Electronic / Abstract

One side full of great Minimal/Synth-Tracks from his early 80’s Tapes „Chemistry“, „Two Faces“ and „Outlaw“ on labels like Grafika Airline and Insane Music; the other side with two mind-blowing and -opening electric-guitar-tracks from 1971-74 which will definately touch your consciousness for music-history and hopefully help re-writing it. Alain Neffe of Pseudo Code / Bene Gesserit (Insane Music) participated on two of the pieces. M.A.L.'s cassettes have been remastered in superb sound quality b…

Slices of Attrition's earliest existence. A Double-Lp with previously unreleased, rare and demo recordings from the earliest days on Third mind records and beyond. From the initial post punk line up to the early experiments with analogue electronics in the bands fledgling home studio. Rescued from forgotten cassette mixes and 4 track tapes, restored and remastered by Martin Bowes, including sleeve notes by Third Mind's Gary Levermore, unreleased photos and artwork and available for the fi…

First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…

2025 stock Tim Hecker's latest work approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this new piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wood…

"Songs is the much-anticipated follow-up to Parisian sound designer and musician Sébastien Roux’s beautiful CD Pillow (Apestaartje, 2004). The simple title of Songs hides a deep work that Roux states is based in mathematics, symmetry (and assymetry) and organized randomness. Songs is a skillfully and beautifully rendered album of gentle and sometimes not-so-gentle acoustic instruments and melodic granular clouds. Each song is titled simply by the instruments that make it, thus stressing the proc…

2004 release ** "12k presents Every Action, the 3rd full-length release from the UK’s Motion (Chris Coode) and the follow-up to 2002’s critically acclaimed Dust (12k1019). In addition to his work with 12k (Dust, as well as a collaboration with Doron Sadja on 12k’s recent Two Point Two compilation, and an MP3 only release on 12k’s term. series) Coode has worked with Fat Cat and also released the debut Motion cd Pictures (now out of print) on his own imprint. The work on Every ActionPictures was p…

Rapoon is the ethno-ambient solo project of Zoviet France co-founder Robin Storey. The music of Rapoon reflects the fasctination for the minimalistic but rhythmic music of West-Africa and India. Rapoon uses the musical construction techniques of loops and rhythmic repetition as a kind of platform for inducing a sort of trance like reception. The tracks chosen on this Box-Set are tak…

David Toop laptop, steel guitar, flutes, percussive devices. Rhodri Davies harp, ebows, electronics, preparations. Lee Patterson amplified devices, field recordings. Recorded by Dave Hunt at Dave Hunt Studio, London, 24 July 2006. Magnificent, tight studio recordings from 2006 by a trio of UK improvisers of different generations, coming together to create a rich and strange soundworld of whispered, scraped and quietly haunting reverberations.

Milestone Reissue! The three discs collected here - housed in a lavish cardboard boxet (+ Includes a 116 page booklet in French and English with biographical notes, essays and program notes for each work, and a 52 page booklet with photographs) - cover the bulk of Pierre Schaeffer's concrète works, beginning with his pre-tape days when he composed using multiple turntables mixing sound effects recordings direct to lathe. The earliest recordings here were created in 1948 during Schaeffer's days a…

This is the final chapter for this project run by Gianluca Becuzzi - well known for his old dark wave project Limvo but also for his solo works and collaborations with Fabio Orsi. Final Archives is a sort of collection of rare tracks recorded from 1999 to 2006 totally reworked and remastered in 2009. Absolute Grey is the title that Kinetix gave to his graphic artwork selection exhibited with an ambient score specifically composed for the exposition space. The exhibition is made up of ten grey sc…

Live at the The Museum of Garden History, London, 8 May 2009. Keyboards: Marcus Davidson. Record players, editing & overdubbed bass: Philip Jeck. Philip Jeck studied visual art at Dartington College of Arts. He started working with record players and electronics in the early '80's and has made soundtracks and toured with many dance and theatre companies as we as well as his solo concert work. His best kown work "Vinyl Requiem" (with Lol Sargent): a performance for 180 '50's/'60's record players …

