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"Side A : percussive like an ongoing emergency. Side B : electrifying, from after the recomposition. A heavy atmosphere, a combative start. A fiery physicality emerges from each piece. Ripit progresses through a cluttered sky. Rough, thick raw material, a ceiling with pale lights passes at breakneck speed. A space roaring with sirens screaming. We are making good progress in the meanders of a troubled psyche, in the spiral of a bubbling world. Finally, the rhythms are reassuring; the noises and …
*200 copies limited edition* "The Great Old Ones present Lands of Azathoth, an exploration into the unfathomable and chaotic core of Lovecraft’s mythos. This third installment, following the albums Yog-Sothoth (2022) and The Mythos of Cthulhu (2023), summons the enigmatic dread of Azathoth, the Blind Idiot God who lies at the heart of the cosmos. The music of The Great Old Ones is so profoundly lo-fi and shrouded in dense fog that each melodic line feels submerged, as if suspended in a gelatinou…
The project investigates the cultural environment of Bulgarian society, thirty years after the fall of the Berlin Wall; from the emergence of organized crime in the 1990s to the appropriation of its behavior by political elite, celebrities and cultural icons. It explore the social imaginary and the collective identity of the generation that grew up during the period of democratic transition; a troubling context where the corruption, male chauvinism and hyper femininity have become a symbols of f…
1999 release ** "Two empty tape-recorders, one connected to the other, no sound if not the distortion produced by the tape-recorders themselves in play/rec. On this recording of Nothing the modulations of vintage analogic effects: emptied frequencies, prenatal sounds without any sonic grain, audio for a flat electroencephalogram. The selection of the technical set-up through which sounds are produced is part of the N. (Nihilism, No, Not, Never...) aesthetics: THE PROCESS IS THE POETICS in "Memor…
2005 release ** "The nearly seventy-minute live recording documents the ambient collaboration of Origami Galaktika with the Berlin project I:Wound and a lesser-known Norwegian, calling himself Inderst Elia. The basis of the sound skeleton is made up of psychoactive drones, which are then supplemented by a wide range of differently modulated rhythmic sequences and especially the most diverse field-recordings - human voices, the noise of city streets, sounds from nature, but also the growl of car …
2010 release ** "The new edition in the refreshed design returned to our catalog after a few years of non-existence. One of the most interesting publications of the Bremen duo and the best-selling album in the several-year history of the Zoharum. Two elder vinyls first time on CD. These vinyls materials aren't unvailable + bonus tracks. Packaged in exclusive 3-panel digipack. 'Autopoiesis' was originally released as picture LP on Small Voices in October 2004 in limited edition of 567 copies. 'Na…
Weaving. One is seated in a zone of marvelous intricacy, sounds criss-cross in unforeseen ways. Listening to this colorful fabric, one occupies the delicious chromatic center of the Parcheesi board (John Ashbery).
Born in New York City, Rue spent his early years pulsing back-and-forth between the city and Woodstock, NY. A kid regular at his grandfather's iconic '90s club Vinyl, Rue kept his eyes on DJs like Danny Tenaglia and Timmy Regisford in the booth. Reflecting this contrasting, at times conflicted background, 4n_Objx is a reverberation of a divided psyche - a "split-level mirage," as one track is titled. It is a reconstruction of the overwhelming fullness of experience. Departing from the gentle amb…
*250 copies limited edition* After the stunning LP on Auf Abwegen a new work by the German/Swiss drone dreamteam, thematically based on the adventureous Apollo 13 mission (April 1970), when the three astronauts circled around the moon several days...=> an absorbing, cinematic space drone-drama in five chapters, different moods and changes, going deeper and deeper... (feat. samples from Dead Voices On Air). Bu.d.d.A. (short for "Bund des dritten Auges" = League of the Third Eye) is the duo of Eme…
*250 copies limited edition* A tribute to what should not be heard - the always inspiring Basque artist, a master of 'transconscious' drone music (linking the unknown with our minds), explores the mysteries of shortwave capturings, low fi hiss eruptions, unrecognizable noises of all kinds, a true "ether-therapy"! In the words of the author: "Receptores explores what remains hidden in static, white noise, and interference, using them as the core of its sonic approach. Drawing from lost signals an…
2016 release ** "Paul Roland’s obsession with the 1931 film White Zombie, starring Bela Lugosi, a true cult of voodoo cinema, led him in the 90s to write the basis of what should have been the film’s soundtrack, rewritten by Roland. It was mostly instrumental music, with songs and choirs that depicted the slavery of these men reduced by the mad scientist to zombies, automatons to increase the workforce in the factories. A rather current theme, outside of metaphor… Talking about it one evening at…
1996 release ** "In deference to this age of “environmental consciousness”, “Breathing”, says the insert, is “recycled and/or scavenged” pieces that once inhabited another form. The composer is Al Margolis, who appears on electronics, tapes, effects, piano, sampled flute, vocals, wind, cello and strings. He is joined by didjeridu, oboe and organ. The album beds itself in deep wind or breath like sounds, with an electronic, industrial, and dark edge."
