Reissues

On Coffy, Roy Ayers turns Pam Grier’s 1973 vigilante flick into a vibraphone‑driven fever dream, fusing slinky funk, string‑soaked soul and jazz finesse into a soundtrack that’s as deadly on its own as any of the film’s set‑pieces.

On The Bagatelles Vol. 8, John Zorn hands nine knotty miniatures from his 300‑tune book to the John Medeski Trio, who turn organ, guitar and drums into a shape‑shifting engine of groove, skronk and sly lyricism that makes each Bagatelle feel like a tiny, exploding suite.

On The Bagatelles Vol. 7, John Zorn hands a batch of his razor‑cut miniatures to pianist Brian Marsella, who turns thirteen terse themes into a 46‑minute solo suite where classical poise, jazz volatility and downtown mischief share the same set of keys.

On Three for Shepp, Marion Brown leads a blazing American free‑jazz ensemble with Dave Burrell, Norris “Sirone” Jones and Grachan Moncur III, unleashing high‑energy fire music that shows the Impulse! era at full boil yet still somehow under‑sung.

On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.

'Spaces' is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts. Breaking the convention of a traditional live album, 'Spaces' was recorded over the course of two years in different locations and on various mediums, including old portable reel-to-reel recorders and cassette tape decks. The decision to select takes that have people coughing and cell pho…

In April 2009, Iceland’s neo-classical export Ólafur Arnalds created the 7-song series Found Songs – recording a song a day for 7 days and instantly making each track available via Twitter. With artwork contributions from fans via Flickr, this modern release awakens memories of a tradition that seemed lost in the digital age we live in. Born in 1987, Ólafur hails from the suburban Icelandic town, Mosfellsbær, just a few kilometres outside of Reykjavík. He has immersed himself completely in a wor…

Using the crème de la crème of sound engineers and the unsurpassed production quality of Quality Record Pressings, the Acoustic Sounds series is mastered from the original tapes, pressed on 180-gram vinyl and packaged in high-quality gatefold covers produced by Stoughton Printing Co., where — as was customary on records of the era — the printed paper sheet is applied to the cardboard (so the cardboard itself is not directly inked). All this is overseen by Chad Kassem, CEO of Acoustic Sounds, the…

*2026 repress* "With the reissue of the Miles Davis' Birth of the Cool sessions, accompanied by recordings of this seminal nonet’s slightly earlier live dates at New York City’s Royal Roost, we now have as complete as possible an account of this still fresh sounding and beautiful music. The array of talent alone is startling: Miles Davis in transition between his earlier bebop stylings, and his later gorgeous tone and sparer choice of notes; Lee Konitz on alto sax playing startling melodic inven…

*2026 repress!* Representing a more intimate and spontaneous side of Miles Davis, this expanded re-release of the soundtrack to Ascenseur pour l'échafaud is a welcome event. Louis Malle was already a jazz fan when Jean-Claude Rappeneau suggested to him that Miles, who was in France for a brief tour, be asked to record the soundtrack; he readily agreed. By creating a relaxed environment in the studio, where the musicians could view main scenes of the film in a loop and then improvise in response …

*2026 repress!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!

*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry.  At the head of a fine quartet featuring the great Frank …

Dive into the roots of Brazilian musical innovation with the reissue of Antonio Carlos Jobim's Sinfonia Do Rio De Janeiro, a visionary work composed by the legendary Brazilian masters Tom Jobim and Billy Blanco. Originally released in 1954, this album stands as an early, bold experiment in fusing jazz, classical, and pop elements into a vibrant Latin soundscape—years before the bossa nova revolution took the world by storm. Lavish string arrangements weave seamlessly between sweet choral melodie…

*Repress* Originally released in Brazil in 1963, "Nara" marks the stunning debut of Nara Leão, an artist celebrated as the Muse of Bossa Nova. This remarkable album has been reissued, inviting a new generation to experience the charm and elegance that defined an era. "Nara" represents a profound artistic statement, showcasing a tapestry of Brazilian music steeped in warmth and emotion. The album features exquisite arrangements crafted from solid compositions by legendary names, including Edu Lob…

*150 copies limited edition* Originally released in 2014 on cassette and digital only, Till Human Voices Wake Us was the first album by the Iranian artist on Umor Rex. It became a key work in our catalog, and now, 12 years later, it is available on vinyl for the first time. This is the first in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex. Till Human Voices Wake Us comprises ten tracks with a clear and carefully structured script, bas…

“Lonesome for a Storm” is the result of a felt sense in the summer of 2024. A fleeting feeling in the body meditated on and played through a restrained palette of instruments and found sound. LFAS is Gustav Kemps’s first solo album under his own name, but he’s been a frequent behind the scenes collaborator in various other bands (if you can connect the dots, there’s a lot to find). Mystery can be fun, but this album of his feels tender and generous in what it conveys.

