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*2024 stock* Gato Barbieri is an Argentine jazz musician who won a Grammy Award as musical director for the film Last Tango in Paris. The Flying Dutchman's debut album, produced by Bob Seale, boldly incorporates elements of South American music.
*2023 stock* "Japanese pianist Yosuke Yamashita built his name as one of the country's avant-garde jazz leader with his bass-less trio founded still in 1969 (with drummer Takeo Moriyama and tenorist Seiichi Nakamura, in 1973 Nakamura has been changed by alto sax player Akira Sakata). Early-mid 70s were all years of trio's fame documented by representative collection of studio and live albums, all containing high energy fast and tight strongly improvisation music.Year 1977 was a transitional for …
*Limited Edition* Delve into the mesmerizing trio work of Japanese pianist Yosuke Yamashita, accompanied by the exceptional reed performances of Akira Sakata. This collaboration, a highlight in 70s Japanese jazz, epitomizes a robust avant-garde impulse. Drummer Takeo Moriyama adds a thoughtful and spacious dimension to the ensemble, navigating the dynamics adeptly. Sakata's clarinet produces searing sounds, and his alto saxophone exhibits formidable force. The album includes an extended renditio…
*Limited Edition* Japanese pianist Masahiko Sato joins forces with Peter Warren on bass and Pierre Favre on drums in an enthralling collaboration. Recorded live at Studio 70 in Munich, the two expansive tracks showcase the trio's boundless creativity. Sato's piano work, reminiscent of the era's best free improvisation, occasionally channels a Cecil Taylor-like intensity, interspersed with moments of reflective pause. Favre adeptly balances restraint and bursts of energy, complementing Warren's b…
*2024 stock* The Yamashita Trio on tour in Germany in 1975 had a miraculous encounter with free improv genius Manfred Shcoof! This is a too hot live recording of the live performance with Yosuke Yamashita, Akira Sakata, Takeo Moriyama, and Manfred Schoof, who responded aggressively with their whole heart and soul!
*2024 stock* Lovely 1972 solo work by one of the most influential European avant-garde pianists of the last half-century; a player whose improvisational flexibility puts him in the same league as Cecil Taylor, but whose ability to concentrate at moments and knowledge of jazz history make him much more remarkable! One of Alexander Von Schlippenbach's finest albums; it's beautiful all the way through, with an unfaltering inventiveness that occasionally leads to Monkish moments or Herbie Nichols wh…
Thelonious Monk by Francis Gooding, Mats Gustafsson, Fielding Hope, Patrick Preziosi, Andy Thomas, Arttu Tolonen, Bret Sjerven, Daniel Spicer & Wif Stenger, Miles Okazaki by Andrew Scott, Kiri Ra! by Wif Stenger, Jazz Is Dead By Tina Edwards, Dirar Kalash by Henry Boon, Dewey Redman on Impulse by Andy Beta, Water Damage by Matt Sonzala, Mikel Patrick Avery by Patrick Romanowski, The Torched Torch Singers by Alex Coles & more.
*2026 stock. 200 copies limited edition* Air De Rien, because it is not nothing all these small tunes in the air... This double vinyl is shared - each one its face - by four musicians or groups who each traces in watermark an original line of conduct, soft and harsh, off the beaten tracks.
A lot of purity in this project - and in these four achievements - in those times of useless filling. Music and visuals are discreet, a fine black and white, like the engraving of this psychedelic pseudo-brain…
Coil’s year 2000 electric storm is their next legendary chapter for legit reissue, exemplifying the fathomless variegation of their vision with overproof levels of digital noise masking deeply trippy song structures. After tenderising flesh with the reissue of the ‘Musick To Play In The Dark’ volumes, Dais unleash Coil’s tempestuous sore thumb ‘Constant Shallowness Leads To Evil’ for a sharp right swerve into the depths of their profound catalogue. Issued the same year as ‘MTPITD’, as well as ‘…
Silver Apples of the Moon' is without a doubt the best known work from influential composer and electronic music pioneer Morton Subotnick. It was originally commissioned by Nonesuch records back in 1967, when electronic music was more of a series of ideas than a recognised art form, and since then it has achieved well deserved classic status, influencing so much that would come after it is impossible to conceive. Subotnick's instrument of choice was the Buchla modular synthesizer, a gigantic pat…
'The literal meaning of “amphibian” is “double life” and applies to animals living part of their lives in water and part of their lives on land. In the program note to his electroacoustic classic Music for the Double Life of Amphibians, Morton Subotnick states that “amphibian” is to be taken as a metaphor for the work’s structure and programmatic content, which follow a metamorphosis of being through the stages of amphibian to beast to angel. But it also applies to the musical material, the doub…
In Complete Works for Multiple Piano, Morton Feldman’s quietly radical writing for three or more hands is heard as a three‑hour continuum of hushed, hovering sonorities, where time dilates and the piano becomes a shared, breathing instrument.
