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An icon of Brazilian popular music, Tim Maia was a musical polymath and prolific recording artist best known for introducing American soul to the Brazilian music scene, pioneering the sambalanço style by blending elements of soul, funk, rock, and samba. Maia recorded four self-titled albums for Polydor Brazil, this fourth release from 1973 arguably the best, with its outstanding hits ‘Réu Confesso’ and ‘Gostava Tanto de Você’; ‘Do Your Thing, Behave Yourself’ shows how the soul form fitted him p…

2022 Jon Collin's LP release on Laboratorio Palestro. Repressed this year on Early Music.Cover photo by Maximilian Rossner Mastered for vinyl by Giuseppe Ielasi

2025 stock "Oh joy, oh rapture! Sweet, sharp noise music by the transcontinental trio, the sound of our men’s small wills writ large. Microscopic made big. I mean, to think it’s been nearly half a decade since we’ve heard from these guys! And is this the end of the road? It's different. While their preceding statement focused on strident bandmember solos, If It Pleases The Court sees Zwangsbeglucktertum finally enjoying each other once again, showcasing an energy that can only manifest through i…

Concert recorded at 28 rue Dunois, 9th May 1982, ... Text d'Antonin Artaud, extrait de la prèface du Théatre et son double, 1938. (Text by Antonin Artaud, extract from the preface to Le Théatre et son double, 1938).

A new expanded reissue of the sold out & extremely limited LP from 2017.

"Brussels is a highway where rainbow-fuelled melancholia kids race its track, mountain and road bikes. Endless summers cherish the collective chosen chaos of the city; every corner displays wild micro-natures, buzzing insects, and rare weeds fourishing organically; tape hiss and AM radio compression are the soundtrack of everyday life. And hear! Originated in the Brussels DIY, indie rock and noise scene, a new kid on the block appears: Another Dancer. They deal in utopian music - of the open, we…

"The world is already fallen and the temples are all new again."

A cult was built around these this truly ominous original tape with slowed down mega-apocalyptic drone drum contemplations. Despite being created over a decade ago for limited double cassette and then compiled on ‘it stands to conceal’ this is long form esoteric cold industrial perfectly suitable for our accelerating global amnesia. Fully remastered version.

Atta’s Apartment Slated for Demolition finds Dominick Fernow’s Vatican Shadow project at a crossroads. Originally released in 2012, the album still has the blank-eyed, cold, hypnotic minimalism of his earliest albums that made Vatican Shadow one of the most unlikely breakout artists of the noise underground in the early 2010s. It’s got the cryptic yet provocative title, in this case alluding to Mohamed Atta, the ringleader behind the 9/11 hijackings. It’s got the paranoid forever-war album art a…

What the artist may consider the most formative years for the project and what clubbers may have heard in numerous live sets with the ‘encryption nets’ classic dub track. Despite being created over a decade ago for limited double cassette and then compiled on ‘it stands to conceal’ this is widescreen esoteric cold industrial perfectly suitable for our collapsing world. Fully remastered version and the first time on stand alone LP!

*100 copies limited edition* Carreira's Cross emerges from three intense days of immersive creation and spontaneous interplay between the Portuguese duo Worksite & Workshop — Zé Quintino and Tiago Maduro — recorded on the 7th, 8th, and 9th of July, 2021. In those sessions, the two artists wove together a sonic tapestry where shifting electronic textures met finely detailed field recordings and subtly hypnotic rhythmic patterns. The result is a work that feels at once exploratory and deeply cohes…

*200 copies limited edition* The project "The Tapes" by Giancarlo Drago developed over a span of 10 years, between 1982 and 1992, before being revived in 2016 in Genoa, Italy. In 1982, Drago was 16 years old and recorded his first tape using toy instruments and creating loops with cassettes, influenced by industrial and new wave music. During that time, a friend gave him a self-built analogue echo unit that produced an incredible background noise, which would become a hallmark of many compositio…

Land Back! An unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño & Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024. The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 an…

Jean-Jacques Duerinckx: baritone and sopranino saxophonesJean-Marc Foussat: AKS synth, piano, toys and voiceRecorded live at Haekem Theatre. Brussels, the 16th of May 2023 by Jean-Marc Foussat

Nemico Immaginario is the sound of Fanciullino taking the idea of a band back to its most fragile, volatile core: two people in a room, a guitar, a drum kit, nothing to hide behind. Born from the encounter between Andrea Del Bravo and Davide Cappai, the duo treats this minimal setup not as a limitation but as an ethical position - if something happens, it must pass through bodies, sticks, strings, skin. Every hit and chord is traceable to a gesture, to the microsecond in which one player chooses…

Per Samie captures Matias Guerra, Valerio Leg, and Falco Baldaya in a single, fragile orbit around a plant wired as a silent listener, an improvisation where every sound feels like an offering and every pause like shared breath.

