New Arrivals
Earth Liver
New full-length from San Francisco based Common Eider, King Eider. Themes, instrumentation, and vocal decay is stretched out even more dramatically by this mysterious band of outsiders. Genres bleed into each other and smear reality as elements of drone, doom, neo-folk, and black metal deliver a harrowing and somber reality of loss and emptiness. Silence weaves in and out of vocal arrangements, violas, and guitars creating unease throughout the entire listening experience. Four new pieces…
Orgies of Crime
Long unavailable 12" single with the spaghetti-Whitehouse sound of violence by The Sodality. 50 discs of the original 1989 release (of some 500 copies) were found without the original sleeve and were re-packaged as '25th Anniversary edition' in occasion of The Sodality's concert in Rome at the beginning of 2014. The new cover is made of two xeroxed drawings by Bruno Richard pasted on the innersleeve, housed in transparent plastic sleeve. Edition of 50.
Recur
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
Enharmonic intervals (For Paschen organ)
Forget what you know about the Seattle-area sound-art project Mamiffer and the Finnish hypno-rock institution Circle. Enharmonic Intervals (for Paschen Organ), the first in a proposed series of joint efforts involving these parties, contains few of the musical hallmarks you might associate with either performer. The comforts of austere piano sketches and solemn nocturnes are largely absent; the wallop of repetitive rhythms and metallic kitsch is nowhere to be found. It’s as if an unseen h…
Continuation
Recorded in the 1960s with Marshall Allen featured on Jupiterian flute and Danny Thompson on Neptunian libflecto. The original LP was pressed in very small numbers at the end of the 60′s, with purposely mislabeled details in the liner notes in typical fashion to Ra’s output during that phase. The contents are believed to be from 1963-64, a period that produced some of the composers most revered works and an era when Ra relocated to New York from Chicago. What we do know about Continuation i…
Crowded
Breathtaking slab of the black stuff from peerless drone/noise (de)composer Kevin Drumm - with "spectral editing and time domain consultation" by Russell Haswell. We shouldn't need to tell you that this is a big deal. But, in case you're a bit daft; it is. Haswell helps out on the wormholing A-side 'Repetitive Algae'; a single tract of cacophonous, morphing rhythmic noise reminding of Philip Corner's 'Coldwater Basin' - a home recording of cold water running from a faucet into a basin - b…
Eros
Amazing quadruple tape set comprising of 8 artists, 4 tapes for almoust 2 hours of unsustainable harsh noise. Tounge Knax, Mordant Karma from Japan, Blodvite and Arv & Miljo from Sweden, Elisha Morningstar, Endless Sea from Italy, Skingraft, Developer from USA. Each artist explains his idea of eros, the relationship between lovers, the power of physical and mental attraction.
The last house on the left O.S.T.
Born in 1936 in New York City, David Hess began his career when he recorded the original version of the Otis Blackwell composition "All Shook Up" under the stage name Dave Hill in 1956. The song became a Number 1 hit for Elvis Presley a year later and Hess became a songwriter at Shalimar Music. David went on to compose "Start Movin'" for Sal Mineo and "Rockin' Shoes" for the Ames Brothers. He continued to write songs for Elvis throughout the '50s and '60s, (including the Presley hit "I Got Stung…
End Line
Ottaven new LP issued in a tiny run of 100 copies only, a strong and puzzling mixture of tapes, electronics, varispeeding, and multiple exposures, carefully executed, with much precision and clarity. Flipping between noisily bristling electronic frequencies and blustery washes of oscillating tones, Ottaven sounds carefully programmed even in its most frentic moments, and offers several blasts abrasive enough to unclog the dirtiest pore.
s/t
Church was always a drag when I was a child. Dressed in Sunday best, I struggled to enact respect and silence throughout the entire mass. However, if church had sounded more like GA’AN, I would have been there any day of the week. Nothing in Peoria sounded like this. This is music to sacrifice virgins to. This is the soundtrack to Everyman’s epic Norse BDSM fantasy of destruction and rebirth. The scenarios conjured by these jams make the death of Sardanopolus look like kid stuff. Captcha Records…
Surveillance
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
Inside Wino Lodge
New solo LP of strange sounds, vocal improvisations, tape manipulations mangled strings and hiss drones from Dylan Nyoukis (Decaer Pinga,Blood Stereo) Inside his Wino Lodge. Sounds like it was recorded in a 4 track in 1972 in an insane asylum, then puked over and thrown into the sea, then discovered recently and transfer directly to Vinyl via marine analog tape communication device (thats a compliment).Good one to buy if you are wondering what a naked Scotish man and his daughter look and sound …
Hornbread
The collaboration between Victor Meertens & Werner Durand dates back to the mid 90s, when they started performing together in art circles in Germany. At the time their performances consisted of Victor's Actions, which included bread making processes with text recitals in combination with werner's musical performances on his invented wind instruments and his playing of Victor's home baked Bread Instruments with inserted pipes.In 2003/4 Werner was artist in residence in the Worpswede artists…
Shopping
'Shopping features the title track in two versions (Vocal and Lo Cal'), The Crunch, plus a formidable remix by Shelley Parker (second part of the audio sample), whose Structure imprint will shortly be releasing more excellent work by Filter Feeder, amongst others. Played, recorded and processed by Julian Doyle (acoustic and synthetic percussion, analogue drum modules, turntables, digital samples and delays). Mastered by Jason Ward at Chicago Mastering Service. See also Filter Feeder (E8), Filter…
Requiem for a baby grand
Final piano music for 8 hands and tools. A film by Pavel Borodin documenting the performance by Hans W. Koch, Thomas Lehn, Ben Patterson and Jozef Cseres.
The Somnambulist's Tale
An early and one of the most special Gnod recordings is out now on Aguirre. The Somnambulist's Tale consists of two sidelong adventurous pieces which are carried by an incredible loop. The haunting ambience in combination with electronics, distant guitar layers, conversations between the band members, a typewriter, and other sounds from found objects makes this quite an atypical Gnod release, but definitely a great one. Influenced by early Krautrock bands like Can, Hawkwind and Ash Ra Temple, G…
Calmont breakdown
New solo album by the highly prolific yet always captivating Richard Youngs, whose music can waver healthily between new forms of singer-songwriter material, lo-fi drones and all manner of avant-garde forms. Here, his music sways towards the difficult and embraces organ drones and swells, frazzled electronics, a voice that is at once unnerving and unnerved, and more besides. Anybody expecting a comfortable listen should be prepared.
Interval Signals
Brian Pyle is becoming a big name in disquieting ambient and haunted audio, and two new releases (this and Light that Comes, Light that Goes) from him this week aptly explain why. Interval Signals is an enticingly evocative story, a single-take journey through a series of interiors and exteriors spaces layered with memories and geographies. Melancholy like an old crime scene, its mixture of ancient broadcasts, echoes trapped in the dusty twentieth-century telephone network, spiritualistic tuned …
Super.Trigger
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
Police Water
Under the wickedly cryptic title of 'Police Water', Gary War delivers his latest psych-pop dazzler on Sacred Bones - also including the two tracks from his 'Reality Protest' 7". Just as everyone begins to catch up with his brilliant body of work from the last two years, he goes and switches up his sound with reinvigorated song structures, a broader tonal palette and far, far tighter rhythm programming. Don't worry, though, he's not lost the inexplicable post-apocalyptic weirdness, it's ju…