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Zuni (Benito Simoncini) in 1983: blues-soaked funk-rock guitar cues on side A, then bass, keyboards and percussion drift towards spacey, cosmic sketches. Eleven pieces named after flowers and shrubs.

Oronzo De Filippi's album about industry for Leo Records: ten harpsichord-led instrumentals moving between jazz-lounge and bossa nova and darker, hypnotic pieces that repeat like machines at work.

First official reissue ever, certified holy-grail. Edition of 300 copies, black vinyl 180gr. Comes with Obi, and original liner notes by Jonny Trunk** At the end of the '60s in Italy - but also abroad, especially in France and England - a very partic…

*In process of stocking. Limited edition of 500 copies.* Taking cues from doom metal, smoky ECM avant-jazz plates, dreampop and disorienting GRM classics, Jake Muir and LA psych-sludge mainstay Evan Caminiti join hands on "Talisman", a blacklight-dou…

** 2021 Stock. Single 140g vinyl LP in a full colour printed sleeve with printed inner. Includes download card **  Ndeya presents Seeing Through Sound - Pentimento Volume Two by Jon Hassell. A companion piece to 2018’s Listening To Pictures, this sec…

CP Unit in real time: Chris Pitsiokos, Sam Lisabeth, Henry Fraser and Jason Nazary between harmolodic funk, noise rock and musique concrète, recorded in Brooklyn in 2018.

Second CP Unit album on Clean Feed: Chris Pitsiokos with Sam Lisabeth and two rhythm sections, between Ornette Coleman's harmolodics, noise and Stockhausen.

The first CP Unit album: Chris Pitsiokos with Brandon Seabrook, Tim Dahl and Weasel Walter, jazz forms filled with noise and rock, recorded in Brooklyn in 2016.

Second solo alto saxophone album for Relative Pitch, eight pieces named after rocks, recorded in January 2022.

Solo alto saxophone: six pieces dedicated to Charlie Parker, Anthony Braxton, Roscoe Mitchell, Ornette Coleman, Eric Dolphy and John Zorn.

Double CD by the Berlin CP Unit (Chris Pitsiokos, Marta Warelis, Dan Peter Sundland, Luca Marini): studio takes from October 2025 and a concert from April 2026.

Slow, static forms for alto saxophone, accordion, synthesizer, bass and drums: the Chris Pitsiokos Ensemble between late-1960s Miles Davis and Morton Feldman.

Accordion and alto saxophone: ten short pieces in moment form by Tizia Zimmermann and Chris Pitsiokos, recorded in Berlin and Zürich in 2024.

Saxophone and laptop: the first record of Chris Pitsiokos’s project on four-channel audio, rhythms from irrational numbers and shifting polarity. Each copy with original artwork.

A one-man studio album: Chris Pitsiokos on saxophones, harmonica, bass, electronic drums, voice and electronics, with Rick Eye and Jason Nazary on some tracks.

CP Unit's first live album, recorded at the Moers Festival and at Unlimited in Wels in 2018: Chris Pitsiokos with Sam Lisabeth, Henry Fraser and Jason Nazary.

2025 stock If you went looking for a poster-child for Chicago's multidirectional, cross- pollinating, interstylistic music scene, you couldn't find a better one than Jeff Parker. Parker: jazz guitarist with pro credentials, widely travelled and prize…

Long before streaming services, podcasts, or even the compact disc, there was Tellus - a radically ambitious publication that imagined recorded sound as an exhibition space. Founded in 1983 in downtown New York, Tellus transformed the humble audio ca…

Rosa Balisteri was one of the brightest stars on the Italian folk scene of the 1960s and 1970s, certainly far too little known given her talent and expressive power. Her life story is marked by a tormented nature, punctuated as it is by traumas, angu…

1995 release. Originally released in 1971. Key contains Meredith Monk's earliest compositions for voice. The songs that make up Key were composed and performed in a three year period between 1967 and 1970, when Monk collected them into this 45-minu…