Psychedelia & Kraut / Jazz-Rock

Half-speed mastered from the original tapes. Gatefold sleeve with archival artwork and 16-page booklet.  May 25, 1973. Two records enter the world on the same day, bearing the first and second catalogue numbers of a brand new label called Virgin Records. V2001 is Mike Oldfield's Tubular Bells - a record that will sell sixteen million copies, launch an empire, and embed itself in the cultural mainstream forever. V2002 is Gong's Flying Teapot - a record about Pot Head Pixies who ride interstellar …

Sixth album by Tim Buckley, recorded at Whitney Studios, Glendale, in September 1970 with Lee Underwood, Bunk and Buzz Gardner, John Balkin and Maury Baker, and released on Straight in November 1970.

Debut album by Pierre Courbois's Association P.C., recorded at the Middelhorst studio in Wageningen in October 1970 with Toto Blanke, Jasper van 't Hof, Sigi Busch and Peter Krijnen, produced by Wim Wigt.

Magma's 2012 album, composed by Christian Vander and recorded between September 2011 and April 2012 at Studio ÜZ, with Stella Vander, Isabelle Feuillebois, Hervé Aknin, Bruno Ruder, Benoît Alziary, James Mac Gaw and Philippe Bussonnet.

LP version. First vinyl reissue. Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to…

First vinyl reissue. Two years after having recorded Aurora, which Gérard Terronès released on his Futura Records label in 1971, the Théâtre du Chêne Noir put on another show, Miss Madona, first at Avignon, and then at Ariane Mnouchkine's Théâtre du Soleil. From this play, Gérard Gelas's group took three sound extracts which they made, with no further ado, into a single. Miss Madona is thus the second recording by Théâtre du Chêne Noir. The two sides (and three tracks) offer up an unbelievable i…

Guru Guru's 1975 Atlantic album, recorded by Mani Neumeier with members of Kraan, Karthago and Harmonia at Conny Plank's studio. 2025 remaster with a live bonus track from Bonn, 1974.

*300 copies limited edition* One is a self-titled psychedelic and progressive rock album released in 1969 by the British group One, originally issued on the Fontana label. Built around singer and multi-instrumentalist Alan Marshall and keyboard player Bobby Sass, the group brought together musicians with strong studio and live backgrounds, creating a sound that is loose, soulful and unusually expansive. The album mixes blues-rock, soul, jazz touches and psychedelic improvisation into five long p…

On Barker Final, Ivan The Tolerable closes the door on 1a Barker Road with a set of songs conceived, performed and mastered entirely by Oli Heffernan. The album feels like a final dispatch from a long‑running home studio, where restless experiments in tone and texture are distilled into a focused, late‑night farewell.

*Warehouse find!* A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969  “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. B…

For the first time on vinyl, these previously unreleased sessions by the British jazz rock band. Recorded live at the Impulse studios prior to their 1972 debut album on Blackey/Warner. With liner notes by bassist Colin Hodgkinson. Colin Hodgkinson first met Ron Aspery whilst the two were playing in Eric Delaney's Showband. The two began to talk about forming their own band around 1969, and eventually Back Door came to fruition in 1971, with Tony Hicks joining on drums. Hodgkinson made an innovat…

"Veteran Spanish label, Margen/áMARXE, returns after its outstanding releases of recent years with the first album by an incredible French duo called Fulguromatic. Deeply fascinating, creating unique spaces between the sounds of Canterbury, jazz-rock and incorporating a light, playful and somewhat mischievous touch from the planet Zeuhl that is tremendously addictive. Absolutely captivating, both musically and timbrally, thanks to the use of invented instruments that give it a French flavor "naï…

‘La Balsa’ was the first Argentine massive rock hit. In 1967 Los Gatos became the most famous local rock band with this song. At the front, as composer and singer, was Litto Nebbia. Although this milestone has remained eternally linked to Nebbia's name, almost eclipsing the rest of his work, it is really his solo career that unveils the artist's overwhelming talent and his determination to create music freely, regardless ofcommercial considerations. “Fuera del cielo” (1975) is an art rock/space …

With Nothing in this room is new except the dust, Ivan The Tolerable returns not to a room but to a weather-beaten tract of being — a north-facing interior where wind has a voice and the light is a thin animal nosing the corners. The trio who forged Black Water, Brown Earth and An Orphan Form — Oli Heffernan, Mees Siderius, and Elsa Van Der Linden — move here with the patience of creatures that have learned the seasons of each other’s blood. If the earlier records surveyed land, this one digs in…

