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On Requiem, Vancouver-based composer and musician Anju Singh combines funerary violin and harsh noise, as illustrated in an excerpt from liner notes by Gordon Ashworth (Oscillating Innards, Knelt Rote): "Requiem is an album of the violin engaged in a…
On Annihilation of Samsara, Attila Csihar, Balázs Pándi and John Wiese converge as a single, shifting organism, dissolving borders between extreme metal, free improvisation and noise into a dense, unstable ritual where sound behaves more like weather…
Tip! Just continue as usual.
Recorded June to September '22 for a 16 channel diffusion at Bellevaux Lausanne 23 September '22
Revamped for stereo '23
All recorded and decomposed by Dave Phillips
Thank you Francisco Meirino, Gwen Grossfeld, Guillerm…
* 2020 Stock * Remst8 is an experimental computer musician whose on-again/off-again affair with sound began in the early '90s, using tracker programs on his Amiga 500 and later a PC to create soundtracks for his friends' creations (computer games and…
LP ltd to 315 copies. Kata No Wadachi is the latest album by Banetoriko, the solo noise project of Tamaki Ueda. Her first release both on An’archives and on vinyl, it follows several albums for the Neurec imprint–2017’s Beside the Sluice and 2022’s Y…
Alvin Lucier is best known for his pioneering work in the mid-sixties in the exploration of sonic environments, particularly sounds that we would never perceive under ordinary circumstances. Vespers and Other Early Works restores to the catalog sever…
Yellow vinyl edition of 100 with download card. Fabrica Records announces the second volume in the Same Animal, Different Cages series by American composer and improviser David First. On this second installment in the Same Animal, Different Cages ser…
Pogus Productions is proud to release The Complete Gramavision Session by The World Casio Quartet, composer David First’s 1980s microtonal group. The members of the group were David First, Esther Sandrof, and Brian Charles, all playing Casio CZ-1000’…
Deep Listening Publications, 1990. Second edition. Stapled wrps., 42pp. Illustrated. Fifteen pieces some including audience participation (1971-1990). Through her Deep Listening Pieces and earlier Sonic Meditations (1971), Pauline Oliveros helped int…
"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of…
Wall of Sound is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally. Ulrich Krieger…
A fifty-foot wire runs through the poles of a large magnet and is driven by an oscillator, with microphones at either end. Set going at four different frequencies, it produces not the low drone you would expect but a shifting set of chords.
CD with 20-page booklet. Recorded March 2001, Hessischer Rundfunk, Frankfurt. "Time and again I find myself having to pare away any musical gestures in a work in order to uncover the true idea in a piece." Alvin Lucier said this about his own practic…
Three works investigating interference between instruments and oscillators. When closely tuned tones sound together, their oscillations create audible beats that spin through space. Lucier reveals acoustic phenomena through minimal means
Scorn is dead. Mick Harris has said it himself, repeatedly, over the years, but this time the sentence has the weight of finality. Anamnesis, expanded to a four LP set and issued by GOD Records as catalog GOD 80, is the last word. Few projects have t…
Recorded in Paris in 1965, Don Cherry’s Togetherness is a five‑part live suite where pocket‑trumpet chants, Gato Barbieri’s searing tenor, vibes and a dancing rhythm section turn early free jazz into something fiercely open yet strangely joyful.
With With a Heartbeat, Pharoah Sanders and Bill Laswell ride the amplified pulse of the human heart into a slow, glowing trance, fusing tabla cycles, electronic drones and cornet smears into four long arcs of cosmic late‑period Sanders.
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him …