New Arrivals
Navajo sunrise
Daniel Carter's relaxed phrasing moves naturally between Parker's earthly bass sound and Ughi's sensitive drumming. This trio's music seems to be possessed by a light and welcoming spirit. A constant flux of energy, a three way dialogue consumed within the time and space of one breath. Telling the story of the trio's origins, the musicians talk about dreams and desires while the body of this music takes shape within the human connection of the band's relationship which has grown over time, throu…
Mole's Milk & Other Pieces
For many years now there is a strong connection between the three members of Kapotte Muziek – Frans de Waard, Roel Meelkop & Peter Duimelinks – and Rotterdam based visual artist Ben Schot. The first time they worked together was when Schot asked Kapotte Muziek to perform at a festival about Detroit/MC5/etc festival in 1998 (released on ‘Praag/Rotterdam’ CD by Kapotte Muziek) and since then there have been various collaborations and constellations. This CD, while technically a compilation, collec…
Galaxies
Laurence Vanay is the pseudonym for Jacqueline Thibault, wife of producer and musician Laurent Thibault (Magma). Her debut album "Galaxies" (1974) is pure genius: almost all instrumental, with gorgeous keyboards of many types, acoustic/electric guitar, even a little Zeuhl bass. There are wordless vocals on many of the tracks, although she occasionally sings in a soft, seductive manner. Incredible, spacey “avant-garde progressive chanson,” a Holy Grail for most collectors of 70's underground Fren…
Body/Head
Bill Nace (Guitar) and Kim Gordon (Guitar, voice). "So much more than a 'likely pairing,' this is a group which manages to illuminate the best of both players while simultaneously pushing them into fresh territory. Live shows have been accompanied by slowed films, and the pair's obsession with cinema comes across in the music itself. The pieces exist as vignettes in and of themselves, all the while presenting a full-bodied emotional narrative over the course of the record's 20 minutes. It…
Make It Real
Wait, this is the new Pocahaunted album cover? Gone may be the days of cassette cases featuring creepy collages and hand-dyed bags with feathers attached, but this is something else entirely. I mean, there’s a parrot with blue Ray-Bans, a giant dollar sign, a “He’s on fire!” NBA Jam-style basketball…What is going on? After the shock of the cover art, I waded into the unfamiliar soup that waited within. From the opening thrums of “Touch You”, the lo-fi recording aesthetic seemed to be held …
Bits & Pieces
The history of - behind which we find Nico Selen of O.R.D.U.C, E.M.M. and many other guises - and Freiband, the name of Frans de Waard when it comes to all sorts of computer based, goes back for over 20 years. Selen was the first to release a LP by Kapotte Muziek (De Waard's other music enterprise, among many!), in 1990 and they have been off and on in contact. Earlier 2013 released a very limited CDR, which De Waard quite liked and in the next days he kept returning to it, eventu…
Probability A: three studies for compositions of infinite lenght
Probability A collects three pieces composed by William Hutson between 2009 and 2012. Over the past seven years Hutson’s project Rale has evolved to incorporate more negative space into the music. The three pieces herein contained were recorded as proofs-of-concept; they are tracks that Hutson made to loop indefinitely in his house as he built up the courage to use long silences in what is supposed to be a noise/drone act.
William Hutson began recording and performing as Rale in 2006. He …
Animalia Corolla
Most of us are living in an urban world, dominated by constant noise and contagious stress. Our ears are conditioned by this aggressive environment and have often lost the ability to perceive another discreet world surrounding us. It might be hidden but also swarming, vivid and incredibly musical. We are all able to prick up our ears to some birds chattering together, the wind shaking leaves, toads singing serenades or old spirits telling us their immemorial adventures…Since its creation in 2006…
Mantle
Mantle is Pixel's fourth release on Raster-Noton since his debut in 2003 and a further exploration of his approach to rhythm-driven electronic music. The overall atmosphere which is produced by the fragile but nevertheless complex sounds is gloomy and quite threatening. Deep, pulsating basses are accompanied by ominous and fierce tones which emerge like flashes of light or shock waves, giving the impression of being warning signals. The few calm moments are constantly disrupted by dark dr…
Spit
Debut album from Ron Morelli, founder of the influential L.I.E.S. label featuring 8 electronic variants; from House and industrial tape experiments to saturated metallic beat tracks... There’s so much that could be said about Ron Morelli, his L.I.E.S. label, or the fact that his debut album comes to you via Hospital Productions, but instead, here are some words from the man himself. “I’m a regular guy, enjoy a good steak, drinking beer, and occasionally a game of pro basketball, Republican talk …
The last house on the left O.S.T.