In September 1968, Amon Düül played the "International Essener Songtage", Germany's first rock festival of five days duration, which was initiated by the later Ohr label boss Rolf-Ulrich Kaiser. The Berlin hit producer Peter Meisel heard and saw the band there and spontaneously signed them, along with Tangerine Dream and Birth Control. Amon Düül was close to the Berlin "Kommune 1" and came together at a time when everyone was an artist who wanted to be one. Anyone who wanted to could also be a m…

The culmination of an almost 10 year journey, Phil Yost's debut LP Bent City, originally released on Takoma Records in 1967, finally sees the light of day again. The beginning of Yost's visionary trilogy. Bent City returns August 5, 2025, pre-order the LP now to listen to an unreleased version of the title song "Bent City." Painstakingly remastered from the original 1/4" tapes and including an 8-page, 12" booklet featuring extensive liner notes and unseen photos, ephemera and more, detailing the…

At last, in stock now!! 1991's Spiral makes its first ever appearance on vinyl format here. Previously it had only been available on a impossible to find CD, consisting of eight short to mid-length pieces, the major change being the prominence of the twenty-two piece choir, which shares the spotlight equally with the saxes, and three vibraphones, all which results in a far more ethereal and majestic sound than its predecessors. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind…

The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.     Babel was…

Viva Boma was Cos second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork). The Wah Wah reissue comes housed in a beautiful reproduction of …

The second chapter of Gong's Radio Gnome Invisible trilogy, first released in 1973, remastered from the original BYG tapes and cut at half-speed by Lewis Hopkin, in a gatefold sleeve with a 16-page booklet replicating Daevid Allen's guide to the saga.

*100 copies limited edition, black vinyl* In continuation of our deep-dive into the diamond vaults of US Prog, it is with great pleasure that we bring you the first reissue of the 2 ultra rare albums by the Detroit-based October. This is a deliciously eclectic combo of sonic explorers whose recorded testament consists of a string of pebbles that crystalized in a collectively interminable quest for that eccentrically elusive eureka moment. Fueled by King Crimson and Yes, but also by the improvis…

The mighty Argentine progsters Bubu make a triumphant comeback with their 3rd and final album El Ultimo Cortejo. Composed in part based on notes discovered by the band’s mastermind Daniel Andreoli in his parents’ basement, dating back to the Anabelas (1976) period, and in part on newly infused sonic elements by the evergreen lineup that boasts some of the finest upcoming musicians from Buenos Aires’ rampant neoprog scene, El Ultimo Cortejo carves new pathways in Bubu’s evolutionary trajectory by…

Open Up The Door is the sixth release from Das Rad, and continues our group’s progression from studio based instrumental music to live performance unit - featuring the sublime voice of Peter Rophone alongside the multi instrumental talents of the other players. Some years ago Martin Archer came up with the term Improg for this music – progressive rock music rooted in group improvisation, but brought to fruition through extensive post production editing and arrangement. Almost all of this album w…

On In Green, Ivan The Tolerable offers a one-sided LP of compact, colour-saturated psych drift: a private transmission from Oli Heffernan’s ever-restless studio world. Its singular format suits music that feels concentrated rather than slight - a bright pocket of guitar haze, electronic residue and intuitive, unhurried motion pressed onto one vivid side.

*100 copies limited edition* It is not with sheer joy, but with overwhelming jouissance that we undertook the demanding task to reissue on vinyl the behemoth that is called Anabelas. Heralded in its contemporary 70s music press in Argentina as a phenomenal release, and venerably revered globally for many years to come by progrock aficionados as a best-kept secret. Unfettered by the stealthily eroding repetitiveness that eventually forces aural innovations into the territory of trite and lacklust…

Officer! was founded by Londoner Mick Hobbs. His roots were in the Rock In Opposition scene of the late 70s and early 80s. Initially he worked as guitarist in The Work, subsequently he became closely associated with This Heat and their Cold Storage Studio in Brixton, working with artists like FamilyFodder, Catherine Jauniaux or Zeena Parkins. The band's first album "8 New Songs By Mick Hobbs" came out in 1982 on casette only. It was followed by the second album, "Ossification". The third album, …

This album is not merely a meeting of musicians—it is a ritual of wood, metal, skin, and breath. A quiet spell that grows into an ecstatic dance. Embryo on Kryptox: a new chapter in an endless journey—shimmering, borderless, and open as the horizon itself. For more than five decades, Embryo has been moving between worlds. Founded in Munich in 1969, the internationally connected collective is not a conventional band but a living organism: Kraut rock dissolves into jazz, free improvisation merges …

