We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*100 copies limited edition CD* Federico Ughi, New York drummer, improviser and producer releases a new studio recording to celebrate the 20 year anniversary of his very first album, recorded when he resided in London, UK. The theme of the album is Ughi’s experience of home, and how it has evolved, living between Brooklyn, New York, his native Rome, Italy and all the places in the world he has passed through while touring. It’s Ughi’s deeply personal meditation on all the incredible things he’s …
"Sofa is delighted to announce the Italian musician and composer Andrea Giordano (b. 1995)’s Àlea, a suite for large mixed ensemble in which Giordano also performs as vocalist and multi-instrumentalist. Dedicated to Giordano’s friend and mentor, the Italian jazz musician and pedagogue Alessandra Giachero, who died unexpectedly in 2020, Àlea is at once a lament and testament to Giordano’s multifarious musicianship. In dense, rending orchestration, the artist shows us the multidimensionality of gr…
The Last Temple vol. 1 - vinyl 9" EP (Yes! 9 inch! lathe cut, cut in real time by Uncle Gusstaff in Witold Gombrowicz Studio in Zielona Góra, Poland). The Last Temple is a live recording of this extraordinary trio at the Alchemia in Krakow on 16.03.2024.The Trzaska, Haker Flaten, Nilsen Love trio played a concert tour in Poland in March 2024. A combination of one of the most famous sections of the world's intuitive jazz (e.g. The Thing) and one of the most famous representatives of the domestic …
Tip! *300 copies limited edition* ‘L’album vert’ is a compilation of asynchronous steps for an imaginary dance foor. A strange but amusing place were eyes listen in and ears peek around. Glass breaks, someone stumbles, something always happens. The dancers inevitably hop to moments of tension of which they free themselves again and again. Almost always there is some kind of beat. Not the kind of beat that makes the hips wiggle, but rather the pulse of a crooked factory or a quirky steam engine …
*2024 stock* The Wind (music by Scott Clark, lyrics by Laura Ann Singh/Scott Clark)Dawn & Dusk (music by Scott Clark, lyrics by Laura Ann Singh)Silent Singing (music and lyrics by Scott Clark)Above The Gray (music by Scott Clark)
Tracks 1-4 recorded August 16, 2021 and mixed at Minimum Wage Recording by Lance Koehler.Tracks 5-8 recorded live March 28, 2022 and mixed at Spacebomb Studio by Curtis Fye.Tracks 1-8 mastered at Minimum Wage Recording by Lance Koehler.Album art + design by TJ Huff (huf…
*2024 stock* Clamor rethinks the notion of 'women's work' as a space for both collaboration and singular voice. Just as our ensemble is limited and enabled by the written score, so might be individual enunciations of how gender norms limit agency. Clamor utilizes a collective, improvisational vision that prioritizes an intentionally fluid style by employing indeterminacy, navigated by the performers via time-based scores. These principles are balanced with metered notation to shape the overall f…
Andrew Barker - drums, percussion William Parker - bass, b flat pocket tuba, gralla Jon Irabagon - tenor saxophone, sopranino saxophone
Recorded by Andrew Barker January 3rd, 2022 at Phantom Ear Studio, Brooklyn, NY.Mixed by Andrew Barker.Mastered by Steve Silverstein.
Sweet World was recorded in the summer of 2023 in Brooklyn. It features a book of songs that my trio with drummer Nathan Ellman-Bell, and cellist Christopher Hoffman performed for a year or so leading up to the recording. I wrote most of these songs with Nathan and Chris in mind. I tried to bring my whole musical self to this project. I love so many kinds of music. Improvisation is central to everything I do. The written material for these pieces all fit on one or two pages and each of them crea…
What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, Colla Voce. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of w…
*2024 stock* "The opening and closing tracks from the Blazing/Freezing album on a 7" single by the genre-merging Downtown NY trio of Sam Day Harmet (mandolin), Sana Nagano (violin) and Zachary Swanson (upright bass) deconstructing Americana roots music by slicing and dicing it with jazz/improv, electronica, sample sources, and inexplicable errata." - squidco.com
*2024 stock* When Kid Millions and Sarah Bernstein conceptualized their new album, they decided to move away from well-trodden improvisational approaches and towards more transcendental, otherworldly sounds. Pulling inspiration from disparate influences such as early liturgical music, Ornette Coleman, Laurie Anderson, the minimalist metal band Sleep, Yoko Ono, masters of dub, drummers Milford Graves and Tony Williams, and composers Morton Feldman and Lou Harrison, they set out to create a cyclic…
Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: They borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (trumpeter Vite…
"No music making can be entirely non-idiomatic. Removing the metaphor, the claim is that it is characterless, without personality. But despite his best intentions, perhaps, one can hear a range of influences in Bailey’s own work – even if jazz isn't one of them. And the present album shows that "non-idiomatic" is the wrong description for much free improvisation. The common description "abstract" is also misleading. All music is abstract in form, humane in utterance." – Andy Hamilton
"The starry floor/The watery shore/Is given thee til the break of day.“ - William Blake
Music records a dream in which your other body goes out for a walk with a friend or two or more and brings back things you can grasp in the real world. If the ground beneath you is water and reflects the stars you may dream you're walking on stars. One morning, the Somnambulist woke up from his dream-walk with a record in his hand and miraculously they were all there: the uncanny encounters, spooling elucubra…
This year, one of the greatest pianists of improvised music, Marilyn Crispell became the winner of the famous NEA Jazz Masters 2025 award, thus joining the ranks of such jazz wizards as, among others. in Miles Davis, Ornette Coleman, Sonny Rollins, Cecil Taylor, Dizzy Gillespie, Sun Ra, Gil Evans, Sarah Vaughan, Herbie Hancock, Chick Corea, Keith Jarrett, Muhal Richard Abrams and Anthony Braxton, with whom, by the way, Marilyn spent several years in his second great quartet.
As all of us intrigu…
In the second half of the eighties, I heard the duo of Charles Gayle and Peter Kowald at the Jazz Days in Novi Sad. A few years later, when Szilárd Mezei and I met, and played music together, I told him a lot about the experience that this concert had given me. I remember that the intensity, the density, the strikingly different quality of Gayle's music-making was beyond my comprehension, or even my measure. And then the world changed, and what seemed unattainable at the time became reality. A j…
PolyTropos / Of Many Turns is the highly-anticipated new release from influential saxophonist / composer Steve Coleman. Comprised of two live sets recorded during a tour in France, it features his band Five Elements, with long-running partners Jonathan Finlayson on trumpet and Sean Rickman on drums, with new addition Rich Brown on bass. Recorded in concert in Paris and Voiron, the performances are raw, relying on spontaneous conversions of rhythmic and tonal shapes that weave musical figures int…
Zealous Angles is the first documentation of pianist/composer Matt Mitchell’s long-running trio featuring bassist Chris Tordini and drummer Dan Weiss.Pi Recordings’ not-so-secret weapon, Mitchell now has six releases as a leader or co-leader and fourteen appearances on the label. His 2024 release Illimitable (on his and Kate Gentile's Obliquity Records) was called “one of greatest albums of spontaneously composed solo piano music, ever…. a masterpiece of twenty-first century solo piano music” by…
Bassist Kim Cass is among a vanguard group of Brooklyn-based improvisors who are creating works at the leading-edge of rhythmic acuity. Levs, his debut with Pi Recordings, features pianist Matt Mitchell and drummer Tyshawn Sorey, who called Cass “a singular composer and player: the man can do things that don’t seem possible on the bass, displaying a technical command of the instrument on the level of the most celebrated virtuosic performers in any genre of music.”The compositions on Levs were in…