2018 small repress. Black Editions present the first vinyl reissue of Keiji Haino's stunning debut album Watashi Dake?, originally released in 1981. This first ever edition released outside of Japan features the artist's originally intended metallic gold and silver jacket artwork. Over the last fifty years few musicians or performers have created as monumental and uncompromising a body of work as that of Keiji Haino. Through a vast number of recordings and performances, Haino has staked out a gr…
**One-off edition of 200 copies. Heavyweight 7" EP** Unreleased before music from the cult 1973 horror film 'Messiah of Evil'. One of the earliest fully electronic feature-film scores, Phillan Bishop's Moog-y mood music for Messiah of Evil is an avant garde suite of modulated shrieks, drones and pulses which whirl a discordant vortex around the bizarre on-screen images. With only three early-70's budget horror movies to his credit, this represents the first release of music by the mysterious Ph…
180 grams audiophile vinyl pressing. La Donna Invisibile is an obscure Italian drama/erotical movie from 1969, directed by Paolo Spinola, about the fading relationship between a professor and his wife. Based upon a short story by Alberto Moravia. Ennio Morricone composed and conducted the music for the movie written by Giovanna Ralli, Carla Gravina and Anita Sanders. The soundtrack also features the voice of Edda Dell'Orso. Comes on solid pink vinyl.One of Morricone's most fantastic scores ever!…
Deben Bhattacharya (1921-2001) was a field recordist, poet, filmmaker, musicologist, and amateur ethnomusicologist, based in Calcutta and Paris. Highly influential, it would not be too bold a stretch to say that his work shaped how we listen to the world: he produced a vast number of LPs, CDs, videos, and radio shows of traditional music from India, Asia, Africa, the Middle East, and Europe from 1953 until his death in 2001. Never before published, Paris to Calcutta: Men and Music on the Desert …
This is Sublime Frequencies' second volume of transcendent musical field recordings from central and southern Madagascar, produced by Charles Brooks. Like the grand beauty and wonder of its flora and fauna, Madagascar's music is completely unique. Whether the tempos are fast with polyrhythmic precision or slow in the form of a Kabosy ballad, once one gets familiar with its sound, it can never be mistaken again. Charles Brooks has been traveling to Madagascar and living with these spectacular art…
Azzazin is a double standout Muslimgauze album, first LP originally issued in 1996, as a CD (Muslimgauze Subscription 003); the second disc originally as a 10" of remixes (Muslimgauze Subscription 007). This 2LP adds two unreleased tracks. Tightly focused on a singular palette of monotone drones and swarming electronic buzzes, which arguably sound like a parallel to early Editions Mego. They're probably the most minimalist Muslimgauze tracks you've heard, and even still he manages to express a f…
The third issue of Blank Forms's journal is released in conjunction with Freedom Is Around The Corner, a retrospective exhibition and performance series devoted to the work of Danish composer and artist Henning Christiansen (1932-2008). Perhaps best known for his collaborations with artists such as Joseph Beuys, Nam June Paik, and Dick Higgins, Christiansen, working primarily on the remote Danish island of Møn, moved beyond his Fluxus roots to create a vast, ineffable body of work that spanned m…
2025 Repress. John and Beverley Martyn's legendary 1970 masterpiece Stormbringer! stands as one of the most emotionally profound and musically adventurous documents of the folk-rock transition era. Recorded in the shadow of Woodstock with an all-star cast including Levon Helm of The Band, this remarkable album captures a moment when two exceptional artists created something far greater than the sum of its parts. Born from the unlikely but magical union of Glasgow folk guitarist John Martyn and C…