Norwegian guitarist Håvard Volden (12-string guitar, objects) and Japanese master Toshimaru Nakamura (no-input mixing board) recorded these two pieces in Norway in 2008, creating what one Norwegian reviewer calls "a timbre based album with some auditory surprises." The music is "slow and quiet, with contrasting elements. A cutting tone, a crackling flicker, or a deep bass tone gives the progress colour. It is exciting to listen to an expression that moves with this much unpredictability." Norman…

At first, Agencement was started as an anonymous tape music project in 1985. It started from an indie movement that had occurred in inverse proportion to the calm situation of Japan's mid-'80s domestic improvised music scene. As for activity of violin performances that I started from the influence of European improvised music after it is related to the edit of underground music magazine named Avant-Garde that Kanazawa University students issued from 1976 until 1979, several years have passed fro…

2010 release ** "Sabine Ercklentz plays trumpet and electronics and Andrea Neumann plays inside piano and mixing desk. Especially music by the latter we came across in the field of improvisation, and this disc is surely another fine work in that direction. But its also an expansion of their territory. Somewhere in the second piece, the title piece there is all of a sudden a rhythm coming in, which must be like heresy in the world of improvisation. The whole work is pretty vibrant with the trumpe…

2006 release ** Brainmelting collaboration by Yamatsuka Eye (Boredoms, etc) and Andy Bolus! Proudly co-released with Nottingham's Harbinger label. Performed, mixed & designed between 1994 to 2004, this is as weird & confusing as it can get. Includes jaw-dropping takes on "Eye of the Tiger " and The Exploited's "Sex and violence".

TWINKLE³ are: Richard Scott : buchla lightning, analogue synthesizer, sampler, processing - Richard Scott is a British composer and improvisor working mostly with infra-red instruments and modular synthesizers. Closely associated with London Musician's Collective in the early eighties, Richard Scott now lives between Manchester and Berlin, also with an artistic residency at STEIM in Amsterdam. He is a member of Grutronic and the ir trio. David Ross : hawaiian tremoloa,panart hang,kantele,droscil…

2025 Stock.  EM Records presents the CD and vinyl reissue of Nicolas Collins' Devil's Music, originally released in 1986. The New York-based experimental composer and circuit bender created this work through live radio sampling techniques that anticipated developments in electronic music production by several years. Collins developed his practice through collaborations with Christian Marclay, Elliot Sharp, David Shea, David Tudor, and John Zorn, establishing himself as significant figure in expe…

The shared space on this split 12” vinyl is a celestial experience. The depth of field is adjusted by a natural collaboration between two artists; Goodnight Stars Goodnight Air (David Kresge), who plays on and off with Dragon Turtle (Tom Asselin and Brian Lightbody).Spill Out The Night is Dragon Turtle's exploration, inspired by the cover photograph, a Hasselblad image captured by Jeremy Blakeslee; the night sky in the forest of Pennsylvania as the Orion constellation begins its drift towards wi…

A striking collaboration took place between Andrea Belfi on drums and assorted small percussion and Rutger Zuydervelt on guitar and organ. Together they produce the 'pulses' and 'places' mentioned in the title. Organic yet partially improvised, it resembles a kind of sonic geography. The listener is taken away for a journey of mild drones, soft yet outspoken percussion. A strong release.

