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At The Helm
East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorporates elements of the West Indies, and both the Near and Far East. Originally issued in a very small pressing by Folkway Records in 1974, at a time when the label was doing some great underground recordings! The sound is loose and free – spiritually building in a man…
Sailor Man
Utterances into a dictophone from a backdoor man hiding in the closet as the husband arrives home. The tales plod along in whispers, accompanied by defined guitar interplay, punctuated piano and snappy drums. Nearly every accent of guitar seems present. Fragile flamenco plucks, fuzz-to-the-front fumblings onto smooth lyrics of a detective attempting to resolve his own crimes. Vocals and acoustic guitar were recorded by Greg Weeks. The arrangements, instrumentation and production were lovi…
Ithaca
Restocked!! Last copies arounf - recorded on november 2010, 'Ithaca' stands as one of the missing links between the tradition of free jazz and the current explorations in sound art. Bringing together one of the greatest living free jazz saxophonists and a young talented percussionist and sound sculptor, you have a record that sounds like a 'classic' and yet way ahead of its time. McPhee’s playing here is so lucid that it feels like a compendium of all those aspects of his style that have e…
A Prayer For Light
Heresy of the Free Spirit is a trio comprised of Dutch lute player, Jozef Van Wissem and Brooklyn based multi-instrumentalists, Che Chen (of True Primes) on violin, bowed rawap, bass recorder, percussion and tape machines, and Robbie Lee (of Howling Hex, Baby Dee) on portative organ, bass recorder, guitar, banjo and electronics. Using early European as well as non-western instruments and electronics, the trio plays arrangements of Van Wissem’s lute compositions as well as free improvisations tha…
Improvisations
Dedicated to the memory of Tony Marsh. The recordings on this double LP are taken from the first night of Roscoe Mitchell's inaugural two day residency at Cafe OTO in 2012 and his first time playing with drummer Tony Marsh and double bassist John Edwards. It was one of those nights where the music electrifies the room. Everyone on edge. Everything alive with the possibilities. Although there was much talk after the concert of the group playing together again this would sadly be the first and la…
Classroom projects - Incredible music made by Children in school
Incredible music made by children in schools" says is it all really. Jonny Trunk has collected the best moments of that most niche of niche collectors' genres, the school album, spanning music by small primary school choirs singing folk songs to full-blown avant-garde experiments written and performed by children still at secondary or grammar school. As with practically all Trunk releases, it's a nostalgic gas for anyone over a certain age - we reckon anyone younger than 25 may be baffled and be…
the cut
RESTOCKED...you'll have to run thru a intense long brown tunnel before arriving at the best butcher in town! he'll cut your meat down to pure droned filet americain or preparé from the chef! bears and bowie lookalikes are huge fans, as this bird butcher sliced many famous animals since a young age. he grew from playing cards in the bar with the big nuts via pinching fags in the parc to a full blown fine line worker!spin him around and you get a conceptual artpiece, back to the old skool game …
La memoire des Sons
Features 3 works: "Capture Éphémère" (1967); "Sons-jeu" (1987); "La Mémoire des Sons" (2001). "Excepting some rare mixed pieces, Bernard Paremegiani's works as a whole take the form of music for 'fixedsounds', coming within the scope of the immense repertoire of electro-acoustic music. From his training in the art of mime and his experience as a sound engineer, Parmegiani has retained a taste for a hand-to-hand approach (sound/embodiment, as we could be tempted to say) with various sound mate-ri…
Soundtracks for Takeshi Murata
Glistening Examples is proud to announce “Soundtracks for Takeshi Murata”, the debut LP of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police a nd more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists including Oneohtrix Poin…
Second Offender
P1/E was formed in Berlin 1979. The original band members were Michael Schäumer, Michael Voigt (Monogam Rec.), Michael Hirsch (Exkurs) and Ute Droste. in the rehearsal cellar the band discovered a fourteen year old drummer, Alexander Hacke, who later came to fame with Einstürzende Neubauten. Before the recording of the legendary 7inch "49 sec romance" Voigt left the band and Thomas Voburka (Weltklang) who worked with Schäumer in the famous Exil restaurant in Kreuzberg, joined as a guest singer. …
split LP
