VariousFeaturing: Yasuhiro Morinaga, David Toop
Exploring Gongs Culture In Southeast Asia, Mainland And Archipelago (2CD+booklet)
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Tip! *In process of stocking* 'Gongs have played an integral role in the mythogeography of Asia. This is not music that aligns with national borders or ideas of homogenous populations, let alone racial stereotypes and exotic clichés. What connects all of these tracks is a simultaneous feeling of entrancement and social cohesion. Communal and collaborative, its form is hypnotically repetitious, melodies and rhythms spread out among the players using the technique of hocketing in which a flowing line is distributed among all the musicians.
The effect is mesmerising, immediately intoxicating to anybody who loves Chicago footwork, free improvisation, Sun Ra or young hip hop producer Jetsonmade. The music is simple yet mysterious and enveloping, a sound world in which to disappear. A theory exists but this is not explained.' - David Toop (extracts from the liner notes).
This project, Massif and Archipelago, is a field recording project i nitiated by Japanese sound artist Yasuhiro Morinaga, documenting traditional gong music by different Southeast Asian ethnic groups. The project aimed to examine the impact of the natural and social environment on the gong music culture of Southeast Asia. During the project, he visited over 50 different ethnic groups and made hundreds of recordings. This album presents a selection of the unique gong music from different ethnic minorities. The selected music has been divided into two broad sections: one focussing on the music from the Massif, i.e. mainland Southeast Asia (Central Highland of Vietnam and Northeast Cambodia), the other on music from the Archipelago, maritime Southeast Asia (the Luzon Islands of the Philippines, Borneo, Sulawesi, and the Flores Islands of Indonesia).
Release notes
In 8-panel Digipak with 52-page booklet. All sounds recorded between 2016 and 2018.
| Massif (Mainland Southeast Asia) | |||
| 1-1 | Hail | ||
| 1-2 | Celebrating The Festival | ||
| 1-3 | Funeral Music | ||
| 1-4 | Buffalo Sacrifice | ||
| 1-5 | Kids Routine After School | ||
| 1-6 | Duet Gongs | ||
| 1-7 | Funeral Music | ||
| 1-8 | Ghet Khil | ||
| 1-9 | Offering To The Spirits | ||
| 1-10 | Sre Don | ||
| 1-11 | Preparation For The Buffalo Sacrifice | ||
| 1-12 | Chasing Birds To Protect The Rice Fields | ||
| 1-13 | Cutting The Bamboo | ||
| 1-14 | Song For A Dead Man | ||
| 1-15 | Harvesting | ||
| 1-16 | Funeral Music | ||
| 1-17 | Harvesting | ||
| 1-18 | Buffalo Sacrifice | ||
| 1-19 | Melody For Funeral Music By Mouth | ||
| 1-20 | Threshing | ||
| 1-21 | Hail | ||
| Archipelago (Maritime Southeast Asia) | |||
| 2-1 | Rooster Dance | ||
| 2-2 | Music For Funeral Ceremony | ||
| 2-3 | Hedung Dance | ||
| 2-4 | Gong Music Ensemble | ||
| 2-5 | Manang Sirang Ritual | ||
| 2-6 | Tau Todu (Welcome Song) | ||
| 2-7 | Soka Dance (Beitoken) | ||
| 2-8 | Harvesting (Pagaddot) | ||
| 2-9 | Tadok | ||
| 2-10 | Harvesting (Kandingngang) | ||
| 2-11 | Eagle Dance (Turayan) | ||
| 2-12 | Cole Oha Ritual (Thanksgiving) | ||
| 2-13 | Ritual For Calling Back Spirits (Short Version) | ||
| 2-14 | Ambience: Rambu Solo (Funeral) | ||
- Keiko Fukui
- Booklet Editor [Text Editor]
- David Toop
- Liner Notes
- Yasuhiro Morinaga
- Liner Notes, Producer, Recorded By
- Alan Cummings
- Liner Notes [Translated By]
- Ken Takiguchi
- Photography By [Borneo]
- Naoki Ishikawa
- Photography By [Cambodia, Vietnam, Sumba]
- Satoshi Takata
- Producer







































































