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Jazz /

The Art Is In The Rhythm Volume 2
Trevor Watts has been at the forefront of the Jazz and Free Improvisation scene since the 1960s and is highly respected by his peers and quite rightly so. Much of the UK listening audience though, seem to be unaware of the amazing breadth of Trevor’s works on a global scale. With that in mind, Jazz in Britain have decided to try and address this issue with this release.In 2022 we issued The Art Is In The Rhythm which featured an improvised performance of Trevor in partnership with drummer, Liam …
Zimbabwe
** 2021 Stock ** Assagai's second and final album. This Afro-funk band from Zimbabwe was based in London in the very early 70s, and released their second album in 1972. Seems that members of UK prog band Jade Warrior helped out in the recording of this as well. Assagai is as fresh and alive as it was when it was recorded in 1971, hypnotic in its rhythm and tantalising in its mix of punctured brass and provocative vocals. Their ruthless brand of handsome rhythm offers copious potent vibes, but si…
As-Shams Archive Vol. 1 - South Africa Jazz, Funk & Soul 1975-1982
As​-​Shams Archive Vol. 1 introduces the core catalogue of As-Shams/The Sun, the independent record label that documented some of the most exciting developments in jazz, funk and soul from South Africa in the 1970s. With 10 tracks from 10 iconic albums featuring 10 different artists and 10 original compositions, this compilation delivers 85 minutes of South African music history.Including essential tracks by the likes of Dick Khoza, Black Disco and Harari, remastered from the original analog tap…
The Music Of Ahmed Abdul-Malik
*In process of stocking* 'This jazz musician of Sudanese descent shows up here and there on recording sessions from the '60s, including a stint as a member of Thelonious Monk's combo. He also played oud and took part in a variety of attempts to blend his roots music with jazz, out of which this is one of the most successful. Indeed, one might overlook the entire fusion nature of this record and look at is as a prime example of how much brilliant jazz is created often by relatively unknown player…
Sounds Of Africa
Sounds of Africa is the fourth album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in 1962 (with one track from 1961) and originally released on the New Jazz label. This Early 60's Afro-jazz jam with middle-eastern and latin flavours is one of the first in its genre. The album also features Bilal Abdurahman, Andrew Cyrille and Chief Bey. Seminal!
Hyperituals: Vol. 1 - Soul Note / Vol. 2 - Black Saint
This discounted bundle includes both double LPs released so far in the "Hyperituals: Black Saint / Soul Note" series:Various Artists "Hyperituals Vol. 1 - Soul Note" (2LP)Various Artists "Hyperituals Vol. 2 - Black Saint" (2LP)"Hyperituals Vol. 1 - Soul Note" (2LP)After enjoying roughly half a century at the center of popular culture - despite its continued, towering cultural importance - by the 1970s jazz had fallen onto hard times. Its audiences drifted away, heeding the call of less demanding…
Hyperituals Vol. 2 - Black Saint
Drawing to light rhythms, grooves and Afrocentric traditions, Hyperjazz Records takes an unprecedented dive into the incredible back catalog of the seminal Italian imprint, Soul Note, with “Hyperituals Vol. 2”. Gathering an astounding group of recordings by Sun Ra Arkestra, Archie Shepp, Karl Berger, Muhal Richard Abrams, Lester Bowie, Cecil McBee, John Carter, Joseph Jarman, Don Moye, Johnny Dyani, Don Pullen, World Saxophone Quartet, and others - many of which have never before appeared on vin…
Ethiobraz
“Ethiobraz” documents the meeting of Paal Nilssen-Love’s Large Unit big band and Ethiopian dance/music ensemble Fendika at Molde Jazz Festival in 2018. Joining them as a special guest is guitarist Terrie Ex, who was a key component in getting making the meeting happen with his long involvement with the Ethiopian music scene. And, Paal Nilssen-Loves’s first travel to Ethiopia was with The Ex in December 2009. This changed his life. Paal’s first travel to Brazil was in June 2013. This also changes…
Maulawi
Considered to be one of two Holy Grails on Strata Records, Maulawi Nururdin, 180 Proof presents a stellar reissue featuring a previously unheard instrumental version of ‘Street Rap’. This 180 Gram vinyl album has been remastered from the original reel to reel master tapes and is presented with an alternate cover artwork done by Ge-ology and Mr. Krum
Excavated Shellac: An Alternate History Of The World's Music
100 recordings on 4 CDs; 184-page hardcover book printed on artbook-quality paper; Packaged in a deluxe gloss-laminated box. It begins with a South African choir from 1930 and a song about police brutality; it ends in Cuba with dreamy innuendo. This collection is about music that is often invisible in today's world, the incredible world of global recordings that aren't jazz, blues, country, rock n' roll, R&B, or "classical." This physical edition of the box set, eight years in the making, conta…
Yeahno Yowouw Land / The Call: For a New Life
