PRN2_M15t
NYZ (David Burraston) presents this collection of generative music pieces carefully extracted from a PreenFM2 gifted to him by Aphex Twin. PRN2_M15t is being released at the same time as an LP titledStria from Dr. John Chowning who invented the original FM synthesis algorithms which were sold to Yamaha and used in the creation of the DX series of keyboards. An interview with Chowning, conducted by David Burraston, will be published at the same time.
David Burraston is an award winning artist/sci…
Einde Were
*100 copies limited edition* ‘Einde Were’ is the debut solo album by guitarist Nicolas Van Belle, recorded in late 2024 at Zinnema in Brussels. It will be released as KR007 on Klankhaven Records on vinyl, accompanied by a booklet of texts. At its core a mourning record, the central theme of this album is as old as time itself: the existential crisis that follows a breakup, loss, and/or farewell. Nicolas Van Belle transforms this universal aspect of life into a ten-part musical epitome, in which …
Proportioning of open units
Besides being a visual artist, Christoffer Kjærskov has quietly been making experimental music for the last 20 years. His works, always recorded to 4 track cassette, seem to carry a certain warmth flowing through the patiently unfolding loops and shimmering melodies this release is an assemblage of synthesizer, urban field recordings and even some synthetic flute solos peeping through the tape mist. A lovely unpretentious recording, I am very happy to present through afvikling .
Good Thoughts, Bad Thoughts (LP, Coloured)
Huge Tip! *White vinyl with obi strip* Twenty years into their singular journey, Valence-based trio France have become one of Europe's most hypnotic live forces - a hurdy-gurdy-powered engine generating waves of kraut, psych, folk and drone that blur the boundaries between physical experience and altered consciousness.
Good Thoughts, Bad Thoughts captures the band in full flight during their very first English tour, recorded at The state51 Factory in East London. Until this tour, UK audiences ha…
Santur & Kamancheh for Electronics
In this collaboration, Maryam Rahmani and David Esser investigate the sonic and expressive potential of the Santur and Kamancheh beyond the frameworks that traditionally define them. Both instruments, central to the language of Iranian classical music, are repositioned within a new constellation where inherited structures meet contemporary sound practices. Tradition and modernity are not treated as opposing forces but as interwoven layers within a shared field of resonance, a dynamic that rarely…
The Third Mind. A Sonic Tribute to the Dreamachine
On The Third Mind. A Sonic Tribute to the Dreamachine, a constellation of contemporary artists tune themselves to the flicker-frequency of Brion Gysin and William S. Burroughs. Hypnotic loops, drone hallucinations and cut-up sonics seek not to illustrate the Dreamachine, but to let it hear itself thinking.
New Spring
*300 copies limited edition* Pianist Fumi Endo, alto saxophone player Kanon Aonami and Tokyo-based British guitarist Sean Colum have performed together several times in duo and trio formats at Ftarri, Tokyo. The year 2023 saw the release of "Kanon Aonami Composed Works" (meenna-954), an album consisting of duo and trio performances by these three musicians. On January 3, 2024, Taku Sugimoto, a guitarist/composer renowned on the international improvised/experimental music scene, joined the three …
Lemures Loci
*200 copies limited edition* The latest release from Makoto Oshiro and Takahiro Kawaguchi, who have been collaborating since around 2008. Side A, loco, reconsiders the nature of improvisation by weaving together sounds from self-made devices and (non-)instruments—air horns, electromagnetic relays, air compressors, washers—alongside environmental recordings captured outside the studio. Side B, loci, brings together field recordings captured by both artists, each starting to record at the exact sa…
1 - 7
*150 copies limited edition* Headlights Recordings presents Manuel Mota's new work 1-7. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to him indistinct, and that's w…
Forming - Concentric Rings in Magnetic Levitation
In late fall of 2018, Ryan traveled to Valencia, California to meet with Michael for a weekend of informal conversations at California Institute of the Arts. Before Ryan returned home to Colorado, Michael gifted him a recently released recording of Teodora Stepančić, Assaf Gidron, and Martin Lorenz’s realization of Michael’s Concentric Rings in Magnetic Levitation, a recording that profoundly impacted Ryan and served as the impetus for this recording.