*Limited edition of 300 copies.* Celer is a husband (Will) and wife (Danielle) duo from California that use a variety of strings as the basis for their sound. Cello, viola, violin and the sounds are mixed in with field recordings, choir, live theremin and then tape spliced and re-assembled in varying lengths to create a loop base. Those sounds are then sampled, layered and processed. The result is a shimmering orchestra. Periods of silence between the notes only enhance the sound. Though at time…

The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). 'Memory in The Beginning' (2004). This work is Matsuo Ohno's brand new album recorded in July 2004. Ohno's vision is a torrential flow of vi…

The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). I Saw the Outer Limits (1978) was originally released by Toho Music Co. in 1978. Ohno's giving full play to his exceptional talent. This 41 …

Back in stock and last copies. The name of Matsuo Ohno is well-known as a creator of sound effects of Japanese animation 'Astro Boy' (Takehisa Kosugi assisted in the work). This three issues are retrospective collection of his works includes unpublished electronic compositions from 70's to recent years. with 24 pp booklet, texts are in Japanese and English (with comment of Jim O'Rourke). New Sound of Astro Boy (1963-66). Electronic Sound - Astro Boy's B.G.M. Yamatoji A (1982). Sea Dream (1980). …

This is volume 3 in Omega Point's newly-reissued Obscure Tape Music of Japan series. Akai Mayu is a short work of fiction by Japanese writer Koubou Abe (aka Kobo Abe pseudonym of Kimifusa Abe, 1924-1993). This musical drama version was broadcast by the Japan Broadcasting System NHK in 1960 and composed by Makoto Moroi, a pioneer of Japanese electronic music. He composed the music with a chamber ensemble, mixed chorus and electronic sound. This piece was performed at Sogetsu Art Center as a p…

This double CD contains three previous Hafler Trio releases: 'Brain Song' previously released by Touch (1986), 'Various methods of attaining immortality | three different kinds of seed', previously released as a CD with the book '(Antarctica) Brahma' (1995-1996) and 'Kuklos', previously released by Touch (1988). This is the final re-issue by The Hafler Trio on Korm Plastics

Finally arrived : Much of the music included in this set is exclusive to this vinyl version of ‘Miscellany’. Andrew Liles has compiled a comprehensive anthology including as much varied, interesting and unreleased material as possible. He spent many an afternoon sifting through piles of cassettes seeking the oldest and arguably most definitive pieces of music from literally hundreds of hours of tape. The earliest recordings on these discs date back to 1984. ‘Find a New Husband’ was made on Liles…

Decomposition instead that composition. De-structured music that instead structured music. Not to complex and articulated technologies forrecording, mixing of the parts and mastering; not to onesophisticated production and maniacal and defined participations correct in post-production... This the new "challenge" capacityto the extreme limit from Maurizio Bianchi, a new musical effort,"directed", "raw", immediate, absolutely uncompromising new, to outsideof every law and from every pre-constitute…

Ees'T records is happy to announce a further step into the Maurizio Bianchi new production, a new compact disc which completes the Trilogy starting with the previous Colori and First Day-Last Day. This time the author concentrates on Time, or the inevitable. A sound counterpointistic journey beginning with the creation of the first human being, in autumn 4026 B.C.E. and passing through the two big planetary cataclysms. Then the individual experience of MB himself is investigated, a sort of elect…

2006 release ** Keenan Lawler has spent the last 25 years developing his own personal sound world, constantly pushing himself in new directions and developing new techniques, while remaining completely focused on his vision. His experiments on 1930 national resonator guitar are the stuff of legend you sometimes hear from town to town by someone who may have had the good fortune to witness one of his performances. Words such as cosmic, monolithic and deeply american have been used to describe the…

2005 release ** "On his third release for Dekorder Didac Lagarriga is opening his sound towards a more open, less formal and repetitive style, mixing field recordings, instruments from Africa and South East Asia and surreal voices into a floating freeform sound. Including the most beautiful love song I have ever heard."

