Composition / All styles

*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.

Futility by Rafał Zapała is a provocative album that reimagines the concert experience, fusing music with technology to challenge the traditional performer-audience dynamic. Through compositions such as No Meaning Detected and Futility, Zapała explores themes of control, engagement and the communal aspect of music in the digital age. This album invites listeners to an interactive journey, questioning the conventional boundaries of art and its consumption. This production demonstrates Zapała's in…

"The music of Toshio Hosokawa invites us on a poetic journey of knowledge he has made throughout his life by bringing the cultures of East and West into dialogue.” - Paco Yáñez

Works from Volker Heyn, an outsider artist interested in acoustic process, tone gestures, friction, discontinuous movements

A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber

A documentary of pieces performed at the Inventionen Festival in Berlin, 1998. Features: Unsuk Chin, Patrick Kosk, Werner Cee, Francois Donato, Robin Minard, Wolfgang Mitterer, Francis Dhomont, Erik Mikael Karlsson, Trevor Wishart. "Not as much as a bringer-up to speed (or yet another history lesson at that) as a fine cache of current keepers of the crop. New ('93-98), complete pieces from Trevor Wishart (northern-UK composer/programmer known and loved these days for his mid-70's works such as M…

Gabriele Emde-Hauffe was born in 1953 in Darmstadt, Germany. She received a humanistic education at a local grammar school in Darmstadt and started studying the harp after her A-levels, first in Darmstadt and finishing in Cologne. Conducted by Péter Eötvös, she worked out modern chamber music and modern improvisation by J. G. Fritsch and Vinko Globokar. Passing her exams in 1980 and 1981, she continued her studies of musical science at Cologne University, based on her thesis, "The Harp bet…

‘Scapegoat’ is the new album by Triola, the project led by the prolific Tokyo-based composer & experimental string musician Atsuko Hatano, featuring the Japanese violinist Anzu Suhara. Conceived as a string project, with Hatano on viola, cello, bass and Suhara on violin, Triola involves a rotating ensemble of guest musicians, including the likes of Chicago-born musician, composer & producer Jim O’Rourke (Drag City, Sonic Youth, Steamroom), the composer & musician Eiko Ishibashi (Drag City, Black…

Other Minds is excited and proud to bring you a near-unheard early composition by legendary American Maverick composer Lou Harrison, Sonata for Unaccompanied Violin (1936), performed by our friend Kate Stenberg. This short piece was written by the precocious composer when he was barely out of high school, still a teenager, but already a year deep into studies under Henry Cowell, studies that occurred during Cowell's stint in San Quentin State Prison.  The piece was entirely unheard from its comp…

When Charles Amirkhanian’s Lexical Music was released on pioneering Bay Area record label 1750 Arch Records in 1980, it was heralded as a masterpiece of the then nascent text-sound poetry scene. The New York Times called Amirkhanian “expert at the sort of things his imitators do not do half so well as he.” Lexical Music is a sort of high water mark for American text-sound poetry; it sounds like nothing before or since. Single words lose their meaning through repetition; nonsense phrases build in…

"Other Minds is happy to present The Water Has Found its Crack, the debut album by composer Joseph Bohigian. Consisting of four new works written since 2018, the collection finds the composer expertly handling a variety of performing forces, from laptop ensemble to string quartet. Each piece engages with a different aspect of the California-born composer’s position as a member of the Armenian diaspora. These include the legacy of displacement since the 1915 genocide, maintaining culture in exile…

Jason Eckardt's Undersong cycle, built around Laura Mullen's text, with A way [tracing], 16, Aperture and The Distance (This), played by Fred Sherry, Claire Chase, Tony Arnold and the International Contemporary Ensemble under Steven Schick.

*2024 stock. Custon CDr* Works by Talib Rasul Hakim, William Bolcom, Howard Swanson and Frederic Rzewski are presented here. Highlights include Bolcom’s "Whisper Moon" for chamber ensemble and three of Rzewski’s songs, whose lyrics are drawn from words by Frederick Douglass, Langston Hughes and Guatemalan revolutionary Otto Rene Castille.

*2024 stock. Custon CDr* Trumpets and trombones twist through dense pockets of sound in Lucia Dlugoszewski “Angels of the Inmost Heaven”; the voice of a lone guitarist punctures the silence in James Fulkerson’s “Patterns” II and VII; flute, bassoons, viola and vibraphone are intended to “turn some dancers on” in Carman Moore’s “Youth in a Merciful House”; and a guitarist laments to the hum of an Elizabethan-type string and woodwind consort in Stanley Silverman’s “Planh.” This is a thoughtfully b…

*2024 stock* Elliott Schwartz plays four of his compositions for solo piano and pre-recorded tape, a project that remains "a continuing attempt to enhance, expand, obscure, develop or otherwise modify the piano sonority and the act of piano performance, through electronics." In his improvisatory piece "Grand Concerto" he uses fragments from the Grieg, Tchaikovsky No. 1 and Liszt No. 1 piano concertos; it is as epic in scope as the classical favorites.

