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** 500 copies** Die Tödliche Doris was born out of West Berlin’s lively post-punk community in the early ‘80s. Along with Einstürzende Neubauten, Malaria, Sprung Aus Den Wolken and Frieder Butzmann, Die Tödliche Doris ranks amongst the Geniale Dilletanten – which roughly translates as “ingenious dilettantes” – who sought to democratize cultural productions beyond the grip of both Western capitalism and GDR socialism. The Geniale Dilletanten became synonymous with a free-for-all approach to music…
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on invented and traditional instruments stems from the minimalist tradition, routed through his unique study of obscure world musics. The two artists first met in Berlin in 1984 while Sam was touring Atalanta with Robert Ashley’s opera company, with whom he …
Double LP on black vinyl. Recorded between the release of Sand (1977) and Lost Secrets (1981), Symphonic Songs is a formerly unreleased work that chronicles the dynamic shift and development in experimental Swedish composer Ragnar Grippe’s canon. Following his seminal release Sand in 1977, Swedish experimental composer Ragnar Grippe worked on various art and performance commissions, often returning to Stockholm during the summer months to focus his efforts on his compositional practice. It was t…
Limited color vinyl, edition of 100. Once more the Netherlands proves to be fertile ground for adventurous sonic explorations defiantly untainted from outside influences. The Levende Opjekten Sjooo (L.O.S.) was developed by Artist Hans Frisch, who had made a name for himself as a painter by dripping black car paint on white formica panels, calling this: Clean Art. His next project involved a set with moving statues and music. The statues were actually naked dancers hidden between layers of linne…
"DO’UN is an Architecture Sonore composed for the exhibition Intuition curated by Axel Vervoordt and Daniela Ferretti, at Palazzo Fortuny, in Venice, 2017. The world of Mireille Capelle is one of music and theatre. She has performed as a singer in numerous European opera houses, under the artistic direction of the foremost stage directors and conductors. Mireille Capelle is singing professor at the Ghent School of Arts and member of the artistic board of HERMESensemble. She has a particular …
What you hear on Fly is Yoko Ono's disarming combination of opacity and visceral, personal transparency in full bloom. It's one of the most unbridled, most captivating soul albums ever made. And that's right where she wants you: vulnerable, wide open to any-and-everything, ready to have your world tipped onto its head. She's a master of spinning your head around. First, you get the Bar Band from Hell of "Midsummer New York" to kick things off. It's about the last thing you'd expect from O…
Body Music is music for Ellen Fullman's unique Long String Instrument, an eighty-foot long instrument with approximately eighty strings. Fullman has been developing this instrument for longitudinally vibrating long strings over the past thirteen years. Having received a BFA in sculpture, her interest in music began with the resonance of materials used in making sculpture. When she started making the Long String Instrument, she saw it as "sculpture as music;" now she has come full circle in conce…
Lucky restock! After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” throug…
Another crucial excavatio from the elusive The Balsam Flex legendary catalog is now available again thanks to Jan Van Toorn Slowscan imprint. Balsam Flex was a cassette label run by the artist Erik Vonna-Michell in the late 1970s and early 1980s, and evidence of a relatively overlooked moment when a number of London-based British poets were producing work that was influenced by performance art, conceptual art, sound art, text-sound composition, Fluxus, and situationism.
Publisher and poet …
Composed Nature / Yokomono Pro documents the collaboration between Dutch collective Staalplaat Sound System and Lola Landscape Architects, merging site-specific sound art and environmental composition in the lineage of Christina Kubisch and Bill Fontana.
** Edition of 300 copies on black vinyl, with recycled cardstock die-cut inner sleeve and three panel folded 12" by 12" printed insert inside an embossed cover ** The cycle of compositions collected under the title Plane/Talea reflect Alessandro Bosetti interest in vocal polyphonic music. They envision an “impossible choir” constructed through the sampling of thousands of fragments and pieces of voices, my own and those of others, and their recomposition into polyphonic garlands and textures. Th…
Bringing together over seven hours of absurd, elusive and often disturbing music, The Box label finally unveil this epic, years-in-the-making 13x LP Box Set from Lafms, a must for those of you familiar with their work or, indeed, the colourful dreamscapes so often associated with.LAFMS BOX BOX documents every performance from the exhibition Beneath the Valley of the Lowest Form of Music - The Los Angeles Free Music Society 1972-2012 at The Box, Los Angeles in 2012. The Los Angeles Free Music So…
Wild Protest pairs J-noise legend Junko (Hijokaidan) with French field recordist Thomas Tilly for a radical collision of human scream and natural sound, recalling the spirit of Merzbow and Francisco López.
2015 restock....Very last copies, long out of print: back in 1969 avant-garde composer Toshi Ichiyanagi hooked up with Uchida Yuya’s damaged psych rock group Flowers and illustrator Tadanori Yokoo to realise a double-LP set that would combine Fluxus-damaged pop art moves with abstract acid rock, avant electronic drone, frail almost-songs, rehearsal sketches, big band marches bisected by iron-blue drones, wildly evocative field recordings and intimations of limitless, hallucinatory space, all in …
Edition of 180 copies. Reissue of the Slowscan cassette from 1985. Recorded December 1984. Engineered by Rick Potts & Joseph Hammer. Le Forte Four (Rick Potts, Joe Potts, Tom Potts, Susan Chapman & Chip Chapman) were the original line-up of the Los Angeles Free Music Society or LAFMS. While they were working on their first album ‘Bikini Tennis Shoes’, they changed their name from LAFMS into ‘Le Forte Four’ and used the name LAFMS for the label on which they released that album in 1975. All…
Liam O'Gallagher's audio work, People's Opera aka Aerosol/or the Computer That Couldn’t Hear: An Inter-Media Opera, features nine transistor radios (four tuned to FM stations and five to AM stations), a telephone system, and soloists on tambourine, flute, oboe, and French horn. Here are the notes on the presentation, by O'Gallagher's himself: “The ‘conductor’ signals the operators of the radios to approach the microphones or recede from them. Soloists play according to any predetermined plan. Tw…
Published and sold on an audiocassette by Ulises Carrìon (recently rediscovered thanks to an important Alga Marghen retrospective LP) , who in 1975 "created" the legendary Amsterdam bookshop-gallery "Other Books & So," the first space dedicated exclusively to artists' publications such as artists' records, books, magazines, postcards, etc.. only 12 cassettes were actually sold. Reissue of a cassette from 1978, a collection of sound poems and concrete poetry by G.J. de Rook, Michael Gibbs, Greta …
Running and Chanting and Falling and Ranting is an immersive multimedia work by Charlemagne Palestine, combining his signature ecstatic minimalism with visual and textual explorations of ritual, trance, and performance.
Edition Omega Point presents a collection of early work from Japanese experimental composer Kazuo Uehara. "'Seoul 1982' was composed using recorded sounds as raw material to reassemble the 'historical' soundscape of Korea's capital city, Seoul, in the early 1980s. During this time, despite the political chaos and the tension in the city under the Korean military government, I felt the lively energy in people's lives. The raw material comprised a wide range of different sounds, including th…
This album is for the downward gaze. Taken from leftover piano sounds of simple sound sequences which Aki Takahashi had recorded for him. There were these irregular noises to be found which makes the connection from ear to eye. At the exhibition the piece was played back under a sheet of glass. Over which black pigment was sprinkled through a sieve. whereas a simple. Open loudspeaker was installed underneath the glass... Rolf Julius' works are always catalyzers for increasing attention to the th…