**2025 stock. HQ remastering. Presented in the original gatefold sleeve on 180gram vinyl* John and Beverley Martyn’s 2nd album, also released in 1970, was Produced by Joe Boyd and engineered by John Wood at Sound Techniques, the Island Records studio. This album is John and Beverly's follow up to Stormbringer. In much of the same manner as that album, here Martyn recruited Pentangle member Danny Thompson on bass (who would end up playing on most of Martyn's albums over the ensuing years). John w…
The culmination of Nick Drake's emotional outpouring. Pink Moon is Drake’s deepest and most emotional record, originally released in 1972, following a long bout of severe depression. Whatever darkness he was in, he was able to channel those emotions into this final album, creating an opus that continues to grow in popularity and is reissued here on 180-gram vinyl. Unlike his other albums, this was recorded without a backing band, creating an even more intimate and personal experience. The title …
**2018 repress. Reissue on heavyweight vinyl in textured sleeve** With even more of the Fairport Convention crew helping him out -- including bassist Dave Pegg and drummer Dave Mattacks along with, again, a bit of help from Richard Thompson -- as well as John Cale and a variety of others, Drake tackled another excellent selection of songs on his second album. Demonstrating the abilities shown on Five Leaves Left didn't consist of a fluke, Bryter Layter featured another set of exquisitely arrange…
Whether you know it or not, you've heard Nick Drake before. Maybe
it's from his other albums, maybe it's from that VW commercial, maybe
it's just the sound of that quiet bleakness we all feel when sadness
comes to the door and doesn't want to leave. This music lives with all
of us. It exists in quiet lonely nights, chilly autumn evenings, and the
muted grey of the world when it's been raining all day.During his too-short musical career, Nick used music to look at those
little feelings we a…
Esoteric Recordings Reactive label is pleased to announce the release of a newly re-mastered 4 CD clamshell boxed set which gathers together the first four legendary albums by Tangerine Dream, originally released on the Ohr label in Germany between 1970 and 1973, known by fans as “The Pink Years” albums.“Electronic Meditation” was recorded in Berlin in October 1969 and featured the first Tangerine Dream line-up of Edgar Froese (guitars, organ, tapes, sound effects), Klaus Schulze (drums, percuss…
An eight-CD box set that brings together the body of music the singer-songwriter recorded between 1966 and 1972. This set includes all seven of Buckley's studio albums from that era, as well as Works In Progress, the 1999's compilation of his 1967/68 recordings. Covering Tim Buckley's brilliant transition from folk to jazz styled material, the Tim Buckley Complete Album Collection (not exactly true as he did two more studio albums after leaving Elektra) gathers Buckley's best material with remas…
CD Edition. A few months after the foundation of Can, Holger Czukay recorded his first solo album ‘Canaxis’, in conjunction with producer/engineer Rolf Dammers, this album was assembled from thousands of snippets recorded from short wave radio, a long standing obsession of Czukay's which he also incorporated into some of Can's later albums. A refugee during the Second World War, Holger Czukay famously studied with Karlheinz Stockhausen in the early ‘60s. That direct exposure to the challenging a…
Holger Szukay’s sixth solo LP Radio Wave Surfer gets the reissue treatment courtesy of Groenland Records. Originally released in 1991, Radio Wave Surfer found the late Can bassist coming through with some of his most succinct and immediate work. Cuts such as ‘Weird Dreams’ and ‘Get It Sweet’ streamlined Szukay’s experimental tendencies in order to create lean Krautrock vignettes that still pack a heady psychedelic punch. Funnily enough for such a focussed listen, many of the tracks on Radio Wave…
Four beautiful, exceptional ambient nocturnes bloom again on a very welcome 30th anniversary reissue, newly packaged together by Grönland for the benefit of your health... David Sylvian and Holger Czukay’s Plight + Premonition [1988] & Flux + Mutability [1989] bouquets remain some of the most enigmatic ambient recordings of the ‘80s since their conception at Czukay’s converted cinema studio in Köln, 1986. But, while Sylvian was ostensibly coming to record vocals for the last track on Czukay’s Ro…
Inspired by "non-existing atmospheric disturbance" films, Motion Pictures is actually Holger Czukay's quasi-sequel to Movies, his classic 1979 LP. Long recognized as perhaps the oddest and most adventurously minded member of Can, Czukay has created a broad solo catalogue of unfamiliar, adjunct music with a sorcerer's touch. Besides his trusty bass, Czukay has a fascination with--and a master's understanding of--the studio as instrument. His most provocative audio collages are designed via tape s…