*300 copies limited edition* $dvore by $dvore is felt like a murky karaoke session with Albert Pla, Héctor Lavoe, Ray Heredia, and Juanma of Eskorbuto, all indulging themselves by singing over melodies of torn velvet, technological detritus, pure chop, screw, and reverb. Or, to put it another way: trashpresiosismo. This is the unusual beauty—and also the name of one of his hits, “Trashpresiosismo”—of his music; a spherical perfection, even if the sphere itself is made of pure rust. The album $dv…

The Common People are perhaps the greatest remaining enigma of the ’60s US rock music. Their sole album has belatedly been acclaimed as one of the most distinctive recordings of its time. Produced in 1969 by “Lord” Tim Hudson (The Seeds) and arranged by David Axelrod, it’s a superb blend of garage rock and orchestrated psychedelia! Titled Of The People/By The People/For The People From The Common People, this ultra-rare LP—originally released in minuscule quantities—captures the raw energy of la…

*2026 repress!* After a stint learning the dub craft from innovator King Tubby in the late '70s, Scientist began mixing his own sessions, coming up with a more wide-ranging and effects-riddled sound than that of his mentor. One of a handful of choice Scientist albums on the Greensleeves label, Rids the World of the Curse of the Vampires (1981) not only ably displays the mix masters varied approach, but clocks in as one of his best outings. While Scientist heeds Tubby's minimalist call with "stri…

Clear Vinyl. For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing alongside him to the foundational texts and recordings that would define an entire discipline of listening, among them the Solfège de l'Objet Sonore. From 1970 onward she has worked independently, composing in absolute fidelity to her own…

On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.

On Antologica 1977 - 1990, Filippo Testa emerges from the Turin electronic underground as a quietly radical miniaturist, tracing thirteen years of music where chamber instrumentation, liturgical stillness and SMET‑forged electronics converge into a lucid, introspective panorama.

AMM as the trio of Eddie Prévost (percussion), Keith Rowe (electronics) and John Tilbury (piano), in a single piece of about an hour recorded at the closing concert of the Huddersfield Contemporary Music Festival on 29 November 2015.

100 copies. Six volumes in a slipcase (I–VI) plus a multiple, signed & numbered. English/German. A singular act of archival reconstruction, mounted in faithful keeping with the wayward spirit of its subject. Edited by An Paenhuysen, Die Tödliche Doris - Dossier gathers six independently bound volumes inside a slipcase to assemble one of the most thoughtful and idiosyncratic portraits yet attempted of the legendary West Berlin group and conceptual constellation. Among the most enigmatic figures t…

A raw, groove-driven selection of previously overlooked 1990s recordings by legendary Turkish jazz impresario Okay Temiz, compiled here for the first time.

Discotchari unveils a full deadstock run of this rare 7 inch from 1970, found in original factory boxes and reissued as the first release of the label. It features previously unheard material from oud virtuoso John Bilezikjian and percussionist Raja Zahr, a Burbank via Beirut collaboration. Recorded under the name Something Different, the duo produced a single 45 RPM that was shelved as their solo careers took off. At just 21, Bilezikjian handles oud, bass and harpsichord, while Zahr delivers ri…

Darla Records is honored to offer Another Flower, a new record by two singularly and sonically recognizable masters of lush beauty and minimalism respectively, Robin Guthrie and Harold Budd. Another Flower was recorded at Robin's home studio in France in 2013 and was held unreleased, until now.Another flower follows Robin and Harold's previous work together Bordeaux (2011), matched set After the Night Falls and Before the Day Breaks (2007) and Mysterious Skin (2004) and of course The Moon and th…