Day Hospital began not in a studio, but between a hospital bed and whatever lies just beyond it - that blurred zone where time dilates, bodies stall, and thought starts looping on itself. Out of that suspended space, Copycat Department shapes a sound project that treats techno and experimental music as twin methods for charting vulnerability and resistance. The album’s tracks feel written in the margins of medical charts: pulses like monitors, hissing textures like ventilation systems, bass that…

Decollare verso il mare (“Take off towards the sea”) starts like a simple story of long-distance collaboration and ends up as a small, resonant fragment of recent history. Across three tracks created in September 2022, Dav Cappai - a Sardinian drummer based in Pisa - and Copycat Department’s Alexandr Chiesa - Italian-Russian guitarist and producer working out of Moscow - sketch the outline of a project that was meant to cross borders as easily as files move across a network. The initial idea was…

Six years after the first Ultras Timido, Fanciullino returns to that initial spark not to preserve it under glass, but to see what still burns. Ultras Timido 2 is less a simple reissue than a palimpsest: the original record is there, but written over, complicated and expanded by three previously unreleased pieces that trace how the duo’s repertoire has shifted in rehearsal rooms, clubs, and improvised spaces. Those added tracks don’t behave like bonuses tacked on at the end; they act as fault li…

For AI-38 Italian duo LF58 (Giuseppe Tillieci and Filippo Scorcucchi) present ‘Radials’. A site-specific concept piece that was recorded live on location in Venice, Radials showcases the powerful and transportive sound world which LF58 have become known for. Radials takes its name from the homonymous exhibition created by the Roman artist group Sbagliato, for the 2023 Biennale Architettura of Venice.  Following a landmark renovation of the Fondaco dei Tedeschi by renowned Dutch architect Rem Koo…

The Chi Factory's The Kallikatsou Recordings gathers material that Hanyo van Oosterom shaped over many years, drawn from a place that runs through his whole body of work. In the early eighties he lived in the small cave of the Kallikatsou, a mythical rock formation on the Greek island of Patmos, and it was there that the seeds of the Chi project (1983-1986) first took root. From the nineties through to 2006 he kept returning, season after season, gathering field recordings and refining drones, l…

*2022 stock. In process of stocking.* Multicast Dynamics returns to Astral Industries for AI-26, this time collaborating with Sid Hille, the German born, Finland based instrumentalist and composer. ‘Metamorphosis’ transmutes both artists’ unique styles into a synergistic blend of transportive storytelling, a delicate dance of light and dark. Divided into two parts, ’Metamorphosis’ originates from a live performance recorded at Temppeliaukio church in Helsinki on March 2nd, 2019. The material was…

AI-31 sees the debut release from a new collaboration between Samuel van Dijk (Netherlands) and Rasmus Hedlund (Finland). Both key proponents to the scene in Northern Europe, they come together with mutual understanding and a common vision to sound. Dialog acts as a conversational exchange that sees the interplay of dynamic frequencies, evocative imagery and contemporary sonic art. Spread across four sides, the album as a whole exists as a kind of metaphysical process, eternally growing and cont…

AI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ dis…

Pianeti Sintetici presents AI-37, entitled ‘Space Opera’. Conceived by Italian artist Davide Perrone, the Pianeti Sintetici (“Synthetic Planets”) project hypothesises the creation of future synthetic worlds as told through sound. Although split across two parts, the album is a singular organism that narrates a journey of boundless cosmic exploration. A sonic tapestry woven of intergalactic atmospheres, Space Opera’s imaginative sound design contributes to a richly spatial and haptic experience. …

Father Murphy are back with an even more puzzling project than any other output from their recent past: two one-sided 10" containing two movements each, meant to be played simultaneously - or maybe not, because (just like they wrote in the liner notes) "you choose" and "never forget you have a choice". Recorded in the wonderful enviroment of a medieval castle in Itri and at Bombanella Soundscapes in Maranello, the EP is a concept of sorts about the many virtues of Failure and the chances we have…

Archie Shepp's world has always been filled with fire music, and eventually Fire Music. Before that landmark LP, Shepp made Four for Trane -- his August 1964 beachhead with Impulse. And even before that, as it turns out, came this one blip -- the earliest Shepp leader project yet on record. Under supervision of the artist, this previously unissued demo recording is now available from Triple Point Records. As the cover of Derailleur suggests, Shepp tries out some surprising combinations for the s…

Third album by Guru Guru, pioneers of the krautrock scene, released in 1972. The last album of the band's heyday with the original three members Mani Neumeier, Uli Trepte and Ax Genrich. The band moved to a more organised style of playing, which, combined with the humour of the covers, gave the impression of being a bit of a letdown, but the content was excellent, and the album is a masterpiece of well-crafted songs with a lot of attention to detail. The aggression has receded, but the psychedel…

