Steve Reich
Phases
LabelNonesuchGenreContemporary Composition
Out of stock
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Goodness me this is a little bit special - a dangerously low priced boxed set of all the major work of one of the 20th century's most important composers Steve Reich. Containing five full cds and a booklet (with loads of useful info to read while you're listening) this has everything a Reich beginner could possibly need: 'Music for 18 Musicians' (probably Reich's greatest achievement and spanning the entire first disc), 'Different Trains', 'Tehllim', 'Eight Lines', the Counterpoint series of compositions, 'Come Out', 'Drumming' and much more is seen here and treated with respect and care by Nonesuch. Rarely do such beautifully presented and comprehensive boxes come to light, and if they do then you simply have to snap them up. I can't explain the kind of influence Reich has had on modern music, experimental and otherwise - from Sonic Youth to Autechre and far beyond, the man's compositions are still setting the music world alight, and if you need proof of that all you need to do is listen to these recordings. It honestly doesn't get more crucial than this -'Phases' is a true document of modern music, and needs to be heard by all. (Boomkat)
The five-CD collection comprises fourteen of the composer’s best-known pieces, spanning the 20 years of his time on the label.
Release notes
Release to celebrate Steve Reich's 70th birthday. ℗ & © 2006 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. Manufactured in the E.U.
| Music For 18 Musicians | |||
| 1-1 | Pulses | 5:26 | |
| 1-2 | Section I | 3:58 | |
| 1-3 | Section II | 5:13 | |
| 1-4 | Section IIIA | 3:55 | |
| 1-5 | Section IIIB | 3:46 | |
| 1-6 | Section IV | 6:37 | |
| 1-7 | Section V | 6:49 | |
| 1-8 | Section VI | 4:54 | |
| 1-9 | Section VII | 4:19 | |
| 1-10 | Section VIII | 3:35 | |
| 1-11 | Section IX | 5:24 | |
| 1-12 | Section X | 1:51 | |
| 1-13 | Section XI | 5:44 | |
| 1-14 | Pulses | 6:11 | |
| Different Trains | |||
| 2-1 | America - Before The War | 8:59 | |
| 2-2 | Europe - During The War | 7:31 | |
| 2-3 | After The War | 10:21 | |
| Tehillim | |||
| 2-4 | Part I: Fast | 11:45 | |
| 2-5 | Part II: Fast | 5:54 | |
| 2-6 | Part III: Slow | 6:19 | |
| 2-7 | Part IV: Fast | 6:24 | |
| 2-8 | Eight Lines | 17:29 | |
| You Are (Variations) | |||
| 3-1 | You Are Wherever Your Thoughts Are | 13:14 | |
| 3-2 | Shiviti Hashem L'negdi (I Place The Eternal Before Me) | 4:15 | |
| 3-3 | Explanations Come To An End Somewhere | 5:24 | |
| 3-4 | Ehmor M'aht, V'ahsay Harbay (Say Little And Do Much) | 4:04 | |
| New York Counterpoint | |||
| 3-5 | Fast | 5:03 | |
| 3-6 | Slow | 2:44 | |
| 3-7 | Fast | 3:32 | |