*2025 stock. 150 copies limited edition* In 1972, four design students at the now defunct Hornsey College of Art (HCA) in London decided to make a record; neither the result of nascent dreams of stardom nor of fastidiously developed musi-cianship. Bowes Road Band’s sole LP was simply the result of an impulse to create. With only fifty copies originally pressed, the LP’s Berlin flea market discovery revealed a foray into a delicately balanced world of psycho-trip meltdowns, rich jazz improvisatio…

** Special edition of 300 copies on Transparent/black marbled vinyl housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts  ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist g…

These recordings are indeed a minor sensation! It's hard to imagine that, apart from the well-known recordings in the GDR, something "different and deeper" existed in the late 1960s alongside appealing soul and jazz bands. Modern and progressive fuzzy and funky jazz rock. Really? But yes, "So einfach war das wohl / it was probably that simple" back then. The highly talented pianist Ulrich Gumpert played and composed in one of the country's most renowned ensembles, the Klaus Lenz Orchestra, since…

Limited and hand numbered edition of 1000 copies. With 20-page deluxe insert in LP size - Cologne, October 18, 1972. WDR is broadcasting live. The set lasts just under forty-seven minutes. Within a year, the band will be finished. Eiliff were formed in the late 1960s around pianist Rainer Brüninghaus - the same Brüninghaus who would spend the following three decades as one of ECM's most indispensable musicians, appearing on records by Jan Garbarek, Eberhard Weber (Colours), and Volker Kriegel. O…

A record made for the ones we lost. Oli Heffernan returns with his fourth album for Riot Season - an expansive double LP that carries with it a deep personal history and years of unfinished business. The earliest sessions date back to 2018 at the IDI in Middlesbrough, engineered by longtime collaborator Nigel Crooks over the course of three weekends. Then life happened. The material was shelved, left to gather dust for reasons that accumulated and compounded. When Crooks passed away in 2023, com…

*Warehouse find!* Fapardokly was an American band from the West Coast. They’re sole self-titled album was effectively a 12 tracks developed by leader Merrell Fankhauser accompanied by a rotation of musicians. Originally released in 1967 on the small imprint UIP, the album is a perfectly fitting lost nugget from the psychedelic era, collecting a series of lysergic pop numbers with solemn orchestration and strong choral vocal efforts. One of the leading tracks – ‘Gone To Pot’ – has an aurea simila…

On Barker Final, Ivan The Tolerable closes the door on 1a Barker Road with a set of songs conceived, performed and mastered entirely by Oli Heffernan. The album feels like a final dispatch from a long‑running home studio, where restless experiments in tone and texture are distilled into a focused, late‑night farewell.

A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…

**Picture Disc** Jazz Rock ensemble from Munich led by German drummer Klaus Weiss  and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually…

* Edition with 68-page (!) booklet * Electrip was released in 1969, the same year as the Amon Düül II's Phallus Dei and CAN's Monster Movie, which makes Electrip one of the very first albums to fall within the genre of Krautrock. The band successfully draw from an incredibly diverse list of contemporaries to create their astonishing sound. Album opener "Electric Fun Fair" and it's successor "Pop Games" are heavily jazz inspired, and bring to mind some not so subtle Miles Davis influences as well…

*Edition with 44 pages booklet. In process of stocking* This album is a bit difficult to pigeonhole, as most of the early Embryo work is. The opening number sounds if anything, like an outtake from Miles Davis' Jack Johnson soundtrack, but with lead guitar sound more prominant. Then, gears are switched, and you are listening to acoustic folk guitar and sitar, which melts into a cool ostenato riff flanging around, that just builds and builds, with countermelody on Violin (or Veena?) and guitar we…

*Limited edition - from original master. Luxurious gatefold thick cardboard tip-on sleeve* Cinedelic Records is excited to announce the definitive official reissue of "Samurai," the iconic and great lost gems of British progressive jazz-rock, originally released in 1971. "Samurai" is a masterclass in early 70s rock genre-blending, intricately weaving elements of avant-garde progressive rock, psychedelic influences, and jazz-rock innovation into a cohesive and captivating listening experience. Th…

First-ever vinyl reissue. Half-speed mastered. By the time National Health entered Ridge Farm Studio in July 1978 to record their second album, the Canterbury scene was already supposed to be over. Soft Machine had splintered. Caravan had gone pop. Hatfield and the North, whose final line-up supplied three-quarters of National Health's core, had disbanded two years earlier. And yet here, at the supposed tail end of a movement, four musicians produced what many consider its single most fully real…