2010 release ** "The Album “Ianurek 5.0 x 100″ represents a metaphysical world made for interact with the listener. Shapes and colors fill the mind, bringing the listener in a condition where the contours are outlined by the various points of union between the tracks. The record born from a subject/form focused in the foreground, characterized by a plasma contortion. This movement becomes the pulsating heart of the tracks, and the concept need to be found between the interaction of the sounds, e…
Filterbeds was Jim Whelan, Natalie Williams and Mark Courtney. I have typed this first sentence out so many times in my mind and broken down. Left wondering the incomprehensible fate of friendships; the loneliness of death; the staggering shock of grief. And then there’s the sheer marvel of sharing, caring, crying with laughter, revelatory joy, smiles, dancing, hugs, trips and….and….creating something from ordinary nothing.
This release comes with the heaviest of hearts. The exhilaration matched…
First Terrace are thrilled to present the new album Lucid Dreams from the prolific Japanese artist Chihei Hatakeyama on January 24th 2025. Renowned ambient composer Chihei Hatakeyama is set to release his latest album, Lucid Dreams, an evocative sonic exploration that invites listeners to drift between the waking world and the dreamscape, to experience “dreams you are aware that you are dreaming”. Known for his deep atmospheric textures and minimalist approach to sound, Hatakeyama’s new project …
2025 stock ** "Between Christmas 2000 and New Year 2001 producers Ekkehard Ehlers and Stephan Mathieu recorded an album of warm, soft, delicately crackling electronic music in the space of that week. It was christened with the ambivalent title "Heroin" and was released on CD via the label Brombron in 2001 and later in 2003 re-issued on Kit Clayton's Orthlorng Musork on double-LP with remixes the pair had commissioned as expansions.
And indeed, "Heroin" is an album that embraces the happy acciden…
1998 release ** Limited edition of 500 hand-numbered copies. "Cut-up, lo-fi electronics. Ambient, drone, modern classical. Foom (no reference to the old Marvel Comics fan club) is a catch-all name for musical projects by Boston's Whitehaus Family peripheral member Chris Lichatz. His solo output dates back to the 1990's, and ranges from the demented blues-based Butthole Surferisms of 1994's Six of My Favorite Turds (Stomachache Records) to the abstract lo-fi electronics of 1998's self-released No…
2007 release ** "Marek Styczyński uses technical achievements to create folk, ethnic music of various kinds - both in recording "in the field", in the studio, and in computer processing. He effectively transfers the world forgotten and rejected by pop culture into the digital sphere, processing it a lot. He writes: "I used sounds as the initial building block for designing sound environments and I completely processed some of them, moving them significantly away from the original". He uses many …
“indistinction #2” comes from the same session as ‘indistinction #1’ and creates the same immersive pull. here, too, rsn works exclusively with his bass and a series of effect devices - no overbuds. everything is created live in the flow and reflects the intensity of the moment. often everything sounds deeply distorted, then it clears up again and metaphorically lets light into the scenery. the mixture of drone and ambient gives “indistinction #2” a broad and balanced sound palette that is best …