We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert * So… Steinmetz. Hugh Steinmetz. A Danish trumpet player my mentor Peter Brötzmann always talked highly about. 'Aaaaah jaaaaa - those crazy Dan…
Two sessions from the white heat of mid-sixties New York, drawn from the ESP-Disk archive and returned to full clarity in the new Reference series from AlAy, the Basel imprint curated by Werner X. Uehlinger. The Call brings together the only recordin…
1974 Japanese re-issue on Fontana/Limelight's "'75 Attention! Completely Limited ¥1,300" series of the 1965 album featuring Misha Mengelberg, Jacques Schols and Han Bennink. With insert and obi.
1984 Japanese re-issue with different cover on Fontana's "New Jazz Series" of the 1965 album featuring Misha Mengelberg, Jacques Schols and Han Bennink. With insert and obi.
1974 Dutch split-LP released by the Instant Composers Pool with a 1964 live recording by the quartet backed with a Mishs Melgelberg solo recording from 1972.
Friends and colleagues since the late 1970s, Evan Parker and John Zorn are two of contemporary music’s most uncompromising saxophone innovators, and here they collaborate on a surprising and long overdue studio project. Recorded in New York and Brita…
Tip! *300 copies limited edition* This is a live recording of the Peter Brötzmann Trio (Peter Brötzmann, Sabu Toyozumi, and Jason Adasiewicz) from their performance at the 5th OCT-LOFT Jazz Festival at B10 Live, Shenzhen, in 2015. After the performan…
On In Pas(s)ing), Mick Goodrick turns understatement into signature, floating a cool, singing tone across an ECM all-star backdrop. John Surman, Eddie Gomez and Jack DeJohnette move with almost invisible precision around his quietly lyrical themes, c…
*2026 repress* John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the a…
"In November 2024 (for reasons that we all understand) I recharged the meaning and value of my commitment to play Free Music many years ago. Everyday since I’ve been guided by its inherent support for the rights of all people, non-violence, peace, eq…
Two sunken treasures from the same Copenhagen underground, gathered here as a pair. On one LP, Predetermination: The Contemporary Jazz Quartet caught in 1964 alongside Sunny Murray and Gary Peacock - the rhythm section of Albert Ayler's Spiritual Uni…
* 150 copies Small repress* “Beautiful United Harmony Happening” / “The Education of an Amphibian” - the second release by Alga Marghen’s brand new free jazz imprint, Formalibera - is also dedicated to the output of John Tchicai following his return …
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a four-page printed insert. The Contemporaray Jazz Quartet together with Gary Peacock and Sunny Murray! This is THE sunken treasure. This is music I have only h…
Gatefold LP edition + OBI. There are few figures in improvised music quite like Akira Sakata. A marine biologist by training, he surfaced in the early 1970s inside the Yamashita Yosuke Trio, one of the most ferocious units Japanese jazz has ever pro…
On The Will Come Is Now, Ronnie Boykins finally moves from Sun Ra’s bass chair to the centre of the frame, leading a septet through six originals where earthy groove, cosmic harmony and astonishing arco work reveal the band’s quiet architect as a ful…
On Trio, Lowell Davidson explodes the piano tradition from the inside out, trading clustered storms, sudden lyric breaks and pregnant silence with Gary Peacock and Milford Graves in a one‑off 1965 session that still feels dangerously new.
On The Call, Henry Grimes refuses the “leader date as reward” narrative, stepping out as a co‑equal melodic force with Perry Robinson and Tom Price in a trio document where free jazz means deep listening, not just full‑bore blaze.