“Sedimental’s release of the second cd from Chicago based electro-acoustic composer olivia block titled Mobius Fuse. This much anticipated follow up to her critically acclaimed debut Pure Gaze(sed cd028) continues her rich and unique exploration of both acoustic and electronic sounds reaching a depth and level of emotional intensity rarely heard in the field.
olivia block is a contemporary composer who combines field recordings, scored segments for acoustic instruments, and electronically generated sound. Her recorded work seeks to introduce, set at play, and ultimately reconcile nature with artifice in the realms of music and sound. In the process, "organic" sound becomes subtly processed, digitized and abstracted; "inorganic" sound becomes self-replicating and animate; and "musical" elements such as chamber instruments are de familiarized from their traditional associations, freeing them to participate in the larger aesthetic possibilities of sound. Her pieces are composed over long periods of time in numerous stages. She often prepares elaborate tape installations in natural sites for field recording sessions which she later integrates into her recorded compositions. In live performance, block introduces additional elements of paradox and tension: chamber musicians perform scores which accompany pre-prepared tape material, and improvisers (often including herself) interact with "lo-fi" speaker installations and digital recordings.
Since its release, her debut solo CD, Pure Gaze (Sedimental, 1998) has been consistently included on radio play lists throughout America and Europe. It was included in Blow-Up magazine's "Top Releases" of 1999 and The Wire magazine's top ten section, "Charts"; and Julian Cowley, in the latter publication, described her as "a composer who demands serious attention." Another of her works, Piece for Scrubbing Tile, was featured in the Modern Museum of Lyon, France in 1998, as part of the Collage Jukebox installation and festival (curator: Jerome Joy). Her recorded works have been used as source material recently by Achim Wollscheid, in his Shifts release (Ritornell/Evolution). Her soundtrack work for Natalia Castro's short video piece, Fire-Fly, helped earn the project the undergraduate video award at the School for the Art Institute of Chicago in 1997. She has recorded with such artists as Jim O'Rourke and Jeb Bishop, and has performed with artists including Pauline Oliveros and Fred Lonberg-Holm. Her radio appearances include WKCR's Live Constructions (Columbia University), WLUW's Something Else (Loyola University), and others. She was a visiting lecturer at DePaul University. She has toured extensively in Japan and has Europe.
Olivia block is self-taught. She started her musical career in Austin, Texas, in the experimental rock scene in which she played electric guitar and trumpet, sang, and created abstract tapes for play during live performances in several bands. Such tape work led her to her next trio, Alial Straa, an electro-acoustic and improvisational group including Seth Nehil ("Tracing the Skins of Clouds," Kaon records), and John Grznich ("Stomach of the sky," Staalplaat; "Absurd Evidence," Bobby J.) Alial Straa's CD, "Tunnels/Stairwell" is currently out on Alluvial records.
At present, olivia block lives in Chicago. Her next collaborative release, Oil and Water, an electronic composition with Petra Klusmeyer, will be released on Boxmedia records.”
Cat. number: sedcd 031
Fireworks recorded in Wisconsin and New Mexico. Wind, birds, ice, etc. recorded in Big Bend National Park, Texax. Room, speakers recorded in Chicago, Illinois. Musicians recorded at Splinter Group studio in Chicago, Illinois. Mastered at E.S.S. Studio in Chicago, Illinois.