The 5th solo album by Holger Czukay, ‘Rome Remains Rome’ bubbles up for its 30th anniversary reissue on Gronland - bastion of all things good and Krautrock. Arriving after a string of total classics such as ‘Movies’ and ‘Full Circle’’, and before his ambient outings with David Sylvian, 1987’s ‘Rome Remains Rome’ is a typically, lysegically playful and odd collection of songs tripping lines between pop, jazz and the avant-garde.Make sure to check it for Holger’s possessed vocals on the psychedeli…
‘Der Osten Ist Rot’ is a wigged-out 1984 treat helmed by Can’s Holger Czukay, with drums by his legendary bandmate Jaki Liebzeit and vital synth input from Conny Plank. Now making its first official digital release, the 1984 album was Czukay’s 3rd solo side, proper, following from ‘Movies’ [1979], and ‘On The Way To The Peak Of Normal’ [1981] in pursuit of an elusive, avant and pop-wise spirit that would also be explored on its follow-up ‘Rome Remains Rome’, before Czukay set off on two seminal…
Upon examining the eventful life of Can bassist Holger Czukay, one might conclude that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Holger Czukay’s debut solo LP ‘Movies’ [1979] is, quite frankly as mad as a bag of squirrels, but super playful and cool as fuck with it. It’s his first record after striking out from Can, and he clearly had a lot of ideas brewing and ready to get out From the Afro-inflected lilt of t…
Edition of 300. When it comes to music, time and geography can have a strange effect. Divisions form and dissolve. Things which were heard are can be forgotten. Things which were not are often remembered. As many of us know, this is increasingly the effect of the reissue market, with its radical reappraisals for history, pulling the lost and obscure from the shadows - musical objects now given the ability to travel and gain the attention they deserve. One of the more fascinating and important te…
Throughout his six-decade career, Tony Conrad (1940–2016) forged a unique path through numerous artistic movements and a vast range of cultural forms—from Fluxus to rock music, from structural film to public access television. Published on the occasion of the first large-scale museum survey devoted to works Conrad presented in museum and gallery settings, this richly illustrated catalogue offers an in-depth introduction to Conrad's life and career.Often unified by the diverse tastes of fans, ava…
** Edition of 300. Includes an insert with archival photos and a letter from Virgin Records on the cover** Plexi Gladz’s sole available recording — 1981’s Mind Control 7" — spawned a cult hit (Verveling [Boredom]) and over 35 years of intrigue. Who are these people? Rumours circulated that Jo Bogaert (of Technotronic fame) was involved; and artist Harald Thys. But not Siobhan Fahey. In a classic case of Chinese Whispers, Jo Bogaert turned out to be Brussels-based Paul Bogaert who together with J…
A genuine holy grail of Italian post-industrial music, The Cop Killers’ sole, eponymous tape is remastered and issued on vinyl for the first time via Alessio Natalizia’s Ecstatic label. Fetching triple figures on the 2nd hand market (there’s a copy on scogs atm for £300) this is an indispensable slice of ‘80s Europe’s underground experimental rhizome. An important release for Ecstatic and one very close to their heart, ‘The Cop Killers’ was originally released in 1982 on the legendary Trax labe…
"Usually, only particular circumstances trigger our awareness of the sounds that surround us. To most of us sound functions as a backdrop for visual experience. Sound artists on the other hand shift our attention to the immense possibilities for acoustic variety. The Museum of Contemporary Art celebrates a special occasion, focusing on sound. In April we will present works by the graduating students from the Nordic Sound Art programme a cross-nordic collaboration between several art academies in…
The Black Side by Søren Lyngsø Knudsen was a multidisiplinary performance about light and its absence in the Nordic countries.It was the result of 12 months extensive audio and video recordings in Norway, Denmark and Finland – put together into a performance that pulled it’s audience through pitch black darkness, fog, loneliness and blinding light.This record contains the soundtrack from the performance.
