John Greaves

CD version. They were once known as “supergroups”, assembled by record companies with the ambition of conquering rock arenas. This band, however, grew out of something far less calculated: a genuine, long-standing friendship. That bond has inspired a fresh interpretation of John Greaves’ remarkable body of work, from his years with Henry Cow to his collaborations with Robert Wyatt, Peter Blegvad and many others. Each musician brings a distinct voice and musical perspective, and it is the interplay between these different backgrounds and sensibilities that gives the ensemble its distinctive character and sophistication.

The musicians involved need little introduction. Each has made a significant contribution to the worlds of progressive rock, avant-garde music and jazz. Yet what distinguishes this project is not simply the calibre of its members, but the absence of individual posturing: the music is driven by a shared history, mutual respect and the pleasure of playing together.

Recorded at Club Il Giardino, the historic venue run by Giamprimo Zorzan in Lugagnano (VR), the album captures both the unique atmosphere of the space and the energy of the musicians performing together. Here is a closer look at the musicians behind the project.

Jakko Jakszyk, vocalist, guitarist and frontman, is another key figure in King Crimson’s history. His career encompasses a wide range of projects, including The Lodge, where he worked alongside Greaves, Level 42, The Kings of Oblivion and Dizrhythmia. Alongside these collaborations, his solo work has established him as a respected and distinctive voice within the British music scene.

Mel Collins is one of the most accomplished saxophonists in rock. His extensive career has taken him from Pino Daniele to Dire Straits, the Rolling Stones and Roger Waters, as well as Eric Clapton and numerous other artists. He has also been associated with bands such as Camel and the Alan Parsons Project. His work with King Crimson, which he joined in 1971, remains a defining chapter in his career.

Annie Whitehead, a longtime collaborator of Robert Wyatt, has played an important role in British progressive jazz. Her work spans projects such as Soft Machine and the Penguin Cafe Orchestra, and her trombone can be heard on a wide range of influential recordings. Her contribution is central to the ensemble’s richly textured and dynamic sound.

Annie Barbazza has emerged as a prominent figure in contemporary progressive and avant-garde music. Greg Lake recognised her talent early on, performing with her live and producing her debut album; she has since developed a career as a solo artist and collaborated with ensembles and musicians including the North Sea Radio Orchestra, Michael Mantler, Markus Stockhausen, Paul Roland among others.

Régïs Boulard, a French drummer, is known for his energetic and adventurous approach to rhythm. His work includes recordings with bands such as Trunk and Le Chien Vert, as well as the experimental duo No&rd, formed with guitarist Olivier Mellano. His playing brings both rhythmic intensity and a strong improvisational dimension to the group.

And at the centre of it all is John Greaves: bassist, pianist, composer and vocalist. Born in Wales and based in Paris for four decades, Greaves was a key figure in the Rock in Opposition movement. His career has spanned influential groups such as Henry Cow, which he co-founded with Fred Frith, Chris Cutler and Tim Hodgkinson, as well as National Health, Soft Heap and the Penguin Café Orchestra. His extensive list of collaborators includes Mike Oldfield, Brian Eno, Michael Nyman, Robert Wyatt, Nick Mason, Michael Mantler and many others. His work occupies a distinctive place at the intersection of progressive rock, contemporary composition and experimental music.

This album brings together an exceptional group of musicians whose individual histories converge in a performance that feels both rooted in tradition and open to new possibilities. Drawing on the legacy of progressive rock, the Canterbury scene and Rock In Opposition, the music avoids nostalgia in favour of a fresh, collective approach. It is a compelling addition to this tradition, and a release likely to resonate with listeners who continue to explore its more adventurous territories.

Recorded live at Giardino 2.0 Music Club by Daniele Menegatti on October 20, 2024. Mixed by Max Marchini, Alberto Callegari, Annie Barbazza and John Greaves at Elfo Studios 2025-2026. Mastered by Alberto Callegari at Elfo Studios, October 2026. Produced by Max Marchini.

First collectable run of 300 copies, audiophile gold CD.