A thrumming monadic field; a constellation o…
Any sense of where we were gone
Any sense of where we were gone is music obsessed with the infinite within the minute, with the mercurial, breakable, with shifting, sifting, cohering, and digressing. It is an improvisational framework in five parts for chamber ensembles, prepared piano, and electronics, written for and played here by my good friends. It steals inspiration from postmodern fiction, obscure geometry textbooks, and poems about time. This is a live recording of the first performance
“To do. To do something, to do g…
Perpetual Guest
For a few days at the end of July 2023, I curated a series of concerts and recordings in a few spaces in the historic, now-defunct Kreenholm Textile Factory in Narva, Estonia, a stone's throw from the Russian border. In Kreenholm's reverberant rooms, these sessions reflected on the layers of history, labor, conflict, and lives past and present that have shaped the factory and the constantly re-evolv- ing border city. A large and unexpected part of this project involved the restoration of an anti…
Evoke
*200 copies limited edition* While her main instrument is baritone sax, Misaki Motofuji is a multi-instrumentalist with an excellent command of other saxophone types including tenor and alto, as well as clarinet and flute. In concerts she additionally makes wide-ranging use of electronics, vocals, field recordings and various effects and objects, spontaneously assembling splendid, amazingly well constructed performances. In May 2022 Motofuji performed a concert of this type at Ftarri, Tokyo, whi…
Biosphere
*200 copies limited edition* While her main instrument is baritone sax, Misaki Motofuji is a multi-instrumentalist with an excellent command of other saxophone types including tenor and alto, as well as clarinet and flute. In concerts she additionally makes wide-ranging use of electronics, vocals, field recordings and various effects and objects, spontaneously assembling splendid, amazingly well constructed performances. In May 2022 Motofuji performed a concert of this type at Ftarri, Tokyo, whi…
Axis Dissected
We are thrilled to introduce Axis Dissected, the debut release of escéptica, and a bold statement from Dangel. A sonic excavation of found sound, field recordings and musique concrète abstraction. Recorded between Berlin and Chile from 2022 to 2024, this album assembles fragments of reality and reconfigures them into a haunting sound experience.
Dangel works with intuitive precision, sculpting scenes of acoustic memory and spatial debris. There is a tension here between control and chance, betwe…
11th Annual Report
*100 copies limited edition* Now in its eleventh edition, the Unexplained Sounds Group Annual Report brings together 15 outstanding tracks broadcast during The Recognition Test radio program. A sonic map of today’s electronic and electroacoustic music, documenting the many directions of current experimentation: from digital architectures to electroacoustic textures, from minimal abstractions to immersive soundscapes. A unique overview of a constantly evolving global scene.
Kokai
Kishun is a duo: Ishikawa Ko, player of the shō (mouth-organ), and Nakamura Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shō and biwa. Their idea is to bring out the hidden sound in what they call “gagaku without melody.”. Gagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and …
Close Position
The concept is therefore to propose an immersive type of listening, in which the rather extended durations of sustained and seemingly static sounds create a certain tension generated by the anticipation of variation.
The live performance involves the use of samples, as the composed balances require multiple timbral layers to be active simultaneously. The closeness in pitch and the mimicry between instruments highlight the psychoacoustic phenomenon of beating: in fact, our auditory sy…
Aspects Of Memory
Aspects of Memory is the first meeting between Lawrence Casserley (signal-processing instrument) and Emil Karlsen (percussion). Casserley has devoted his professional career to the creation and performance of real-time electroacoustic music, culminating in the development of his own unique device—The Signal Processing Instrument. This instrument allows him to use physical gestures to control the processing and to direct the morphology of the sounds.
Casserley writes: “A key element of the Signal…
Best Wishes
Following years of activity in the UK scene and beyond, and a debut tape in 2020 on don't drone alone, Rekem is proud to present the new release by Leeds based artist, Helen Papaioannou.
Kar Pouzi is Helen Papaioannou’s solo project of electronics, baritone saxophone and vocals. Best Wishes, spans the past two-three years of Kar Pouzi’s output, featuring both longer standing pieces from her live sets alongside new tracks. The album reflects Kar Pouzi’s fascination with repetitive tasks, sounds, …