| 3-8 | Cello Counterpoint | 11:36 | |
| Electric Counterpoint | |||
| 3-9 | Fast | 6:51 | |
| 3-10 | Slow | 3:22 | |
| 3-11 | Fast | 4:30 | |
| Triple Quartet | |||
| 3-12 | First Movement | 7:10 | |
| 3-13 | Second Movement | 4:05 | |
| 3-14 | Third Movement | 3:28 | |
| 4-1 | Come Out | 12:48 | |
| 4-2 | Proverb | 14:04 | |
| The Desert Music | |||
| 4-3 | First Movement (Fast) | 7:54 | |
| 4-4 | Second Movement (Moderate) | 6:59 | |
| 4-5 | Third Movement, Part One (Slow) | 7:00 | |
| 4-6 | Third Movement, Part Two (Moderate) | 5:54 | |
| 4-7 | Third Movement, Part Three (Slow) | 5:55 | |
| 4-8 | Fourth Movement (Moderate) | 3:35 | |
| 4-9 | Fifth Movement (Fast) | 10:48 | |
| 5-1 | Music For Mallet Instruments, Voices, And Organ | 16:50 | |
| Drumming | |||
| 5-2 | Part I | 17:30 | |
| 5-3 | Part II | 18:11 | |
| 5-4 | Part III | 11:13 | |
| 5-5 | Part IV | 9:50 | |
- Alice Murray
- Alto Vocals (3-1 to 3-4)
- Amy Fogerson
- Alto Vocals (3-1 to 3-4)
- Jay Clayton
- Alto Vocals (1-1 to 1-14, 5-1 to 5-5), Piano (1-1 to 1-14)
- Kim Switzer
- Alto Vocals (3-1 to 3-4)
- Nancy Sulahian
- Alto Vocals (3-1 to 3-4)
- Sarona Farrell
- Alto Vocals (3-1 to 3-4)
- Tracy Van Fleet
- Alto Vocals (3-1 to 3-4)
- Donald Palma
- Bass (4-3 to 4-9)
- Oscar Hildago
- Bass (3-1 to 3-4)
- Delores Bing
- Cello (3-1 to 3-4)
- Greg Passelink
- Cello (2-8)
- Jeanne LeBlanc
- Cello (1-1 to 1-14)
- Jennifer Culp
- Cello (3-12 to 3-14)
- Joan Jeanrenaud
- Cello (2-1 to 2-3)
- Mark Stewart
- Cello (2-8)
- Maurice Grant
- Cello (3-1 to 3-4)
- Maya Beiser
- Cello (3-8)
- Roger LeBow
- Cello (3-1 to 3-4)
- Sharon Prater
- Cello (4-3 to 4-9)
- Evan Ziporyn
- Clarinet (1-1 to 1-14, 2-8, 3-5 to 3-7)
- Helen Goode-Castro
- Clarinet (3-1 to 3-4)
- James Faschia
- Clarinet (3-1 to 3-4)
- Larry Hughes
- Clarinet (3-1 to 3-4)
- Leslie Scott
- Clarinet (1-1 to 1-14)
- Michael Lowenstern
- Clarinet (2-8)
- Geri Ratella
- Flute (3-1 to 3-4)
- Sara Weisz
- Flute (3-1 to 3-4)
- Pat Metheny
- Guitar (3-9 to 3-11)
- Alex Ross
- Liner Notes
- David Robertson
- Liner Notes
- Thad Wheeler
- Maracas, Marimba, Glockenspiel (1-1 to 1-14, 5-1 to 5-5)
- Philip Bush
- Maracas, Piano (1-1 to 1-14)
- John Magnussen
- Marimba (3-1 to 3-4)
- Mike Englander
- Marimba (3-1 to 3-4)
- Tom Raney
- Marimba (3-1 to 3-4)
- Wade Culbreath
- Marimba (3-1 to 3-4)
- Ben Harms
- Marimba, Glockenspiel (5-2 to 5-5)
- Gary Schall
- Marimba, Glockenspiel (5-2 to 5-5)
- Glen Velez
- Marimba, Glockenspiel (5-2 to 5-5)
- Garry Kvistad
- Marimba, Piano, Xylophone, Glockenspiel (1-1 to 1-14, 5-1)
- Russell Hartenberger
- Marimba, Xylophone, Vibraphone (1-1 to 1-14, 4-2, 5-1 to 5-5)
- Ananda Goud
- Mezzo-soprano Vocals (2-4 to 2-7)
- Yvonne Benschop
