Carl Stone continues his late career prolific renaissance with a new album of sculpted, tuneful MAX/MSP fantasias. Stone “plays” his source material the way Terry Riley’s In C “plays” an ensemble – with a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything. Stone’s unique technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants. Is this techno, avant-garde, sound art? It’s simply (or rather fantastically messily) Carl Stone.
All music composed and performed using the programming language MAX
| A1 | Rikido | 6:38 | |
| A2 | Longo | 8:28 | |
| A3 | Korzo | 5:36 | |
| B1 | Mozell's | 4:33 | |
| B2 | Wat Dong Moon Lek | 5:36 | |
| B3 | Apsara | 4:18 | |
| B4 | Jangara | 3:30 |