We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Out of stock

NWW list

The infamous list of musicians and bands that accompanied the first album by Nurse With Wound

See all

* This release comes in a 2×digipack format in a slipcase with new sleeve notes by Robert Fripp and King Crimson biographer Sid Smith along with rare photos and archive material* Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974) trilogy. Plus, the Lizard sessions were difficult and the core group lineup acrimoniously collapsed immediately afterward, as bandleader/guitarist Robert Fripp, with lyricist Peter Sinfield, continued brave efforts to save King Crimson from disintegrating as the group's lengthy history was just getting underway. Even Fripp himself wasn't a big Lizard fan until he reportedly "heard the Music in the music" when listening to Steven Wilson's 2009 40th anniversary remix. Yet there are plenty of Crimson followers who place Lizard at the very apex of the group's recorded legacy -- and with good reason. Seamlessly blending rock, jazz, and classical in a way that few albums have successfully achieved, Lizard is epic, intimate, cacophonic, and subtle by turn -- and infused with the dark moods first heard when "21st Century Schizoid Man" and "Epitaph" reached listeners' ears the previous year.

Opener "Cirkus" is a cavalcade of menace, with vocalist Gordon Haskell intoning or declaiming Sinfield's phantasmagorical words over a kaleidoscopic musical backdrop, the song's ripping buzzsaw refrain alternating with warped funhouse jazz prominently featuring keyboardist Keith Tippett and saxophonist Mel Collins. "Indoor Games" is comparatively whimsical, with Collins' blurty sax almost comically up-front in the mix and crisp ensemble interplay in the middle section, while the singsongy "Happy Family" finds Sinfield's lyrics obliquely addressing the Beatles' breakup and "Lady of the Dancing Water" revisits the gentle terrain of "I Talk to the Wind" and "Cadence and Cascade." But the side-long multi-part title suite astounds the most. Guest Jon Anderson's choirboy vocals open "Lizard" with a feint toward the light and airy, but Haskell's brassy chorus suggests ritualistic precursors to dark goings-on. The suite then enters its "Bolero" movement, marked by Robin Miller's beautiful oboe and Fripp's swelling Mellotron, with a jazz interlude showcasing Collins, cornetist Mark Charig, trombonist Nick Evans, and a jagged and explosive Tippett, collectively free and even ebullient in their interplay but never fully breaking away from drummer Andy McCulloch's background rat-a-tat snare that foreshadows the howling maelstrom of "The Battle of Glass Tears." After the smoke clears, Fripp's sustained guitar notes cut through the funereal aftermath, dissolving into silence before the swirling "Big Top" coda brings the album full circle, suggesting Lizard's dark journey on an endless loop accelerating into the future. In 2016, lineup changes made it possible to include selections from this album in King Crimson's career-spanning live concerts, and with all the spectacular music on display, more than one audience member could be heard saying, "I came for Lizard."

Cat. number: KCSP3
Year: 2009
CD content: 1. 2009 Stereo Mix remixed from the original multitrack master tapes 2. Bonus tracks - notes: Lady Of The Dancing Water (Alternate Take): Previously unreleased Bolero (From 'Frame By Frame'): Remixed DVD content: 1. Original album remixed in MLP Lossless 5.1 Surround* and DTS 5.1 Digital Surround** 2. Original album mix (2004 master edition), 2009 stereo album mix and CD bonus tracks in MLP Lossless Stereo (24/96)* and PCM Stereo 2.0*** (24/48) *only playable with DVD-Audio players, or players that are DVD-Audio compatible **playable in all DVD players/DVD-ROM drives etc. with a compatible speaker setup ***playable in all DVD players/DVD-ROM drives etc. This release comes in a 2×digipack format in a slipcase with new sleeve notes by Robert Fripp and King Crimson biographer Sid Smith along with rare photos and archive material. Recorded at Wessex Sound Studios, London. Stereo files mastered at Super Audio Mastering. 5.1 mastered at Opus Productions Ltd. DVD Design & Layout at Opus Productions Ltd. DVD Authoring at Opus Productions Ltd. Multitrack Tape restoration and transfers at FX Copyroom. Compiled & Coordinated for DGM. CD and DVD stereo tracks published by UMG Music Publishing Ltd. Released via Inner Knot (USA/Canada), WHD (Japan), Panegyric (rest of World) The original album was released 1970. ℗ & © Robert Fripp This compilation ℗ & © 2009 Robert Fripp