big Four" of New York minimalists (along with La Monte Young, Terry Riley and Philip Glass). Reich's influence can …
The pioneering electronic sounds of Daphne Oram reimagined by Taahliah, Cosey Fanni Tutti, Marta Salogni, Arushi Jain and others using tapes from Oram's archive. To mark the centenary of overlooked electronic pioneer Daphne Oram, Nonclassical - together with Oram Trust and Oram Awards - have commissioned new music by a set of contemporary visionary minority-gender electronic artists celebrating the next generation of trailblazers.
This group of artists span early-career to high-profile DJs and m…
The group's debut album, recorded in May 1963, was to prove a great incentive to many other Chliean jazz acts, not least the Chilean Jazz Messengers and the Village Trio. However, the album proved more that just a motivator and inspiration to others, it stands by itself as a solid, tight jazz album. Recored for the independent label Ediciones LR Ortiz and engineered by Rafael Hidalgo, it was a genuine milestone by being the first full jazz album recorded in Chile by a professional Chilean group.…
Tip! By the 1960s, the popularity of big bands had waned considerably. The heyday of the 30s and 40s big bands had been superseded in the 1950s by smaller modern and traditional jazz units, skif e and, ultimately, rock and roll, and the prominence they once enjoyed were a fading memory. Although there were still several very ne big bands playing and recording during this time, the economics of the big band in the age of the pop group always put it at a disadvantage. There was, of course, the lea…
On the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with w…
The 9th issue of Lasse Marhaug's fanzine Personal Best. 100 pages, full colour offset-printed with glued spine. Nearly three years on from the last issue, Marhaug conducts in-depth interviews with: Christian Blandhoel, Martìn Escalante, Russell Haswell, Campbell Kneale, Tine Surel Lange, Greg Pope, Joe Potts (and Los Angeles Free Music Society), Mariam Rezaei and Edward Sol.