CD with 20-page booklet. Recorded March 2001, Hessischer Rundfunk, Frankfurt. "Time and again I find myself having to pare away any musical gestures in a work in order to uncover the true idea in a piece." Alvin Lucier said this about his own practice of stripping composition back to its acoustic logic - removing the performer's ego, the expressive gesture, the narrative arc, until only the phenomenon remains. What is left, in each of the five works gathered here, is resonance: sympathetic vibra…
*2022 stock* Giacinto Scelsi wrote the twenty Canti del Capricorno between 1962 and 1972 for and with the Japanese singer Michiko Hirayama, who inspired them and who for decades remained their unique performer. The cycle is for solo voice, with instruments in some of the songs: a spiritual yet energy-filled music made of single sounds, microtonal inflections, breath, cries and invented syllables, closer to ritual than to song.
Hirayama, born in 1923, recorded it for Wergo when she came to Ulm in…
Sweden's late '60s creative explosion saw Roland Keijser's quartet forge unprecedented music, bridging American free jazz, minimal composition, and Swedish folk heritage. These lost Öppet Tre recordings capture a pivotal moment when Swedish musicians created sounds never heard before
Biggest Tip Possible! Lars Göran Ulander Septet (1965) Lars Lystedt Quintet (1967) Per Henrik Wallin Trio (1977) Curated by saxophonist and improvisational musician Mats Gustafsson, Caprice Music continues the Öppet series, focusing on a relatively unexplored period of Swedish creative, experimental music from the 1960’s and 70’s. Öppet Två presents saxophonist Lars-Göran Ulander, who made a big impression on this series' curator in 1982, when he witnessed a solo concert at an art exhibition. Ma…
Stellar Tip! Previously unreleased recordings of one of Sweden's most legendary jazz groups. A raucous and energic set of free jazz from the vibrant Swedish scene of the mid '60s – a perfect match for the groundbreaking German scene of the FMP generation! Quoting Jim O'Rourke from the hype sticker: “Someone quadruple booked the same session, because the music on this record is at the crossroads where FMP, Faust, The Insect Trust, and Catherine Ribiero met, but we know that road was never built. …
*2022 stock* The relationship between Hans Werner Henze and Oliver Knussen was one of great mutual respect. The German composer admired the British conductor and composer for electrifying performances of Henze’s own and other composers’ works. Knussen was an untiring and enthusiastic champion of his friend Henze’s music. The recordings collected here display Knussen’s deep understanding of Henze’s music. Knussen conducts the BBC Symphony Orchestra in sensitive and meticulous performances of comp…
2022 Stock * With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.
The "Studio Reihe” starts with a CD with works by Bernd Alois Zimmermann. His complex “pluralistic” style fuses past, present and future into a musical unit of the h…
In 1981/1982 the French composer Luc Ferrari produced the radio play “Jetzt – oder wahrscheinlich ist dies mein Alltag, in der Verwirrung der Orte und der Augenblicke” [“NOW – or Probably This Is My Everyday Life in the Confusion of Places and Moments”] with the Hessischer Rundfunk. Like other earlier radio plays of Ferrari, “JETZT” as “radio play on the radio play” is a special case between music, radiophonic art and narrative radio play. The dialogues between Luc Ferrari and his wife Brunhi…