Born in 1936 in New York City, David Hess began his career when he recorded the original version of the Otis Blackwell composition "All Shook Up" under the stage name Dave Hill in 1956. The song became a Number 1 hit for Elvis Presley a year later and Hess became a songwriter at Shalimar Music. David went on to compose "Start Movin'" for Sal Mineo and "Rockin' Shoes" for the Ames Brothers. He continued to write songs for Elvis throughout the '50s and '60s, (including the Presley hit "I Got Stung…
Abersayne' b/w 'Attersaye
Kye is proud to present 'Abersayne' & 'Attersaye', a brand new 7' single by Graham Lambkin, his solo debut on the format after 21 years in the game. 'Abersayne' & 'Attersaye' pairs a perfectly serviceable love song with a rough-and-ready late-night lament (featuring one conspicuous overdub). Expertly mastered by Jason Lescalleet at Glistening Labs, 'Abersayne' & 'Attersaye' arrives in a pro-printed full color high gloss sleeve, with lyric insert, in an edition of 500 copies.
The love robots
Jim O'Rourke, guitar. Paal Nilssen-Love : drums. Lasse Marhaug, electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo February 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies. Housing, parasites and hammering textures.
Body waves
On 22 February 2011, an earthquake measuring 6.3 on the Richter Scale hit Christchurch, which combined with a series of massive aftershocks destroyed huge swathes of the New Zealand city. At its epicentre in the port of Lyttelton, sound artist Jo Burzynska (Stanier Black-Five) grabbed a recording device as she ran from her home, leaving it running on her doorstep capturing the aftershocks that ricocheted though her house and the disaster unfolding on the street outside. This unique recording of …
Zones portuaires
Recordings in harbor area made in Le Havre (France) March 2010 and Liège (Belgium), September 2010. Each musician works with these site specific recordings. CD1 Eric La Casa (2011- revised in summer 2013). CD2 Cédric Peyronnet (2012-13).
Music for air raids V2.0
LP album, numbered and stamped vinyl edition limited to 250 copies. A different version from ' Music for Air Raids ', recomposed for the vynil format and entirely remastered. Comes above our heads the distant roar of ' Music for air raids v2.0 ' as a prelude to the waves of polyrhythmic drums and unremitting guitars, of powerful and constructive poundings that will penetrate us to the core throughout the album. As this album is a tour de force end-to-end, with raids of drums, persussions and gui…
Metz
Some will find it hard to believe that a glamrock band with a gritty urban veneer came from Texas and stuck together long enough to release this milestone record. Indeed, I was startled to learn that they're from Texas and not NYC or London. Clearly the underground music scene throughout Texas is fertile with talent and enough socio-cultural diversity to support any genre, including mid-70s glamrock. Metz take on glam includes some of the associated clichés like heavy chunks of chord strokes and…
Marvellous Boy: Calypso From West Africa
Marvellous Boy Calypso From West Africa HONEST JON'S RECORDS **** endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West…
Complete Spiral
Two of the world's most distinguished electronic musicians have drawn upon their shared passion for the sensuality and groove of late '80s / early '90s NYC House to hatch a genuine anthem for unsuspecting and open minds. DJ Sprinkles, aka Terre Thaemlitz, is a now Tokyo-based producer who, among so much other stuff, released the hugely loved, genre-defining "Midtown 120 Blues" album back in 2009. Mark Fell is the South Yorkshire-based sonic genius known for groundbreaking work as half of…
New History Warfare Vol. 3: To See More Light
Colin Stetson established himself as an intensely original solo composer and performer in 2011 with the release of the widely acclaimed New History Warfare Vol. 2: Judges, which ended up on countless year-end lists. Anyone who has seen Stetson in solo performance can attest to the stunning physicality of his circular-breathing technique and capacity to produce a seemingly impossible palate of multiple voicings simultaneously in real time. New History Warfare Vol. 3: To See More Light is th…