Norwegian trumpeter Arve Henriksen is one of the most instantly recognizable voices in European music, his breathy, shakuhachi-like tone and ghostly falsetto vocals blurring the line between instrument and human breath. On Touch of Time he forms an intimate duo with the Dutch pianist Harmen Fraanje, a long-standing collaborator whose touch is as patient and exploratory as Henriksen's own. The album works almost entirely in whispers: fragile, half-formed melodies, faint electronic shadows, and long passages of open silence that feel as composed as the notes themselves. Henriksen sings nearly as often as he plays, his wordless voice rising over Fraanje's crystalline, searching piano lines, and the two move with an unhurried trust that lets each phrase hang in the air before dissolving.

There is a strong sense of ritual and contemplation here, music that seems to emerge from stillness rather than fill it. Drawing on the ambient and improvised currents that run through Henriksen's work with Supersilent and beyond, the recording rewards deep, attentive listening. Melancholy, atmospheric and quietly luminous, Touch of Time is chamber music for the imagination, and a beautiful example of the meditative, genre-defying sound that has made both musicians so distinctive. Henriksen's admirers from his work with Supersilent, Christian Wallumrød and his own solo records will find here a quieter, more exposed facet of his art. On vinyl the album's delicate textures and deep silences are especially rewarding, inviting the kind of slow, immersive listening it was clearly made for.