Electronic / All styles

Like a chorus of eunuchs standing over you on your deathbed sending you off to hell with jews harp and squalid tunes from children?s plays?or like outtakes from a Diamanda Galas Mass, in which the choir tries to have fun with the libretto to keep from killing themselves-- Walter & Sabrina makes us fear them and fear for ourselves on ?We Sing For the Future.? The title track is a cover of the Cornelius Cardew piece (CC being Walter?s father and huge influence) which sets the stage for a whimsical…

2th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Abfleischung is based on material recorded by Tietchens as early as 1967—1970. These recyclings made in 1989 became the 20 short tracks on this album which was originally released in edition of 500 copies on Hamster Records in 1989. The CD includes two previously unreleased tracks and comes in a jewel case with full color artwork and poster booklet also feat. the original front and back cover. First editio…

Limited edition of 150 copies. Martin Luiten and Frans de Waard are both from Nijmegen and both part of the same musical 'scene' - if there is such a thing. They played together in 2003 when their bands Girlfriends and Beequeen played a collaborative concert, and the two met on the sunday afternoon improvisation concerts. Yet its not been until this year that they decided to work together, Martin on guitar and electronics and Frans picking the sound up with his laptop. Extremely fruitful session…

2006 release ** Packaged in an oversize gatefold cardboard sleeve with five postcard-sized prints. "Reissue of 'The Flight Of Real Image' MCD, released on Hic Sunt Leones (1993), with six bonus and exclusive tracks. The classical sound of Alio Die is harmoniously combined with his newer musical experiments with zither, salterio,flutes, bells and other instruments. All original material has been carefully re-mastered. Additionally this release comes with 5 art-cards showing installations by Itali…

1996 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 (150x200mm) wraparound card folder. "Rarely an album comes along that elicits so many different feelings one is left speechless. Suspended Feathers achieves such sacred distinction. Executed with such meticoluos attention to detail, the music of Italy's Alio Die is afine art to behold. A splendid mixture of enchanting instruments, loops and environmental treatments combine to form a multiple layered ambience …

2006 release ** "With this release by Small Voices, Gianluca Becuzzi (ex-Limbo), for the first time, presents his work under his birth name, confining the aka Kinetix as an extension of his name. "Memory Makes Noise" is an important passage in the long carreer of our Tuscan sound-artist, projecting him to the achievement of his own creative dimension. Left the cold digital aesthetic, Gianluca Becuzzi, is focusing his re-search on electro-acoustic sounds, livening "Memory Makes Noise" with throbb…

2006 release ** "On their second album, the Italian duo formed by Enrico Marani (Le Forbici di Manitù) and Fabrizio Tavernelli (ex Afa) – dedicated to an avant-garde electronics that is not sung, but rather recited – continues to explore new languages ​​suited to enhancing interpersonal communication and the representation of reality in all its modern complexity, without simplifications or trivializations. The album features a long list of guests, who contribute in varying degrees: there is Mass…

2005 release ** Since 1999, Kinetix is Gianluca Becuzzi, electronic composer and sound artist active since the first half of the 80’s. He writes: “The artistic production of Kinetixis characterised by a strong experimental imprint, by the interest into the expressive possibilities offered by the digital technologies and by a clear aesthetic inclination towards minimalist forms and micro noises/sounds.” (from the website) Really, the music sounds like a study about a representational work of mini…

2004 release ** 3"The different musical experiences of the individual members are evidence of the promiscuity put into play. Valerio Zucca (aka Abstract Q) and Fabrizio Buzzoni, respectively on electronics and guitar, grew up musically in the 80s with the crossover band Nasty Nurses, influenced by Faith No More and Naked City. Zucca will go through the most diverse experiences, from the psychedelia of Disoriente, to the jungle-ambient duo Abstract Quadrant, also active in the cinematographic fie…

T.A.C. sonic trip goes on through unexplored territories, forcing the borders between electronica and new psychedelic soundscapes, making room for gentle ballads merciless deconstructed ... Enter now T.A.C.’s surreal and swirling world. The tribernetic shamans are back…

"Cool crap" is an impressive, highly infectious, catchy and totally twisted electroclash debut album from Judah: cold and analogue minimal electronics plus really toxic and vicious vocal parts!!! An incredible collision between the savage electronic world of early Suicide and obscure industrial music à la NOVEMBER NOVELET...!!! Exciting, savage, wild... With a disturbing werewolf artcover.

Deep and wrapping digital soundscapes, dotted by micro-noisy granular material, resonant fields where time and space humble themselves in a single perceptive continuum. Contemporary, abstract, minimal, cold, intense and evocative drone music.

2003 release ** "T.A.C. is a group of sonic alchemists who fuse synthetics, strings, acoustic instruments and treatments into a tapestry of psycho/ambient soundscapes filled with hypnotic atmospheres and synthetic incantations. It is surreal, cerebral and unique "cosmic" music of a new sort. T.R. was recorded in the same sessions of "Waiting for the Twilight" and include 14 new exclusive tracks..., a sort of "Waiting..." twin album."Twilight Rituals" is the complementary twin album to "Waiting F…

The second full-length from Judah who have been described as the Italian Suicide. Indeed, cold and analogue minimal electronics with really toxic and vicious vocal parts. An incredible collision between the rock'n'roll mood of the sixties and the savage punk electronic world of early Suicide.