The name Painjerk, the musical project of Kohei Gomi, didn’t come to mind for a long time. Offhand, I’d say it is likely that I reviewed very few of his releases. Many of those he released himself, and the ones of Harbinger Sound, Editions Mego, Alternative Tentacles and Hospital never reached me. He’s among the few musicians leaving the harsh noise behind and doing other projects. He calls it the “exploration and practice of kinematics of electro-acoustics using unorthodox methodologies, mainly…

Limited edition of 100 copies. On her second album (first one on Umor Rex), the Minsk born / Paris based artist Lina Filipovich continues her experiments on deconstruction and re-appropriation of classical pieces. BFHC includes seven electronic interpretations of the works of Baroque composers such as Bach, Handel, Frescobaldi, Carleton and Couperin. Inspired by memories of her experience of interpreting Bach's pieces in early childhood, Filipovich explores the desire to push the limits of perfo…

*300 copies limited edition* Eva-Maria Houben (born in 1955) is a German composer, organist, pianist and musicologist. She is a member of the Wandelweiser Group. Her compositions, performed by herself and many other musicians, have been released on CDs and LPs as well as digitally by Edition Wandelweiser and other international labels. On May 15, 2023, composer Takahiro Kuroda (born in 1989) presented the concert "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x" in the performance space…

*300 copies limited edition* Eva-Maria Houben (born in 1955) is a German composer, organist, pianist and musicologist. She is a member of the Wandelweiser Group. Her compositions, performed by herself and many other musicians, have been released on CDs and LPs as well as digitally by Edition Wandelweiser and other international labels. On May 15, 2023, composer Takahiro Kuroda (born in 1989) presented the concert "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x" in the performance space…

In the last few years Tibor Szemző has been revising some of his past recordings, rearranging, changing instrumentation, remixing and remastering them for new releases on vinyl LP on his Fodderbasis label. Now he is releasing a new limited edition of the album “Invisible Story” on a 10’’ vinyl EP. The title refers to the collection of essays by Béla Hamvas (1897-1968) published in 1943. Hamvas was an outstanding Hungarian thinker even in the European context. Due to his anti-materialistic concep…

The latest in a prolific string of solo and collaborative releases by James Rushford, Turzets collects a pair of new works primarily created and recorded last year while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland. The side-length piece “Fallaway Whisk” explores hesitation in its many forms—reticence of speech, sonic restraint—using live, abstracted translations of text from English to German against a lush and swelling soundscape.…

For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works. Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…

Louie Rice and Luciano Maggiore work together performing score-based works - both acoustic (without a PA system) and amplified (with a PA system). The duo was originally conceived to perform works by other artists as part of an event series at Cafe OTO in London. This series acted as a research period that went on to inform the action-based pieces that Rice and Maggiore are now writing themselves. These pieces explore physical actions and vocalisations in response to pre-defined prompts or rules…

*200 copies limited edition* 'No Longer Human' is dedicated to the life and work of Osamu Dazai and his novel No Longer Human First notebook:Antonio Tonietti: chitarra battente preparata, duduktavola armonica, synthClaudio Milano: voceMassimo Amato: piano Second notebook:Antonio Tonietti: basso preparato, basso, synthClaudio Milano: voce Third notebook:Antonio Tonietti: basso, synth, field recordingGiorgio Pinardi: voce Epilogue:Antonio Tonietti: Electric Koto, field recordingSilvia Pegah Scagli…

*2024 stock* When two worlds collide, you clean up afterwards. That's how the first impression of Dach, the joint work by the Frankfurt sound collective Ensemble Modern and Paul Frick, known from Brandt Brauer Frick, feels. Few people know that Paul studied classical composition and that it is therefore not particularly surprising that, in addition to his work with BBF and Tangerine Dream, where he has been dribbling synthesiser capers with the electronic music legend from Spandau for some time …

Six first recordings for solo percussion by Luis Tabuenca, each named after a work by Paul Klee, played acoustically with no electronics beyond amplification, with liner notes by Steven Schick.

Elliott Sharp's Dispersion: Flexagons, Dispersion of Seeds, The Hidden Variable and Palimpsest, four processes-based works for large ensemble, played by the young musicians of Veni Academy under Marián Lejava, with Sharp on electroacoustic guitar.

"The most striking sound in improvised music in years..." Love Songs by gabby fluke-mogul is a record of seventeen violin compositions for improvisation devoted to the multitudinous hues of intimacy.

