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One of our records of 2023.

Autechre, The Hafler Trio

³oæh (7LP Box)

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* * Much-needed 2023 Reissue * * Drone: as with anything else that rarely changes, it's necessary to latch onto subtleties. What minimal suggestion put forth by a drone is so easily applied to pretty much any impression you might have that, predictably, describing one often leads to vague subjectivities bordering on bad poetry. And as much as I'd love to go around proclaiming my love for "deeply resonant, holy abysses" (not), I wish there were an easier way to communicate the real power of the things.

England's Hafler Trio are no strangers to an elusive clarity; rather, Andrew Mackenzie isn't. Mackenzie is the only current member of the self-dubbed h\xB3o, a group that at no point was actually comprised of three people-- unless you count their "collaborators", like imaginary scientists Robert Spridgeon or Dr. Edward Moolenbeek, both of whom were fabricated by Mackenzie and founding member Chris Watson (ex-Cabaret Voltaire) for their fairly astounding 1984 debut, Bang! An Open Letter. On that album, and on many early Hafler Trio recordings, tape edits and loops, found sound and Residents-style Dadaism ruled the day. Since Watson's departure in the late 80s, Mackenzie has gravitated more towards experimental ambient and drone music.

Autechre, on the other hand, seem to have been moving in the opposite direction. 2003's Draft 7.30 might have been slightly more straightforward than 2001's extraordinary Confield, but could hardly have been further from ambient if it tried. Even the moments that might conceivably have been called "drone" (parts of "Surripere", for example) seemed skittish and nervous. Certainly a far cry from anything on the Autechre/Hafler Trio split aptly titled, ae\xB3o & h\xB3ae, a daunting exercise in ominous hum, icy space and digital resonance. In fact, I had a hard time locating anything obviously Autech'd, whereas the album has much in common with recent Hafler releases such as the Moment When We Blow Flour from Our Tongues EP. - Pitchfork

 

    Limited to 500
    Remastered
    180g DMM vinyl
    New black artwork by Andrew McKenzie of The Hafler Trio
    Spot varnished sleeves and box
    Art prints in black envelope

Details
Cat. number: VOD166-RE
Year: 2023

Format

2023 re-release

limited to 500 numbered copies, limitation and numbering given on booklet

Sides A and B originally released as [r297650] in 2003 by Phonometrography.

Sides C through F originally released as [r485665] in 2005 by Die Stadt.

Sides G through N originally released as [r3087340] in 2011 by Die Stadt and Simply Superior.

©2020 Simply Superior & VOD

Manufacturer and DMM credit derived from runouts.

Release notes

2023 re-release limited to 500 numbered copies, limitation and numbering given on booklet Sides A and B originally released as [r297650] in 2003 by Phonometrography. Sides C through F originally released as [r485665] in 2005 by Die Stadt. Sides G through N originally released as [r3087340] in 2011 by Die Stadt and Simply Superior. ©2020 Simply Superior & VOD Manufacturer and DMM credit derived from runouts.

Tracklist
æ³o & h³æ
Aæ³o
Bh³æ
æo³ & ³hæ
Cæo³
Dæo³
E³hæ
F³hæ
ah³eo & ha³oe
Gah³eo
Hah³eo
Iah³eo
Jah³eo
Kha³oe
Lha³oe
Mha³oe
Nha³oe
Credits
H.P.
Direct Metal Mastering By [DMM]