2007 release ** "Although the cover art for Enso is strikingly similar to recent 12k releases, there the similarity ends. With Enso, Luigi Turra has conjured up an organic and contemplative three-track epic, that resonates on subsequent listenings. Infused with Japanese sonic architectures and rigorous reductionist principles, this is a deeply meditative world of gently plucked instruments, and faded atmospherics, peppered with closely focussed tinklings and crystalline shards to add texture. Be…

Moraines II is a radical re-working of the limited cdr release Moraines. The original recordings have been augmented, re-worked and newely mixed into an entirely different piece of music. The final result is far heavier and more substantial work that creates a light and dark relationship with the original release and is much more than a simple ‘remix’of Moraines. Andrew Liles also contributes a track that takes elements and unique contributions to twist the work into his own personal sound world…

2007 release ** "This new Goem release is a solo work by Roel Meelkop (this time without Frans de Waard and Peter Duimelinks). The source material is an anonymous CD, whose samples are used for these eight tracks. The result is a combination of rhythmic patterns with minimalistic passages, strange loops, repetitive elements. Therefore, an interesting episode into Goem’s production, quite different from early releases of the trio, maybe preluding an evolution in its music."

2006 release ** Muddy Speaking Ghosts Through My Machines' is the brand new album released together by Fabio Orsi and Gianluca Becuzzi. This album will be certainly followed by other cooperations, considering the big friendly artistic sodality between them. Fabio e Gianluca are a strange duo, considering the big differences of their artistic back-ground. Fabio Orsi is a young and unexpected talent. After his first album, "Osci" (LP, SmallVoices 2005), produced by Gianluca Becuzzi, he got a lot o…

Aidan Baker's I Wish Too, To Be Absorbed is a 2-disc compilation of tracks from various out-of-print, limited edition releases spanning the last 10 years of Baker's output, ranging from his very first release to material that was featured on the soundtrack to a book of his poetry. Toronto based composer Aidan Baker works under his own name, under the name Nadja along with bassist Leah Buckareff and also with the trio ARC. Hailing from the Great White North, Baker incorporates guitar, drums, bass…

Done by ibitsu, March 2008. Mastered at Piethopraxis, Köln, September 2008. Artwork by Soma, July 2008. A curious and highly fine tuned digital composition emerging from somewhere in Japan. Starting life nearly a decade ago, this piece was refined, restarted, thrown away, though lost and finally adjusted and completed in March of this year. A shimmering sub rumble counters hi-end tweaks, like an acid drenched take on the spirit of early trente oiseaux releases. 'foolproof betters fools bettering…

Airland is an electronic music suite freely inspired by, and dedicated to, the studies on the graphical representation of air by Bruno Munari. A skilled ambient and a maniacal care of the sound.

Chaos is an open project for improvisation. Open to such an extent to take the liberty, as in this event, to have, as guests, musicians met the very same evening. Quattordicidodicizerodue distils - in a unique uninterrupted set - sound alchemies created with electric guitars, computer, synths and electric/acoustic percussions.

'Basis' is based on recordings of acoustic instruments. All sounds were processed and layered into compositions by Steinbrüchel. Through this processing Steinbrüchel revealed hidden structures and melodies and isolated them, creating new melodic and organic textures without losing the soul of the original. These seven tracks reveal a new side in his music. Tonal harmonics have never before played such an important role and each track contains layers of subtle shifting and interweaving melodies, …

Since 1995, Brisbane resident Leighton Craig has etched out a varied musical existence, from solo keyboard studies to an extensive body of collaborative work. His solo works, which span delicate ambient keyboard excursions through to site specific live documents and most recently song based explorations, have mapped out a focus of tone, duration and 'situations' for sound. On 11 Easy Pieces, his first widely available solo LP, Craig offers an intimate yet robust collection of works recorded on a…

2007 release** "«Sparks», like the marconimen who occupied radio stations on ships at the beginning of the twentieth century. And this extraordinary album was essentially born on the radio, in the well-deserving Rai studios of Audiobox in 1995. Brooded over for over ten years, contaminated by subsequent experiences, these sound materials now return on CD, in a sedimented and coherent object, where cultured experimentation goes hand in hand with Central European popular music and new ethnic cross…

A very nice compilation distributed worldwide by Wire and produced by Xing. Fragments of Phonorama were recorded live at Raum, Bologna, in 2006-07 from two collective performances conceived by Riccardo Benassi for Xing. The original recordings were re-shaped and re-composed in Berlin by Valerio Tricoli and Riccardo Benassi. Phonorama is a live electronics happening generated from improvisations by 20 musicians to create a collective soundtrack. One long environmental suite involving some of the …

*2022 stock* This is volume 9 in Omega Point's Obscure Tape Music of Japan series. Yoji Kuri is one of the foremost and highly-regarded experimental animation artists in Japan, active since the early '60s. His name is well-known not only for his many works of "black humor" throughout the '60s and 70's, but also for the soundtracks to his materials, composed by avant-garde composers. Originally titled Synthesized Piano Space, it has been renamed Drip Music for this release. This new edition is co…