*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 stock* "Stand By" was Heldon's final 1970s album. Afterward, Richard Pinhas focused on solo work and took a decade-long break. He explains that the band split due to members' time constraints and a trend of bands breaking up while still successful. The album features urgent synthesizer sounds, intricate drums, and dynamic guitar riffs. Though compared to krautrock, Pinhas was no…

Perhaps the most influential album from one of the true masters of British acoustic guitar. Released in 1968 on Transatlantic, Sir John Alot finds John Renbourn taking a magnificent journey back through time - not as scholarly reconstruction, but as living, breathing music that collapses centuries into a single candle-lit room. Renbourn (1944-2015) had already established himself as one half of the most formidable guitar duo in any style - his partnership with Bert Jansch yielding the landmark B…

With his fourth album, released in 1983 on Le Chant du Monde, Albert Marcœur ventures into darker territories than ever before. Nearly five years had passed since Armes et Cycles, time enough for new currents to seep into his singular musical vision - most notably the chamber-of-horrors atmospherics of Belgian avant-prog architects Univers Zero and Present. The core ensemble remains largely intact - Pierre Vermeire (harmonium, viola, cello, E♭ clarinet, flugelhorn, trombone), brothers Gérard and…

If you're looking for something genuinely unique from 1970s France, don't forget to include Albert Marcœur on your list alongside Magma, Moving Gelatine Plates and Etron Fou Leloublan. Born in Dijon in 1947, Marcœur studied clarinet at the National Academy of Music and Dance before deciding he wished "to do nothing else but make my own music" - and what music it turned out to be. Often cited as the French Zappa, the comparison only goes so far. Where Zappa maintained accessibility beneath his co…

If there were a hall of fame for underground weirdo freak bands, Second Hand would be among the first nominees. Their second album, released on April 1st 1971 through Vic Keary's Mushroom Records, is no joke - it's one of the most unhinged, inventive and genuinely strange records to emerge from the British progressive underground. Second Hand began life as The Next Collection in South London in 1965, with teenage school-friends Ken Elliott (keyboards, mellotron, harmonica) and Kieran O'Connor (d…

A long time in the works vinyl edition of one of our favorite New Zealand albums. Rachel Shearers astonishing debut as Lovely Midget was originally released as a CD on Corpus Hermeticum in 2000. Mastered for vinyl by Giuseppe Ielasi and pressed in an edition of 500 copies, comes with insert. "This self-titled disc was the first full-length Lovely Midget offering, which I released on Corpus Hermeticum as a CD only in May of 2000. It followed a 10” on Ecstatic Peace a couple of years earlier. Rach…

Bhoot Ghar: Sounds of the Kathmandu Horror House by Aaron Dilloway is a raw suite of field recordings captured inside a decaying Nepali fun‑park attraction. Blown speakers, mechanical screams, and ambient chaos fuse into a hallucinatory documentary of sound—half ethnography, half haunted collage.

Collective interplay is essentially about listening and giving space. If ever there was a credo for this ensemble recording, this would be it. Sometimes the soloist or a small group steps forward, other times they play as a large unit. This collective of musicians are connected through old and new friendships, a set of relations that has been formed through two decades of co-creation on stage and in the studio, and their new recording is a reaffirmation of that with an A-side of free improvisati…

Longtime collaborators Mark Turner and Jakob Bro play central roles in the feature-length documentary film “Music for Black Pigeons”, which premiered at the 79th Venice Biennale, played across film festivals worldwide and portrays the unique artistic processes of Paul Motian, Lee Konitz, Bill Frisell, Craig Taborn, Andrew Cyrille, Manfred Eicher and many others. Mark Turner is heard on three albums with Jakob Bro, all from Avatar Studios in New York, and enters the film in a session from Copenha…

A collaborative effort between Italian's two best record labels, Black Sweat and Holidays

**CD version** "Before his prolific activity in the field of music therapy, Agostino Nirodh Fortini also embarked on his own path in electronic music. In the early eighties he was a close collaborator of Walter Maioli and Fred Gales, at the time of the pioneering label Sound Reporters.Suoni Immaginari, released only privately on cassette in 1988, contains a wide range of keyboards and lots of ethnic field recordings assembled with an absolutely modern praxis ahead of its time. Nirodh imagines hi…

Of all the artists to fall under the sweeping banner of Kosmische / Krautrock - a movement which has benefited from continuous attention from the reissue market since the 1980’s, Georg Deuter remains among the most unacknowledged and under-appreciated. The reasons remain slightly behind reach - the likely consequence of his association with the New Age movement across the 1970’s and 80’s, the lingering effects of stigmas which were later applied that movement’s efforts, and the reissue ma…