Colliding Bubbles (surface tension and release) is a composition for string quartet and harmonica quartet, meaning that Quatuor Bozzini is playing string instruments while playing harmonicas. "The title refers to different kinds of bubbly matter which are set to collide within the composition, leading to different ruptures and possible release of surface tension. The collision of bubbles unfolds partly in relation to sound, where small fluctuations appear in the encounters between harmonicas and…

Sofa is proud to mark its 100th release with the stunningly beautiful double album Hereafter, a new major work from guitarist/composer Kim Myhr, written for the 15-piece Stavanger-based ensemble Kitchen Orchestra. “Hereafter can be seen as a meditation on mortality and transience”, Myhr explains. “It was written at a time where the prime minister of Norway told the country’s population that ‘you have to be prepared to lose someone dear to you’. It was like taken out of Tarkovsky’s “Sacrifice”. T…

The ensemble consists of 10 musicians from different parts of the world, coming from various musical backgrounds: Thea Soti (voice), Ferdinand Schwarz (trumpet), Jonas Engel (alto sax, clarinet), Victor Fox (bass clarinet), Emilia Gołos (piano), Zoe Argiriou (vibraphone, bass drum, timpani), Magdalena Lorenz (violin), Jonas Gerigk (double bass), Anthony Greminger (drums) and Wojcik himself on electric guitar. The album is an attempt to escape and find an alternative to the hierarchical composer-…

**Co-produced by David Sylvian and Yuko Zama, artwork by David Sylvian** The Berlin-based Bulgarian violinist Biliana Voutchkova and German clarinetist Michael Thieke have worked together intensely within both compositional and improvisational duo and group projects in Berlin since 2011. #In their current project “Blurred Music”, the duo works with musical structures that create a blur; improvised parts alternate with fields of pre-structured material in which digital recordings of the duo are d…

This release brings together three Dutch composers/performers, Reinier van Houdt, Germaine Sijstermans, and Koen Nutters, who have each released their own work on elsewhere music in recent years. Nutters, who has collaborated in the past with both van Houdt (Cornelius Cardew project) and Sijstermans (DNK Ensemble, The Names), conceived the idea of a trio performance with the two musicians, which later developed into this three-way collaborative project. Last December the trio played a concert at…

*Limited edition numbered in metal box* Georg Graewe piano solo ultimate collection. cd 1 recorded in Köln, Loft 2012 (1) and 2014 and 2017 (2-11)cd 2 recorded in Köln, Loft 2018 and 2019 (12-22)cd 3 recorded in Nickelsdorf, Konfrontationen 2016 (23-27);and in Vienna, RKH 2018 (28-35)

"Olivier Messiaen once said that all you need to make music is a note and silence. For the composer Arash Yazdani, born in 1985 and raised in Isfahan, Iran (and now based in Tallinn, Estonia), a slightly adapted adage applies: All you need to make music is two frequencies – though Yazdani has a clear preference for notes extremely close in pitch. His music is full of tightly coiled beatings, both stationary and set in motion. These beatings function like black holes in his works, drawing other s…

In music, we don't tend to talk about things. We're too concerned about the meaning of the story, about the dynamics of the performance, the reception, the syntax, the gesture, the movement; we're too concerned about how a sound got here, where it came from, how it was made, where it's going and why. We pretend that music is a language. Greenwald asks us to get busy with things. About a minute's worth of material becomes a cycle of seven works, performed in full for the first time on this album …

e piano-and-percussion quartet performs a series of pieces by the Los Angeles composer that wrestle with the aftermath of 2020’s wildfires; McIntosh’s own field recordings flesh out a sense of place.

*2023 stock* "This, the first CD dedicated entirely to work by composer Dario Palermo, features three substantial electroacoustic works written between 2009 and 2012. Palermo (b. 1970) has been involved with the use of new technologies in music since the early 1990s. His background includes studies with Giorgio Colombo Taccani and Giovanni Verrando and others, including Gerard Grisey, as well as in orchestral and chamber performance. His work, as typified in the three pieces presented here, is b…

*150 copies limited edition* "Most of the music I am attracted to represents some kind of undoing. Sun Ra's undoing of the big band, or of the jazz solo. Schoenberg, Berg, and Webern's undoing of the classical music concert. The A.A.C.M.'s undoing of the jazz combo and the club date. Pauline Oliveros' undoing of the musical score. Alice Coltrane, Don Cherry, and Cornelius Cardew's various undoings of the profession. What's more, none of these undoings are antagonistic or destructive. The thing u…

My Strong Will is a new album of "Ethiopian Classical Music" by Girma Yifrashewa. Recorded with Bulgarian musicians and the Sofia Philharmonic Orchestra in Sofia, Bulgaria, the album is a return to where Yifrashewa completed his own conservatory training in the late 1980s and early 1990s, across both sides of the fall of Communism. Guided by Yifrashewa's piano, these chamber works bring the music of Ethiopia into a Western Classical format, uncovering meditative and emotional new vistas for both…