Asmus Tietchens has called his work "absolute music": sound with no story attached, built from tape loops, synthesizers and, later, minute transformations of recorded objects and water. Born in Hamburg in 1947, he began experimenting with tape in 1965, and his first albums for Sky Records around 1980, produced by Peter Baumann of Tangerine Dream, were still oddly tuneful electronic miniatures. From Formen letzter Hausmusik (1984), released on Nurse With Wound's United Dairies label, he moved into abstract sound collage and never came back.
**300 copies**In just a couple years Dirk Serries' A New Wave Of Jazz imprint has amassed quite a collection of diverse works that may impart some new variant of jazz and electronic music. Here alongside the venerable experimental electronic composer…
**100 copies 2018 repress** Originally released to celebrate the 33rd anniversary of Walter Ulbricht Schallfolien back in 2015, Neu Konservatiw comes in a beautifully designed slevve with insert and postcards. The album features two unreleased Asmus …
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He
got interested in musique concrete by listening to a German radio
programme when he was 10 years old. In 1965, at the age of 18, Asmus
started experimenting with tape loops a…
2014 release, edition of 300. “The three pieces of ‘Fahl’ are the results of a never ending recycling
(not remixing!) of one and the same structure recorded deep in the past.
That means recycling of recyclings of recyclings… With ‘Fahl’ the
series…
Eisgang was originally released on Dutch Korm Plastics label in 1995 as a limited edition vinyl LP only. It was later reissued as a double CD with Dämmerattacke. For this latest edition, we have added another bonus track making the CD 20 minutes l…
Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in musique concrete by listening to a German radio programme when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops a…
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration cam…
“Eine Menge Papier” assembles 20 minutes of sounds derived from using paper as the sound souce. Two tracks originally came out as a limited 7” record on the austrian Syntactic label in the 1990ies and appear here for the first time on CD. The other t…
Fabio Perletta and Asmus Tietchens’ hermetic micro-cosmos of Deflections unfolds by exploring instability and physical decay of sound. Built upon liminal forms and atonal passages, the six near-silent pieces of the work traverse empty space by mea…
5” CD in full colour digipak carton sleeve and printed inner sleeve. CD is off-set printed in half-metallized format, all designed by Asmus Tietchens. Production: Okko Bekker. On “Soirée fantastique”, two pieces – unfocussed in every aspect – feat…
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic …
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pre…
"The latest release from Asmus Tietchens continues the ambiguity that has been prevalent through his recent works. Far from the early experiments with sampling and erratic, mechanical rhythms that characterized much of his early work; Ornamente (…
After more than 10 years of enthusiastic experiences and encounters with so-called „Difficult Music“ throughout the 1980ies Martin Peinemann and Asmus Tietchens deemed their somewhat differing approaches to making music compatible and agreed upon a l…
Last copy, tiny wear on cover Milestone! Asmus Tietchens, a German electronic synthesist and musician whose interest in experimental music and musique concrète already started during his childhood. He began recording sound experiments in 1965 with e…
Humoresken und Vekotren takes up a work that was started upon the invitation of Francisco Lopez for the spanish Störung label. The task was to deliver thirteen 2-minute original compositions for a compilation release. "Humoresken und Vektoren" recycl…
Originally released in 1981 on Günter Körber’s Sky Records, Biotop marked a radical and irreverent turn in the early discography of Asmus Tietchens, offering a body of work that neither conformed to the pop idioms it mimicked nor fully abandoned the …
LP version. Pressed on 180 gram vinyl. Nachtstücke owed its publication to former Tangerine Dream member Peter Baumann, who was asked by the French label Barclay/EGG to produce three albums focusing specifically on German electronic music. He was wor…
LP version. Pressed on 180 gram vinyl. Between 1981 and 1983 Asmus Tietchens released four albums on the Sky Records label, fusing rhythmic set pieces and off-kilter sounds into gaudy escapades of saccharine artificiality. The "pseudo-pop" epithet re…
Bureau B reissues Asmus Tietchens' third solo album on Sky Records, originally released in 1982. It stands to reason that any musical journey undertaken by a skeptic like Asmus Tietchens is destined to head into the night (In die Nacht) rather than i…
LP version, on 180 gram vinyl. Released in 1983, the Litia album concluded Asmus Tietchens' études phase and bid a farewell to rhythmic synths -- well, almost. All the signs of "pseudo pop" as heard on Biotop, Spät-Europa, and In die Nacht resurfaced…
Black Rose Recordings are proud to present the exceptional new album by Asmus Tietchens. Corrosion is a degradation mechanism. It is an insidious process often difficult to recognise until deterioration is well advanced. Are these new pieces a commen…
Part 14th in the ongoing re-release series of all early Asmus TietchensVinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor GeometricoEGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. …
Tracks 1 & 2 originally released on Marches Funebres LP (Multimood, 1989). Track 3 is a bonus track. Released as a joint release by German labels Die Stadt and Aufabwegen. Limited to 600 copies.