It must have been quite some years since I last heard music by Simon Wickham-Smith, but there was a time when I played it a lot, especially the various albums he recorded with Richard Youngs. But I guess that's how things go. Interest shifts I assume. To be honest, again, I have no idea when I left off, or why. But its good, as well as strange perhaps to see him back on Pogus Productions. On the cover I read that 'not satisfied with making music, he has also been a Buddhist monk in the Tibetan t…

Two tracks each by Francisco Lopez, Luis Mesa, Juan P. Monreal, Antonio Garcia, Miguel Ruiz, 1 track each by El Sueno de Hyparco, Markus Breuss, Orfeon Gagarin.

Mario Bertoncini's complete compositions for aeolian objects, instruments played by the wind, from 1973 to recent years.

Soundscapes of the Inner Eye is the debut by Belgian experimental collective Noise-Maker's Fifes, released in 1995 on NMT Productions (NMT CD-01). Formed in 1990 by Geert Feytons and Timo van Luijk, the project blends improvised music from self-made instruments, electronics, effects, and environmental recordings to craft atmospheric soundscapes. Tracks were recorded and mixed on 4-track in Amsterdam during 1992-1993, capturing their early ambient/industrial style. Noise-Maker's Fifes evolved int…

The fifth in this superb series covering historical Japanese electronic music from the Nhk studios, the first covering pieces engineered by Tsutomu Kojima (prior volumes dealt in pieces assisted by Shigeru sato and Hirosi Siotani) highlights herein include Jo Kondo’s “never return” (harsh/psychedelic vocal/piano cutups from 1971 !!!), Hifumi Shimoyama’s fumon iv a, and oto no hajimari wo motomete perennial Joji Yuasa’s my blue sky.   1. “Beyond the Clouds” Keiki Okasaka A work was intentionally…

2007 release ** Limited edition of 106 hand-numbered copies. "'After Dinner Black Out' is the debut of Italian musician Donato Epiro, is a nearly 20 minute experiment in sound collage. A single track, the composition is made of several pieces of music and found sound, each cut to a reasonable length of no shorter than 30 seconds and up to five minutes. Like Luc Ferrari's compositional musique concrète, the sounds are intimately related, though not necessarily by timbre, tone, or anything else ap…

Works by Vladimir Ussachevsky, Otto Luening, Pril Smiley, Bülent Arel, Mario Davidovsky, Alice Shields . In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he dev…

First complete disc of Frances White's electroacoustic works, five first recordings for electronic sound alone or with viola, double bass, shakuhachi and string quintet, inspired by a bridge over the Delaware River.

First in a series of 18 CD's aiming to make available all early vinyl albums by Asmus Tietchens between 1980—1991 on CD. Each release features the original tracks (sometimes extended / original versions) + unreleased bonus tracks from the same recording period, original artwork + accompanying texts by Tietchens. This — the only 2CD in the series — feat. his very first album Nachtstücke from 1980 (incl. 4 bonus tracks) + a 2nd CD with archive material recorded with his long time friend Okko Bekke…

restocked: The four gentlemen of the guitar are: Keith Rowe guitar, electronics. Oren Ambarchi guitar, electronics. Christian Fennesz guitar, computer. Toshimaru Nakamura no-input mixing board. 'Keith Rowe, Oren Ambarchi, Christian Fennesz and Toshimaru Nakamura are four of the most prominent and influential musicians in experimental music today, each with extensive discographies and distinctive styles. In mid-2004, they formed the Four Gentlemen of the Guitar (4g), and played a series of shows …

'Silvia Fssler: computer, electronics, guitar. Billy Roisz: computer, turntable. Recorded & mixed June 2007 by Dieter Kovacic at Fleetinsel-Hamburg. Mastered by Martin Siewert at Motone Sound Services-Vienna. 'Skylla' is a monster. A sheering, scathing collision of computer generated sounds meshed with guitar and turntable. The results are intense yet bearable, funny but not stupid. From the rhythmical excesses of 'Pink Umbrella' and 'Kirre' to the subtle dronescape of 'Syne', this is a full on …

Kuniharu Akiyama (1929-1996) was well-known as a music critic, mainly of modern and contemporary music. However, his career was not only in the music field -- he was also a very well-regarded avant-garde artist (he especially related to the early Fluxus movement). This release consists of his three unknown tape music pieces. They are very strange. Excerpt from the liner notes: "'Environmental Mechanical Orchestra' (1966) was made for an exhibition called 'From Space to Environment,' carried out …

Uncle William Borroughs would have loved a record like this, it's the result of a cut and paste process enriched by elements played with drums, guitars, vocals, bass, trumpet and many other things. he musicians of [1] Kilo of Black Bondage were united for the first time in 2003 during the I.D.E.A.L festival at the Lieu Unique in Nantes, France. Then, moving from stage to stage in France and Europe, they enriched and cultivated an original musical material made from evolving textures, sonic lands…