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*2023 stock* Lou Reed's Metal Machine Trio/Re-Mastered to the specifications of the original master, playable on home theatre systems. Lou Reed has gone back to the original multi-tracks and has digitally re-mastered his 1975 classic album "Metal Machine Music." This is the one and only official re-mastered edition of "Metal Machine Music", re-issued, supervised and approved by Lou Reed himself. The re-mastered edition is released on Reed's very own Sister Ray label in three formats - double gat…
First collaboration between the brothers Sietse and Tjeerd van Erve - Orphax (drone and electroacoustic) and PONI, Person Of No Importance (dark lo-fi guitar songs). Inheritance is a near-translation of the family name van Erve, and the album returns to shared early influences from their father's record collection, late-night Dutch radio and the Belgian Studio Brussels station. Opener As Received builds slow drone into post-rock intensity; later tracks reach toward late-period Swans territory.
Composition trio between Jos Smolders (electronics), Guido Nijs (saxophone) and painter Koen Delaere, whose abstract pigment surfaces serve as compositional model. Five tracks named after pigments (Aureolin, Barium, Diarylide, Bianco di Titanio, Indigofera Suffruticosa) translate Delaere's clashing, superimposed colour material into sonic canvases. The work grew out of two years of free improvisation; on Diarylide, the duo is extended with Eric Van Der Westen on bass and Aron Raams on guitar.
"Abbuio" is a term that refers to the Italian translation of the English word "Blackout" according to the proposal of the Italian linguist Arrigo Castellani. This new work marks Bignamini's return to the solo acoustic guitar. Moving away from the more classic fingerpicking style, he offers five soft "ballads" (3 improvisations and 2 compositions) inspired by sleepless nights.
Reading Group is very happy to announce the release of Blue Monday, a new LP from Zara Joan Miller and Ute Kanngießer. The LP is the result of the first live collaboration between the poet/artist Miller and the cellist/improvisor Kanngießer, recorded at London’s Cafe Oto in January of 2023. Kanngießer’s searching, intensive cello lays an amorphous terrain beneath passing fragments of Miller’s poetry (from her 2022 book of the same name from Joan Publishing), billboards dotting the interior freew…
João Almeida (trumpet) and Pedro Melo Alves (drums), two of the most creative and prolific Portuguese jazz musicians of their generation, are Mooris. Recorded in May 2021, right after the second lockdown in Portugal, “I” shows them freely exploring their instruments of choice but also finding and creating sound with “objects”, as they describe. Both musicians leave behind familiar ground and use their instruments to create sounds that appear ceremonial or even manifest themselves as rituals. “+”…
*200 copies limted edition* Fern Recordings presents Expended Desert, a collaboration between Sam Dunscombe and Michiko Ogawa.
Sam Dunscombe (field recordings, synthesis)Michiko Ogawa (shō, hammond organ)December 2022
Locations:Roadside, Joshua Tree National ParkRailway siding, LudlowNorth Shore Yacht Club, Salton SeaSoundwalk, Slab CityAdelanto Solar Park, Victorville
*100 copies limited edition* Headlights Recordings presents Manuel Mota's new work Isocèle. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to him indistinct, and that…
*100 copies limited edition.* Tsss Tapes presents Kroccoli by Manuel Chittka on percussions and electronics. 'Kroccoli is one of the first mutual words of my twin sons Cosmo & Charlie'.
Tropic of Capricorn is the second album by Lawrence English and Werner Dafeldecker. Based on field recordings made by the prolific Room40 owner that were subtly but decisively altered with electroacoustic techniques through the German improv legend, these two long-form pieces blur the lines between acoustic ecology and aesthetic interventions, concrete local sound worlds and boundary-defying art. They put a focus on our relationship with nature as listeners as much as they call into question whe…