Darla is pleased to offer A Song For Lost Blossoms, a record of ambient melody and transcendental mood portals from minimalist/modernist master Harold Budd and friend guitarist/composer/producer Clive Wright. A Song For Lost Blossoms nicely builds on both artists’ previous ambient work. A Song For Lost Blossoms was recorded live and in studio at different locations including the artists’ homes, at REDCAT (Roy E. Disney Concert and Theater), Los Angeles, and Clive Wright's Desert Sky Studio, Josh…

Darla is pleased to offer a new album from Harold Budd and Clive Wright. Little Windows completes the trilogy begun with A Song for Lost Blossoms and carried through their previous album Candylion.  Part of Little Windows was recorded especially for Echoes, the nightly music soundscape from Public Radio International heard on over 120 public radio stations and online at www.echoes.org.  These recordings were first heard on Echoes Radio in Fall 2009.  The other part of Little Windows was recorded…

Jane 12-21 is the companion to Jane 1-11. Minimal, modern classical piano and avant-garde electronics by the master.  "It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in o…

At the time of release in 2005 Avalon Sutra was reported to be California-born American minimalist composer and pianist Harold Budd’s last recorded work. Avalon Sutra (released as a 2 disc set) is a suite of short, heartbreaking ambient pieces, featuring Budd’s delicate piano improvisations, lush string arrangements and warm electronic drones. The second disc (As Long As I Can Hold My Breath) features a startling coda by LA based electronic composer Akira Rabelais, sending Budd’s arrangements in…

Darla is pleased to offer a new record of string quartets by Harold Budd. Bandits of Stature is a first as it comprises 14 compact Budd composed string quartets played by the Formalist Quartet.

This album is a masterpiece in which the three core pillars of Akira Ishikawa’s musical vision—jazz, rock, and African music—are fused in a sublime and thrilling balance. One arresting track follows another: the solemn and majestic “Prayer”, evoking the eternal land; the clear yet subtly psychedelic “Dawn”; the serene and beautiful “Love”; and the highly dynamic, explosive “Jumbo”. The brilliance of Hirmasa Suzuki’s arrangements deserves special mention—simple yet profoundly deep, they give vivi…

Tip! ИМА (Ima) is a work by KiMiMi, the solo project of musician Shin-ya Ohno, which captures the layers of time and the presence of people inhabiting ‘Arimasuton Building’—a self-built structure created over 20 years by architect Keisuke Oka, located in Mita, Tokyo, and reconstructs them into music. A multi-instrumentalist who masterfully handles a diverse range of instruments, with the gaida (an ancestor of the bagpipes) – which he studied in Bulgaria – at the core of his sound, KiMiMi has pre…

50th Anniversary edition of the legendary album ‘Rubycon’ by Tangerine Dream. Widely regarded as one of their finest albums, ‘Rubycon’ was the band’s second album for Virgin Records and comprised two long pieces which pioneered the use of sequencers and synthesiser technology and produced some of the finest ambient music ever recorded. The record was also their highest UK charting release, reaching number 10 on the UK charts. This new edition features the remastered original stereo mix, along wi…

Stunning collection of quiet and soft piano pieces by the legendary German keyboardist Hans-Joachim Roedelius co-founder of seminal krautrock bands as Cluster and Harmonia. Inspired by the monumental work of Eric Satie, the album was originally released in 1991. Roedelius exhibits an unexpected subtlety on the keys which lighten these pieces lovingly and pointedly. It’s hardly surprising that the name of the album is a reference to the term ‘pianissimo’, which means to play softly. These are aft…

Effortlessly fusing krautrock with jazz and ethnic music, Embryo were unparalleled in the world of progressive fusion and 1984's Zack Glück is one of their most ambitious and rewarding LPs. Flutes and saxophones mix with oud, marimba and violin to make an intoxication concoction.

Africa, originally released in 1992 on Materiali Sonori, may be a late entry in the Embryo catalog but it is one of their most ambitious and truly progressive albums to date. As the name implies, the Munich group not only draws influence from the continent to their south, but also employs an African percussion ensemble on many tracks.

Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995 by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than it's predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any …

A Thousand Leaves was Sonic Youth's 10th studio album and the group's first major effort to be recorded at their own Echo Canyon studio in NYC. Free from the constraints of paying for costly studio time, the band was able to work at their desired pace and experiment at will. The result was an album born out of improvisation, chiefly characterized by the guitar interplay between guitarists Thurston Moore and Lee Ranaldo. The album title was inspired by Walt Whitman as Moore explained, "The same w…