A split album by two masters of 'loud drone music' with an entirely electronic background. Piotrowicz already surprised us with 'Lasting Clinamen' on CD (see review in Vital Weekly 621), and this is now continued with 'Clinamen 3', also recorded using analog modular synthesizer. He plays what seems a loud, looped drone (no doubt repeated within the machine), which is piercingly loud at the start, but just like his great CD, he knows how to create a subtle piece music after that. It grows and it …
Complete Studio Recordings
Naked City was: John Zorn, Bill Frisell, Wayne Horvitz, Fred Frith, Joey Baron, Yamataka Eye & Bob Dorough. "Probably Zorn's most popular and most controversial musical project, the music of Naked City has been debated, analyzed, adored and reviled by fans, critics and academics alike, but nothing can replace the experience of hearing it in all its frightening glory. Most people know this music from the single domestic release on Nonesuch, but the major portion of their studio recordings were is…
Accidental guitars
restocked, last copies - geoff mullen presents a new side of his ever-changing and open language, dealing here with his rawest material to date, and in many ways finding himself in a homecoming to the guitar. on Ôaccidental guitars' geoff expands his instrumental language with his unique variety of invented, accident-prone technique. re-contextualized live performances are filtered through an intuitive sense of form and pretexts, leaving us with an intense, jarring, pointed, and textural c…
Tokei Nikki
Japanese turntable project probably best known for their work with Otomo Yoshihide and Hijokaidan, in their final LP, 2 compositions and 99 locked gooves. Side 1 = two elegant contemporary avant garde compositions -- kinda reminds me of AMM if they were DJs. Side 2 = 99 lock grooves."the debut lp, simultaneously the last issued recording by the duo of takahiro yamamoto & katsura mouri’s busratch, a decade-long-running & quite prolific turntable duo with a series high-profile collaboratio…
Ceremony
LP version: Previously released by Phoenix Records on CD, now available on digitally remastered 180 gram virgin vinyl, this is People's sole album, the legendary Ceremony -- Buddha Meet Rock, originally released in 1971 in Japan. Nobody's sure if the musicians on this recording ever performed as a group or whether Ceremony was simply a studio super-project. Certainly, guitarist Kimio Mizutani had already enjoyed a certain amount of critical exposure following stints with Love Live Life + …
Garden Fete
a four song 12 inch 45 on 180 gram vinyl, garden fete presents alternative mixes of two original songs from rodney graham's cd release never tell a pal a hard luck story (you'll only get a hard luck story in return) 'she failed to see the point', and 'sinkin' in the west' and two covers: the everley brothers' 'take a message to mary' and the kinks ' i'm on an island'. the latter is an uptempo version of the song which forms the soundtrack of graham's sculptural installation in the petuel park, m…
Faking Gold And Murder
Faking Gold and Murder is the third Earth-shattering full-length by Vincent De Roguin (Shora), Stephen O'Malley (Sunn0))), KTL) and Daniel O'Sullivan (Guapo). This time, the core trio is joined by percussionists Nicolas Field and Alex Babel, as well as renowned guitarist Alexander Tucker and the inimitable David Tibet. AEthenor's heaviest outing yes is driven by a weighty low-end and the full fury of Babel and Field's free-wheeling drums. The band's electronics, guitar, Rhodes, and organ ride wa…
The Iron Gates At Throop And Newport
In the year since Luke Roberts recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar (a Collings 000 2H model) that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting an…
Magnificence In The Memory
Early archival recordings: brand new release of never-before-heard material from the heyday of Ya Ho Wha 13, featuring the legendary Father Yod and his sons playing improvisational, psychedelic spirit music recorded in the wee hours of morning meditation. Father was a wealthy man, with a rich inner life, a family of disciples that loved him, many, many women and seemingly unlimited power. So why at the height of his success, did he choose to spend his time playing rock and roll? Having a band in…
Raga electric
LP version. In the early '60s, fresh from his clean behind the ears years at Harvard, Henry was undergoing rapid ideological shifts: cavorting with Maciunas and the whole Fluxus bit, doing performances at Yoko Ono's loft and recording with La Monte Young; having it out with his Stalinist cohorts over the relative merits of a good blues run and searching for a new musical language outside of the various generic artistic restrictions before him at the time. What he arrived at was an expressive pra…