2015 Release. Triple LP. Needless to say, it is a grandly absurd undertaking, full of scatological comedy and hard-rock-jazz-fusion. "Frank Zappa’s satirical rock opera, Joe’s Garage, is ambitious and mad, brilliant, peculiar and incoherent — epithets that have also been applied to German expressionist Georg Buchner’s unfinished play, Woyzeck. This may seem like a ludicrously lofty cross-cultural reference to attach to an album most notorious for a song about Catholic girls’ aptitude for fellati…
2015 Release. In order to finance his artier excursions, which increasingly required more expensive technology, Frank Zappa recorded several collections of guitar-and song-oriented material in the late '70s and early '80s, which generally concentrated on the bawdy lyrical themes many fans had come to expect and enjoy in concert. Sheik Yerbouti was one of the first and most successful of these albums, garnering attention for such tracks as the Grammy-nominated disco satire "Dancin' Fool," the con…
2017 Release. 180 grams, sourced from the original 1970 Analog Master. A fascinating collection of mostly instrumental live and studio material recorded by the original Mothers of Invention, complete with horn section, from 1967-1969, Weasels Ripped My Flesh segues unpredictably between arty experimentation and traditional song structures. Highlights of the former category include the classical avant-garde elements of "Didja Get Any Onya," which blends odd rhythmic accents and time signatures wi…
2018 Release. Zoot Allures, released in October 1976, is mostly a studio album (there are some basic live tracks, as in the title track and "Black Napkins") featuring a revolving cast of musicians who, oddly, do not correspond to the ones pictured on the album cover (for instance, Patrick O'Hearn and Eddie Jobson did not contribute). Compared to previous releases like One Size Fits All, Roxy & Elsewhere, or even Over-Nite Sensation, and to upcoming ones such as Zappa in New York, Studio Tan, or …
2018 release. 180 grams, Taken from the original 1970 Analog Master. It's 1970, and look what Frank Zappa's up to: The band now includes jazz
players like George Duke (keyboards) Anysley Dunbar (drums) and Ian
Underwood (guitar and keyboards) plus a mysterious pair of singers
called The Phlorescent Leech & Eddie -- who, it would turn out, were
singers Mark Volman & Howard Kaylan, who'd recently jumped ship
from LA pop group the Turtles (they weren't contractually allowed to use
their real …
2025 stock 180 grams, sourced from the original analog master. "It's all one album. All the material in the albums is organically related and if I had all the master tapes and I could take a razor blade and cut them apart and put it together again in a different order it still would make one piece of music you can listen to. Then I could take that razor blade and cut it apart and reassemble it a different way, and it still would make sense. I could do this twenty ways. The material is definitel…
This second AG recording for Treader sees Charles Hayward passing the drumsticks to Rupert Clervaux. Together with John Coxon’s simple and insistent guitar themes, the elegant drum-work underpins four extended group compositions, containing a surprising collision of sounds and influences, bringing together Pat Thomas from the Improv scene, Floating Points-collaborator Susumu Mukai, and Alexis Taylor’s mooger-foogered rhodes. Somehow it all crystallises perfectly. The clearest precedent for this …
Breaking form from the more overtly free jazz-oriented agenda the Treader label has based itself upon, this release finds Jason Pierce of Spiritualized and Spacemen 3 tackling a lengthy piece of music assembled from electronically treated guitar loops (as you no doubt guessed from the title) and a bit of lo-fi percussion. The resultant thirty five minutes of music is an enormously dynamic, often rather difficult venture into the avant-garde, far-removed from the trance-inducing pop Pierce built …
2015 release. Terry Riley's In C Mali by Africa Express is the first ever recording of Riley’s minimalist work by an African ensemble. In C Mali was originally written by Terry Riley in 1964. Upon hearing this new version the composer said that he was “overwhelmed and delighted”. The piece is conducted by Anton De Ridder who has lent his expertise to Max Richter, Jonny Greenwood and These New Puritans to name but a few.
Double LP version. Gatefold sleeve with liners notes and pictures; Includes download card. Jazzman Records deliver A New Life, Vol. II: Independent and Regional Jazz in Great Britain 1968-1988, continuing their series of under-heard jazz from the UK. It's been three years since Jazzman's A New Life (JMAN 075CD/LP, 2015) alerted jazz heads to the existence of an unknown world of British jazz private pressings and indie obscurities. Back for a second round, compilers Francis Gooding and Duncan Bro…
Recorded in ’73 and rejected by tin-eared major label execs in ’75, Crystal Spears (or “Crystal Clear” as it appears on the tape box) subsumes a cathartic brawl between Minimoog and Yamaha combo organ, with percussionists providing tonal textures, and plaintive oboe colliding with roaring electronic keyboards over waves of rollicking marimba, devilishly chattering below the fray. Crystal Spears is Sun Ra’s once lost aural cinematheque! Includes a quad-ra-color Sun Ra poster!Crystal Spears, inten…
All the eleven new Kpm groundbreaking LPs in bundle! Be With Records have worked with the hallowed KPM to re-issue ten of our favourites from across the KPM 1000 Series and the Themes International Music catalogue, currently under KPM stewardship. Whether it’s killer soul-funk, sweet jazz-samba, skuzzed-up guitars or accidental Balearic beauty, these records include some of the most innovative work from some of the most talented composers and musicians of the 20th century. These records were nev…
One of the most righteous albums ever issued by the always-righteous Tribe Records label of Detroit – a really collective effort, one that features ensemble vocals and spiritual jazz – all pulled together by pianist Harold McKinney! The album showcases a group named Voices Of The Creative Profile – formed by McKinney to accompany his Creative Profile instrumental group – and the overall style is a great blend of spiritual soul jazz that gives equal time to the voices and instruments in the set. …