2005 release ** "Just before we started to miss Guido Möbius he surprised us with “Dishoek”, his second album, recorded for Hamburg’s Dekorder label. Again featuring a conglomeration of acoustic and electrical instruments (guitar, bass, violin, cornet drums, synthesizer, clarinet among other things.) and a variety of guests, so that one hardly dares to call it a solo album. Still everything is magically held together by one single person. Melodies and noises, styles and individual characteristic…

Lehn and Schmickler's 1st recording, Bart is considered one of the best synth improv albums ever made. Since Bart, dating back to 2000, the duo has toured frequently through Europe, Japan and the USA. This double-release, features some of the best performances the duo recorded over the course of 15 live concerts. A brilliant amalgam of the two musicians' strengths, Navigation in hypertext utilizes both improvisation and studio postproduction techniques to create a lasting work, combining the fee…

2th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Abfleischung is based on material recorded by Tietchens as early as 1967—1970. These recyclings made in 1989 became the 20 short tracks on this album which was originally released in edition of 500 copies on Hamster Records in 1989. The CD includes two previously unreleased tracks and comes in a jewel case with full color artwork and poster booklet also feat. the original front and back cover. First editio…

2006 release ** Packaged in an oversize gatefold cardboard sleeve with five postcard-sized prints. "Reissue of 'The Flight Of Real Image' MCD, released on Hic Sunt Leones (1993), with six bonus and exclusive tracks. The classical sound of Alio Die is harmoniously combined with his newer musical experiments with zither, salterio,flutes, bells and other instruments. All original material has been carefully re-mastered. Additionally this release comes with 5 art-cards showing installations by Itali…

2006 release ** "With this release by Small Voices, Gianluca Becuzzi (ex-Limbo), for the first time, presents his work under his birth name, confining the aka Kinetix as an extension of his name. "Memory Makes Noise" is an important passage in the long carreer of our Tuscan sound-artist, projecting him to the achievement of his own creative dimension. Left the cold digital aesthetic, Gianluca Becuzzi, is focusing his re-search on electro-acoustic sounds, livening "Memory Makes Noise" with throbb…

2007 release ** "Although the cover art for Enso is strikingly similar to recent 12k releases, there the similarity ends. With Enso, Luigi Turra has conjured up an organic and contemplative three-track epic, that resonates on subsequent listenings. Infused with Japanese sonic architectures and rigorous reductionist principles, this is a deeply meditative world of gently plucked instruments, and faded atmospherics, peppered with closely focussed tinklings and crystalline shards to add texture. Be…

2007 release ** "This new Goem release is a solo work by Roel Meelkop (this time without Frans de Waard and Peter Duimelinks). The source material is an anonymous CD, whose samples are used for these eight tracks. The result is a combination of rhythmic patterns with minimalistic passages, strange loops, repetitive elements. Therefore, an interesting episode into Goem’s production, quite different from early releases of the trio, maybe preluding an evolution in its music."

2006 release ** Muddy Speaking Ghosts Through My Machines' is the brand new album released together by Fabio Orsi and Gianluca Becuzzi. This album will be certainly followed by other cooperations, considering the big friendly artistic sodality between them. Fabio e Gianluca are a strange duo, considering the big differences of their artistic back-ground. Fabio Orsi is a young and unexpected talent. After his first album, "Osci" (LP, SmallVoices 2005), produced by Gianluca Becuzzi, he got a lot o…

2025 stock ** "Alfred 23 Harth, reeds, kaosspad. Hans Joachim Irmler, organ. Günter Müller, iPods, electronics. The last time Harth and Müller met was in 1987 as part of a quintet at the Festival Willisau, including Andres Bosshard, Phil Minton and Sonny Sharrock. Exactly 20 years later, Alfred Harth, now based in Seoul, South Korea, asked Günter Müller to do some recordings on a visit to Switzerland while traveling in Germany and Italy. Several days before, Harth recorded with Hans Joachim Irml…

Black Sea is the much-anticipated new album from Christian Fennesz, his first since Venice. Fennesz’s career has come a long way since Instrument, his debut for Mego in 1995, and his first solo album Hotel Paral.lel which followed in 1998. Endless Summer [Mego, 2001] brought him to a much wider audience and Venice underlined his mastery of melody and dissonance. His songs usually embody the skilful application and manipulation of dense sonic textures with a genuine feel for the live, and real-ti…