This bundle includes the two most recent albums released by Black Sweat, namely the following:Langendorf United "Yeahno Yowouw Land" (2LP)Spiritual Jazz paths always open up unexplored dimensions, this is the clear impression revealed by this superb and ambitious first double album by Lina Langendorf and her new band. The Swedish saxophonist (OK Star Orchestra, James Yorkston, Nina Persson & The Second Hand Orchestra) seems to be blowing in the lesson of the great sacred monsters of the instrume…
Hyperituals Vol. 1 - Soul Note
Drawing to light rhythms, grooves and Afrocentric traditions, Hyperjazz Records takes an unprecedented dive into the incredible back catalog of the seminal Italian imprint, Soul Note, with “Hyperituals Vol. 1”. Gathering an astounding group of recordings by Billy Bang, Hamiet Bluiett, Beaver Harris, Paul Motian, Tony Scott, George Russell, Andrew Cyrill, Max Roach, Nanà Vasconcelos, and others - many of which have never before appeared on vinyl - across a beautifully produced double LP, the albu…
One Night in Pelican
A night-time haunt in the backstreets of Soweto run by a well-known bootlegger should have been a prime zone for nefarious underworld activities. Instead, it nurtured an underground of a different kind. Soon after its opening in 1973, Club Pelican became a spot where musicians steeped in the tradition of South African jazz began to cook up experimental sounds inspired by communion, competition and the movements in funk and soul blowing in from the West. Located in an industrial park on the weste…
Where Is Brooklyn? & Eternal Rhythm
These sessions were recorded exactly two years apart, in early November 1966 and 1968 (both were released in 1969). While they can’t be called “bookends” by any means, they do bracket a remarkable period in Don Cherry’s musical evolution, on his journey from the more strictly jazz environments, as adventurous as they were, of Ornette Coleman, Albert Ayler and others, to a philosophy that embraced many non-Western traditions. While these included various African forms, especially those of west-ce…
'Round About Midnight (Live At The Totem Vol. 2)
* 2022 stock * "Archie Shepp's 1979 quartet of American and European musicians (Clifford Jarvis, drums; Seifried Kessler, piano; Bob Cunningham, bass) put more fire under him as an improviser than anybody since Coltrane. These cats came to play, and they were playing for keeps. It's all Shepp can do to lead the band. Opening with a furiously paced "Donna Lee," with Shepp's solo winding all around the intervals and changing them in mid-phrase, Jarvis double times even his legato. For 16 minutes t…
Tete's Big Sound
"The album Tete’s Big Sound emerged during a golden age for local South African jazz recordings in the 1970s. Issued by the independent As-Shams/The Sun label in 1976, it was the first album attributed to pianist Tete Mbambisa as a solo artist. Yet, Mbambisa was already a seasoned composer, arranger, bandleader and performer by the mid-1970s - an artist at the peak of his powers who had patiently cultivated his craft to create his enduring debut. Born in 1942 and raised in South Africa's Eastern…
Grill
Grill by Gbubemi Amas is as smooth as the red cardigan artfully slung around his shoulders on the cover. Whether he is running through the scales on a cover version of ‘Fire and Rain’, or trying on his calypso highlife moves on ‘Ereyon’, you know Amas is a man with a smooth line for every occasion. He is also a man with impeccable enunciation. Listen to ‘Slow Down’. It features one of the most cultured sound checks you will ever hear in your life – “Willy, keep the bass a little bit tighter”. Th…
Gideon Plays
Long lost 1968 album from visionary South African jazz composer incorporating traditional African music sources and instruments. Officially licensed from the Nxumalo family and reissued with inner sleeve containing archival photographs and new liner notes by Francis Gooding. Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader…
Vol. 4 – Yehouessi Leopold Batteur
Acid Jazz Records continue their exclusive licensing agreement with Albarika Store, the legendary record label that defined the sound of Benin and influenced the entire region of West Africa and beyond. Albarika Store is home to many rare recordings, from more traditional folkloric and Sato styles, to the funk, blues and psych inspired workouts of the All Mighty Orchestre Poly Rythmo de Cotonou, as they referred to themselves. Many of the original records are sought after by DJs and collectors a…
Le Sato
Acid Jazz Records continue their exclusive licensing agreement with Albarika Store, the legendary record label that defined the sound of Benin and influenced the entire region of West Africa and beyond. Recorded and issued in 1974, Le Sato is one of the earliest releases on the Albarika label and it is also one of the deepest. Sato is the term for the traditional rhythms that soundtrack Vodun (Voodoo) rituals and ceremonies in Benin. Performance of Sato is reserved for these sacred rites, which …
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