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2412 South Western Avenue, Los Angeles. A mansion the Arkestra members had taken over for communal living. They called it the Great House. In the late 1970s, Michael Session - the Pan-Afrikan Peoples Arkestra's tenorist - brought a young pianist name…
Twenty years in a vault. That's how long I Want Some Water waited before anyone outside of a Los Angeles studio could hear it. Recorded on April 29 and May 3, 1980, at United Western in Hollywood, it wasn't released until 1999 - a small CD run that m…
She kept notebooks. Spiral-bound, lined, 8x10 inches. In her beautiful flowing cursive, Linda Hill documented every rehearsal, every concert, every recording session of the Pan-Afrikan Peoples Arkestra. The names of three hundred musicians passed thr…
Seventeen years. That's how long it took the Pan-Afrikan Peoples Arkestra to make their first record. Founded in 1961 by Horace Tapscott as the Underground Musicians Association, the orchestra had weathered the Watts uprising, the ferment of the Blac…
For nearly two decades, Horace Tapscott and his Pan-Afrikan Peoples Arkestra made music without making records. They played in parks, on street corners, at fundraisers, churches, community centers - anywhere the people needed them. While the rest of …
The Western Pacific archipelagic nation of Tuvalu has high levels of exposure to both local and abstract climate change stressors. The sea level rise poses a fundamental risk to its very existence. Tuvalu’s vulnerability to the impacts of climate cha…
Known for their exhilarating live-to-record albums such as last year's critically acclaimed Wood Blues and Giant Beauty, سماع [Sama'a] (Audition) is the first of two releases that will surface after [Ahmed]’s first studio recording sessions at North …
”Music and art without definite labels is a necessity for a better living - create your own individual genres and open up for more death-jazz-core-noise-metal-poetry to enter your world of destroying the local and global stupidities around us” - Mats…
We are thrilled to announce the reissue of the most precious hidden gems of Soul Jazz / Spoken Word albums from a key era. Originally released in 1974 as a private pressing of fewer that 100 copies, Touching Your Feelings by Jim Marks is a crucial mi…
A cross-generational summit between the legendary pianist Marilyn Crispell (member of the Anthony Braxton Quartet and Reggie Workman Ensemble) and Midwest improvising trio of bass clarinetist Jason Stein, bassist Damon Smith, and drummer Adam Shead…
On One For Archie, Moor Mother joins Nicole Mitchell and Nduduzo Makhathini to turn a cancelled duet into a living monument, threading Shepp’s titles, politics and tonal language into a fierce hymn of gratitude, grief and ongoing struggle, paired wit…
A miraculous discovery! The complete live performance at "Inspiration & Power 14" at Shinjuku Art Theater in 1973. Uncut live performance of Masayuki Takayanagi's New Direction For The Arts Discography at "Inspiration & Power 14" held at the Shinjuku…
*2026 repress* "One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from …
Two years after the death of his mentor and boss, John Coltrane, and just before signing his own contract with Impulse!, Pharoah Sanders finally got around to releasing an album as a leader apart from the Impulse! family. Enlisting a cast of characte…
"These powerful performances from Copenhagen and Bordeaux, released officially here for the first time, and the Newport Festival in the U.S., provide further evidence of the music’s collective necessity – the true ensemble coordination which Ayler …
Theta Seven – OUA’s seventh and final album – arrives a shade under 3 years since its predecessor. As with previous releases, basic tracks, either using simple compositional ideas or freely improvised, were recorded live in the studio by the full ban…
On Shadows, Magnus Carlson & The Moon Ray Quintet reconvene after a decade apart to steep 8 songs in late‑night jazz grain: slow burns, noir ballads and subtly psychedelic covers where Carlson’s voice moves like smoke through the band’s velvet swing.
Super tip! Holy ghost music. The real deal. The sound of four men tearing a hole in the fabric of what jazz was supposed to be and letting something else pour through - something ancient and raw and utterly new. In their short time together, Albert A…
*100 copies limited edition* Confront Recordings, the vanguard of adventurous music since 1996, proudly unveils Be S-Mart, a riveting new album capturing the spontaneous brilliance of improvising masters Steve Beresford, Pierpaolo Martino, and Mark S…
Pianist Pat Thomas, saxophonist Seymour Wright (both of [ahmed]) and drummer Paul Abbott - the latter two working as XT - deliver a remarkable set of new music, each, re-imagining improvisation and synthetic ideas with acoustic and electronic tools. …