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ENOUGH!!! is a pan-atlantic trio of well known composers and artists that had enough of everything. Still they don't hide themselves inside caves like hermits or in the shade like junkies - they sigh thrice and then they endlessly move on with their skills like electrons around the atomic nucleus; like the fruits on a thousand years old olive tree; like the harmony of the spheres. Jason Lescalleet has gradually and painstakingly built a compelling discography over the past decade. He uses reel-t…
The late 70's rejection of punk and rock-oriented music within select underground subcultures was signified by the works of bands like Throbbing Gristle, Cabaret Voltaire and Whitehouse. Using their network of record labels and propaganda, these like-minded noise makers created a sound and aesthetic that is known far and wide as something quite English. But in Italy, a storm was slowly brewing in the works of a lone composer by the name of Maurizio Bianchi. Starting in 1979, Bianchi formed hi…
'Masami's and my conversations look like heroin addicts talking : A phrase. A five minute silence. Another phrase. A five minute silence. A question. A five minute silence. Another phrase. A five minute silence. An answer. Et cetera.The BLACK ALBUM shows what's going on in our heads.' - John Duncan
For over 20 years Black Leather Jesus has been there, watching, waiting, playing in small, poorly-lit rooms. Founded by Richard Ramirez in 1989, everything they do is harsh, chaotic, and completely unlistenable to the sane mind. Ramirez was inspired by the gay S&M scene to create something that will haunt the hallowed halls of your soul. Seattle's incredibly prolific doom metal outfit Blue Sabbath Black Cheer, consisting primarily of members Stan Reed and wm.Rage, have released a slew of Lp,7-in…
Bizarre Uproar is one of the colossal phenomenon in Finnish harsh noise scene. Throughout the years, this artist has gradually taken the Bizarre Uproar concept to more and more extreme level not only sound wise, but also ideologically fulfilling the ideas behind the sounds. Hate Meditation. Wrapped in darkness, tight as second skin. Suffocating (like) latex mask. Purification in filth and violence, cleansed in flesh and blood that are shit and piss, enlightenment in everlasting ejaculation. New …
Is the fourth full installment of a body of work from Keith G Finnan who resides in the shithole south east of the U.K. with releases on such labels as Filth and Violence , Unsound Recordings , Corrosive Art Records and various compilations. S.T.A.B. originally was going to be a one off project as a tribute to the Italian master of harsh nightmarish electronics Marco Corbelli ! S.T.A.B. thought it would be a fitting tribute to carry on the project with themes based on sex , death , the body poli…
The involvement in the improbable challenge of a collaboration with another musical entity takes on its full meaning when the two characters have radically different personalities ! In 2001, the merger of Brume with the American project Bastard Noise could have seem surreal ! One works in the field of Musique concrete, and the others in what we can call Power electronics, making their own sound generators (DIY). The first album of this association materialised with a very successful CD! 2012… po…
Limited and numbered edition of 300 copies on black vinyl in a deluxe silver cover. Bruitism, Empirism, Explosion, Process, Labor, Loss, Fracture, Abstraction, to throw, to rebuilt, to leave, to doubt, to corrupt, to wrap up, to close, to forget, to macerate, to forsake, perforate, energy, pleasure, method, existence, survival, exhibition, abstraction, History, Terror, Resistance, Construction, Progression, Music, Second Empire
**200 numbered copies on purple vinyl** Quality reissue of a private LP, issued in edition of 300 copies in 1982; a skeletal extremist project that will then transform into the \'soundtrack\' of a movie with the same title, edited and directed by Paul Hurst. It\'s the setting of the griable pre-apocalyptic fossilization, the supreme lapidation of the meanness which creates the myth. There are actual melodies present -- dense and dark that mutate into harsh electronic outbursts.
\"In order to cre…
Digital noise by the the sweatest, high volume, voices of Japanese girls in the distance, Otaku's stories, obsessions manifested, a rabbit, the subway.
On side A, two of the best American artists in a collaboration to remember 'Boogie Woogie Man' Jimmy Valiant. On side B, a track by Gene Pick, new astro in american noise scene, recorded live to tape with modular system, ms20, mixer and pedals.
Noise as the primary source of ispiration. changed, modified, writhed to alter its shape. A form dynamically concrete, industrially obsessive, noisily broken. Two entities that are mixed to becoming one at the end. Umpio and Taklamakan give us two long tracks that touch the boundaries of industrial, noise, drone and musique concrète.
Opener "God Damn This Ugly Sound" is less an exercise in composition and more in locating, as it is a six-minute excerpt from a medical record documenting the sounds of various diseases. The rest isn't as obtuse, as it segues nicely into the looping guitar feedback and shrill squeal of "Blues for Sterling Hayden," which could easily be an exercise in sheer noise blast, but is instead a carefully controlled track that demonstrates just how subtle the duo can be, even under such 'extreme' conditi…
Caen is a solo project of Gordon Ashworth (Concern, Oscillating Innards). Caen is based on simple tape loops of melodic sounds, expanded into minimal and lo-fi vignettes of crude, textural drones, each piece recorded late at night. " Middlefield" is a collection of material spanning 2003-2013, previously released on cassette by Ekhein, Gutter Rash, Iatrogenesis, and Monorail Trespassing.
This is the debut album from Hypnosis, a duo consiting of Dan Johansson (Sewer Election) and Joachim Nordwall (The Skull Defekts/iDEAL). These guys have a long history in the Swedish experimental music scene, releasing tons of stuff, playing and setting up gigs, feeding the underground and sometimes surfing academic sound art worlds too. Together they make minimal tape music, it is cold, empty and psychedelic. Something unpleasant but still laid back, slow. A beast with no teeth.
Recorded in 2013 shortly after the release of "Edenfall", this first vinyl LP from the American death industrial project explores the destructive realities of industrialized agriculture, Heathen atavism and humanity's continuing exemptionalist arrogance and loss of a spiritual connection to nature. The three tracks feature composed layers of grinding analog electronics, melodic synths, droning guitar, heavy percussion, scrap metal and a brutal vocal delivery that listeners have come to expect fr…
"Maurizio Bianchi's 1981 Symphony For a Genocide LP is the artist's most well known work, widely recognized as a classic of early industrial music. A year and a half after its initial release on vinyl in a limited edition of 227 copies, the album was reissued on cassette by the Broken Flag label. It was at this time that Bianchi created an entirely new recording drawn from the audio of the original LP. Entitled S.F.A.G. 81 and issued in January 1983 as a companion to the Symphony For a Genocide …
One of Prurient's most sought-after albums now issued on vinyl for the first time, remastered and cut by Matt Colton, housed in a hot-foil printed sleeve. At long last Prurient presents his incredible 'Cocaine Death' pressed on vinyl for the first time. Collecting three C10 tapes individually issued in 2007 - 'Cocaine Death', 'Caribbean Overdose' and 'Tylenol Murders' - released on CD in 2008, it serves to highlight some of the most viscerally affective, evocative material in Dominick Fernow's a…
Regler is the new, unbelievable project from Mattin (Billy Bao, Josetxo Grieta) and Anders "Drajan" Bryngelsson (Brainbombs, No Balls). Dancing on the ashes of a whole cultural breakdown, they bring us to a non returning point, where the dead body of rock first explodes, then implodes upon itself. There is no joke, people: this is the punkest record ever made!
Mastered by Rashad Becker.