11th part in the ongoing re-release series of all early Tietchens albums between 1980-1991. Aus Freude Am Elend is based on the human voice as a primary sound source and was originally released in edition of 500 copies on Dom America in 1988. The CD …
With Asmus Tietchens and Dieter Moebius, two artists counting among the greats of German avant-garde electronic music have come together. Both have been active for well over 30 years: Moebius (since 1970) as a member of Kluster/Cluster and Harmoni…
Limited edition split album from two of Earth’s avant-garde super powers: Asmus Tietchens and Kouhei Matsunaga. Last summer Important released some highly praised records with Kouhei Matsunaga including a collaborative CD with Sean Booth (Autechre) a…
Line is proud to present a new full length solo recording by German electronic music pioneer Asmus Tietchens. Soirée is the result of extended recycling. Beginning from the investigation of: what will happen if I recycle (not remix) some of my older …
a new subway tunnel is being built in the harbor area of hamburg's inner city. the tunneling produces waste and the waste needs to be disposed of. in this case sand and shredded rubble are mixed with groundwater in order to be pumped out through stee…
'The first collaboration by these two renowned sound artists. Fabrication saw its beginning during the production of Re-Post-Refabricated, a project in which artists were selected by Richard Chartier to rework-create new works from his 1998 CD Postfa…
The first track of this is the side-long "Teilmenge 20," which begins as a set of indecipherable static electricity clicks that are quite warm and engaging, which quickly builds to a rhythmic cycle, continuing to mutate and diverge throughout the ent…
Second revised and expanded edition of our book about the work of Asmus Tietchens. The book is in GERMAN. It includes essays about Tietchens, a fully commentated discography up to December 2005, short prose by Tietchens and a 70 minute CD collecting …
Released in 1986, Geboren stuns in the same way early Esplendor tracks do, with blasts of chugging, caterwauling noise sounding straight from the factory floor. Tietchens’ most monotonously rhythmic work to date, it lacks the esoteric primitivism of…
Beautifully minimal new work by Asmus Tietchens using layers and stretch out sound fields as a compositional basis and placing miniatures inside them. 54 minutes, 8 tracks, handnumbered edition in nice paper sleeve 300 copies.
2th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Abfleischung is based on material recorded by Tietchens as early as 1967—1970. These recyclings made in 1989 became the 20 short tracks on this album which was…
The latest in Asmus Tietchens ongoing Mengen series, this album maintains the bold adventurousness and strict minimalism of previous recordings whilst suggesting some sense of evolution along the way. The series was initiated as an exercise in compos…
Asmus Tietchens and Arcane Device’s debut, ‘DBL.FDBK’, does not fit easily into one genre. If you want to hear real Ambient, get this record now! This is the most melodic ambitious and satisfying track in DBL.FDBK. It’s also one of those rare songs t…
First in a series of 18 CD's aiming to make available all early vinyl albums by Asmus Tietchens between 1980—1991 on CD. Each release features the original tracks (sometimes extended / original versions) + unreleased bonus tracks from the same record…