- Mezzo-soprano Vocals (2-4 to 2-7)
- Joan Elardo
- Oboe (3-1 to 3-4)
- Joel Timm
- Oboe (3-1 to 3-4)
- Brian Pezzone
- Piano (3-1 to 3-4)
- Gloria Cheng
- Piano (3-1 to 3-4)
- Lisa Edwards
- Piano (3-1 to 3-4)
- Vicki Ray
- Piano (3-1 to 3-4)
- Steve Reich
- Piano, Marimba (1-1 to 1-14, 5-1 to 5-5)
- Edmund Niemann
- Piano, Organ [Electric] (1-1 to 1-14, 2-8, 4-2)
- Nurit Tilles
- Piano, Organ [Electric] (1-1 to 1-14, 2-8, 4-2, 5-1)
- Mort Silver
- Piccolo Flute (5-2 to 5-5)
- David Fedele
- Piccolo Flute, Flute (2-8)
- Patti Monson
- Piccolo Flute, Flute (2-8)
- Allison Zelles
- Soprano Vocals (4-2)
- Andrea Fullington
- Soprano Vocals (4-2)
- Barbara Borden
- Soprano Vocals (2-4 to 2-7)
- Cheryl Bensman Rowe
- Soprano Vocals (1-1 to 1-14, 4-3 to 4-9)
- Claire Fedoruk
- Soprano Vocals (3-1 to 3-4)
- Emily Lin
- Soprano Vocals (3-1 to 3-4)
- Marie Hodgson
- Soprano Vocals (3-1 to 3-4)
- Marion Beckenstein
- Soprano Vocals (1-1 to 1-14)
- Phoebe Alexander
- Soprano Vocals (3-1 to 3-4)
- Rachelle Fox
- Soprano Vocals (3-1 to 3-4)
- Rebecca Armstrong
- Soprano Vocals (1-1 to 1-14, 5-1)
- Sonja Rasmussen
- Soprano Vocals (4-2)
- Tania Batson
- Soprano Vocals (3-1 to 3-4)
- Tannie Willemstijn
- Soprano Vocals (2-4 to 2-7)
- Alan Bennett
- Tenor Vocals (4-2)
- Fletcher Sheridan
- Tenor Vocals (3-1 to 3-4)
- Joseph Golightly
- Tenor Vocals (3-1 to 3-4)
- Kevin St.Clair
- Tenor Vocals (3-1 to 3-4)
- Pablo Cora
- Tenor Vocals (3-1 to 3-4)
- Paul Elliott
- Tenor Vocals (4-2)
- Sean McDermott
- Tenor Vocals (3-1 to 3-4)
- Shawn Kirchner
- Tenor Vocals (3-1 to 3-4)
- Darren McCann
- Viola (3-1 to 3-4)
- Francesca Martin
- Viola (4-3 to 4-9)
- Hank Dutt
- Viola (2-1 to 2-3, 3-12 to 3-14)
- Catherine Reddish
- Viola (3-1 to 3-4)
- Martha Mook
- Viola (2-8)
- Ron Lawrence
- Viola (2-8)
- Victoria Miskolcsky
- Viola (3-1 to 3-4)
- David Harrington
- Violin (2-1 to 2-3, 3-12 to 3-14)
- Deborah Redding
- Violin (4-3 to 4-9)
- Elizabeth Lim
- Violin (1-1 to 1-14)
- Gregor Kitzis
- Violin (2-8)
- Jacqueline Carrasco
- Violin (2-8)
- John Sherba
- Violin (2-1 to 2-3, 3-12 to 3-14)
- Julie Rogers
- Violin (3-1 to 3-4)
- Elizabeth Knowles
- Violin (2-8)
- Ralph Morrison
- Violin (3-1 to 3-4)
- Samuel Fischer
- Violin (3-1 to 3-4)
- Steve Scharf
- Violin (3-1 to 3-4)
- Susan Reddish
- Violin (3-1 to 3-4)
- Tamara Hatwan
- Violin (3-1 to 3-4)
- Todd Reynolds
- Violin (2-8)
- Pamela Wood Ambush
- Voice [Long Tones] (5-1 to 5-5)
- Tim Ferchen
- Xylophone, Marimba (1-1 to 1-14, 5-1)
- Bob Becker
- Xylophone, Marimba, Vibraphone (1-1 to 1-14, 4-2, 5-1 to 5-5)
- James Preiss
- Xylophone, Piano, Vibraphone (1-1 to 1-14, 5-1 to 5-5)







































































