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2026 stock, reduced price ** Comes in a snapcase with a numbered cassette has no label and a numbered j-card with different address stamp from 1st press. **
The most radical formal gesture in Shocks! Shocks! Shocks! is not any single noise burst or sample collision but the refusal - sustained across the entire cassette - to settle into a genre. Violent Onsen Geisha is Masaya Nakahara, a Tokyo-born artist who has described himself as someone with no musical talent, and who produced, precisely be…
On their self‑titled debut, Still House Plants capture a raw, one‑day snapshot of their early quartet chemistry: tape‑hazed grooves, off‑kilter song forms and fragile/feral vocals sketched live to reel, already hinting at the oblique intimacy they’d grow into.
In Hypnotised: A Journey Through Trance Music (1990–2005), Arjan Rietveld traces trance from smoky backrooms to global main stages, charting how a marginal, emotional strain of dance music became a worldwide language of euphoria, melancholy and collective release.
On Mocomono, Hifiklub & Alain Johannes turn a two‑decade friendship into a glowing, slow‑burn suite: guitars, textures and voices dissolving into an ambient rock vapor where the Toulon collective’s restlessness meets Johannes’ desert‑honed lyricism.
On Extracellular, Hidden Horse, Sophie Sleigh-Johnson, Johnny Richards & Dave King, Domotic, Revbjelde, Saïph, Oh Mr James, Secluded Bronte, Time Attendant, Etceteral, Dolly Dolly & Fogroom and Gong Girl plug into the “space between cells”, trading signals as pulsing electro, splintered jazz, industrial dub and spoken ritual fuse into a single, buzzing nervous system.
"I remember when at school on the last day of term, all the class would bring games in to play, but it always seemed that no one really knew the rules or could fathom out how to play some of them. However, a lot of the games had interesting artwork and fantastic layouts with all sorts of cards and paraphernalia, which I really enjoyed. Around the same time I received a magic set for Christmas. The packaging, images, type, colours on the box and instructions were wonderful. I would entertain memb…
"La Vera Storia di una Macchina Inventata" is a conceptual album built as a surreal sonic narrative. Conceived as a continuous journey rather than a collection of tracks, the album tells the story of an “useless machine” and its inventors, moving through exhibition halls, highways, rest stops and imaginary radio stations. The project was born from an intense period of collective research by Metameccanici, a trio formed by Angelo Trabace, Alessandro Trabace and Sebastiano De Gennaro. Working betw…
"A Small Life and Unnoticed Movements" was born from a live performance at Germi in Milan, later transformed in the studio through Fender Rhodes and subtle ambient processing. The six pieces are sonic micro-landscapes built around minimal gestures — a leaf’s trace, a small current, a dim light, an almost invisible presence. The music doesn’t describe nature; it follows its processes. It changes slowly, transforms without noise, and remains in a state of attentive listening.
The project is accomp…
'Flowers', the new EP from Elizabeth Davis, finds itself at the cross-section of many factors. In part, it’s the result of Davis’ obsession with a seminal folk song. But it also coincides with her rediscovery of the voice and language as an instrument. It was recorded during an autumn residency at Sternhagen Gut, the cultural refuge run by Gudrun Gut and Thomas Fehlmann, located deep in the Uckermark countryside halfway between Berlin and the Baltic coast. The six tracks on 'Flowers' all take Pe…
Recorded over the course of many years on analog equipment at various locations in Arizona - Black Mesa, Dead Horse State Park Cemetery, Spring Creek Ranch, Badger Springs, #3 Tank, McElmo Canyon, red Rock State Park, Picture Canyon and Cornville ruins.
The album explores the historical and practical union of experimental in-situ field recordings and industrial drone work in its rudimentary form, while also constructing a narrative of live, on-site cymbal play in the style of Eddie Prevost and David Jackman. Putimt ku tuskaas draws a narrative of minimally intricate experimental field recordings and industrial drones while at the same time channeling a line of influence from the early 80’s French & Italian industrial movements and would not be…
Tori says "12:16 is a piece where I recorded all the sounds of my daily life from waking up in the morning to going to bed at night on December 16, 2025, compressed that recording into an approximately 15-minute track, added my piano and other materials (such as Lee Morgan's riff, the line " Wandering around the mountains is painful" from the Noh chant "Yamanba," and Kazuo Funaki's 1969 song "Yūbae no Futari"), played it at the live venue, and performed along with it. The PC operation at the ve…
The first song cycle collaboration by this new partnership is a highly adventurous and ambitious work, and one which explores a journey through dark places expressed in an improvisation-based language of strange sounds and textures, plus some unexpected left turns into electronic and choral music, before emerging from the woodland and into the morning light. I make a lot of records. In fact most years I release more albums than I make live performances. But this one is special to me in many ways…
On Super Compact Disc, Masonna rams his entire harsh‑noise vocabulary into a brutally compressed format: hyper‑short eruptions of feedback, distortion and mangled voice that hit like jump‑cuts between micro‑meltdowns, leaving no room to breathe or acclimate.
On Noisextra, Masonna condenses his infamous live violence into ultra‑compressed shock cells: all‑frequency spray, cut‑up screams and convulsive drop‑outs that feel less like tracks than controlled electrical injuries to the stereo field.
On Ardeur, Eskaton condense Zeuhl’s celestial fury into a tighter, more direct form: spiralling dual vocals, ferocious rhythm section and glowing keyboards driving short, explosive pieces that feel like 4 Visions rewritten as concentrated plasma.
Xerrox Vol. 3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 as part of the ongoing Xerrox penthalogy, which began with Xerrox Vol. 1 (2007) and Xerrox Vol. 2 (2009).Inspired by formative influences such as Andrei Tarkovsky's 1971 film Solaris, La Isla Misteriosa y el Capitán Nemo by Juan Antonio Bardem, and Henri Colpi, Carsten Nicolai exchanges austerity for cinematographic lushness in the remarkably widescreen third volume of his Xerrox series.
In line…
*60 copies limited edition* SabaSaba return with ‘Detriti’, a companion piece to 2024’s dystopian ‘Unknown City’. The duo of Andrea Marini (synth, guitar, electronics, tapes) and Gabriele Maggiorotto (drums, percussion, effects, programming) are joined by collaborator Ambra Chiara Michelangeli on viola. The mysterious Torino ensemble trades in much of their digital sheen for a rollicking half-pensive, half-dream suspended soundtrack. An organic looseness permeates the short tracks creating ferti…
Adjustable Face, the newly formed duo of Milan-based musicians Marco Paltrinieri (Canti Magnetici, Granny Records) and Matteo Pennesi (Babau, Artetetra, {scope}), explores the intersection of glitch, ambient, and computer music through different composition and production strategies.
Their debut album "Adjustable Phase", soon-to-be-released via Kohlhaas, was built through a process of editing, reassembling, and refining extended improvisation sessions recorded throughout 2024. Primarily based on…
Performed by Giovanni Di Domenico on a late autumn night in 2021 on the 2859-pipe organ (Giuseppe Zanin, 1970) at Chiesa di Stella Maris, Milano Marittima.
Giovanni Di Domenico: pipe organ, Chiesa di Stella Maris, Milano Marittima, Italy, November 26th, 2021.