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Static Disposal
Legendary 1976 Private Press Rarity Documents Oklahoma's most uncompromising Proto-Punk visionaries, this trio produced art-damaged outsider rock influenced by Stooges, Beefheart, and Velvet Underground
Third Ear Band
For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change that would ultimately define one of British experimental music's most singular statements. Now, Antarctica Starts Here presents the first-time vinyl reissue of the group's self-titled 1970 sophomore album - often called Elements due to its elemental track titles - complete with new liner notes by Dave Segal that illuminate this remarkable cha…
Clouddead
cLOUDDEAD's debut album, compiling six 10" EPs that appeared between 2000-2001, is aurally dense and obscured. A sprawling mass of miniature beat-suites and Dadaist lyrics, this strange and beautiful 3xLP would influence a myriad of sub-genres (cloud rap, hauntology, lo-fi hip-hop, etc.) in the two decades since its initial release. Only the three members of cLOUDDEAD – Why?, Doseone and Odd Nosdam – can speak to the group's origins, but in the context of underground hip-hop towards the end of t…
Drawings, Collages, Paintings (Book)
Drawings, Collages, Paintings reveals Adam Bohman as a visual artist every bit as singular as his music, collecting five decades of creatures, cowboys, food‑packet detritus and biro‑scrawled ephemera into a thick, disarming portrait of an English visionary working at the kitchen‑table edge of art history.
Intervalli (1950-56)
VERY last copies * Edition of 200, comes with an insert * Giuseppe Chiari's Intervalli, composed between 1950 and 1956 and now recorded in complete form for the first time, is one of the most significant and least heard compositions of the European post-war avant-garde. A twelve-part work for solo piano, it sidesteps the dominant Serialism of its moment entirely - arriving instead at a form of radical restraint that prefigures Minimalism, systems-based music, and conceptualism by more than a dec…
Featuring Pharaoh Sanders and Black Harold
"To understand the significance of the word 'featuring' on Featuring Pharoah Sanders And Black Harold, consider how infrequently Sun Ra used it and the exact way it had been used."The October Revolution in Jazz, organized by Bill Dixon in the West Village in 1964, presented a vivid cross section of approaches to the new music, including a sextet led by Ra. For the October Revolution's continuation, titled Four Days in December, held at nearby Judson Hall on the last days of 1964, the Arkestra pe…
Tähtisilmä
Hot Heros once again bring a raw jazz grit to the heart of Finnish folk. Their latest LP, Tähtisilmä, explores the compositions of the master fiddler Konsta Jylhä through a modern, improvisational lens. Deepened by the rich, mournful tones of cellist Juho Kanervo, the group reimagines these beloved songs alongside a new original composition by bassist Ville Rauhala. Tähtisilmä is a visceral blend of jazz improvisation and the timeless "pelimanni" spirit, capturing the melancholy beauty of Finnis…
Sub Re
Kassel Jaeger (aka François J. Bonnet) returns to Shelter Press after Swamps / Things, Shifted in Dreams, and the recent reissue of the classic Zauberberg, co-composed with Akira Rabelais and Stephan Mathieu. With this major new album, entitled Sub Re, Bonnet continues his long exploration of the musical possibilities of sound, extending the concrete approach developed at the Groupe de Recherches Musicales, the historic and essential Parisian studio that Bonnet has been directing since 2018. Sub…
Aika ja tila
Kuusijärvi/Rönkkö launches the concept of accordion jazz into orbit with their album Aika ja tila (Time and Space). Built entirely on improvisation, this six-track collection stretches both musical genre boundaries and the very fabric of spacetime. Harri Kuusijärvi’s electronic accordion sounds at times like the chirping of a cyborg bird flock, and at others like Brian Eno’s electric toothbrush just as the batteries are dying. The other half of the duo, Tatu Rönkkö, weaves through his drum kit, …
Rampton (LP)
Very special legacy 180g limited vinyl of Rampton album by Come proudly reissued by Susan Lawly. The year 1980 saw release of this iconoclastic debut LP, first album on the highly collectible Come Organisation label, and first chapter in the long musical career of a then teenage William Bennett after leaving Essential Logic, which subsequently led to the pure electronic Whitehouse and present-day Cut Hands projects. Also notably featuring synthesiser bass performed by The Normal's Daniel Miller.
Egon Bondy's Happy Hearts Club Banned
** Special edition of 300 copies on Transparent/black marbled vinyl housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist g…
Manifestations In The Shadow Of An Uncertain Land
Manifestations in the Shadow of an Uncertain Land unfolds through aleatoric composition and intuitive process, shaped by deeply entangled political and aesthetic lineages. Rooted in lived experiences of bodies and minds navigating the localized and global weight of imperialism, the work also draws from the temporal logic of film and literature, where memory, dread, and anticipation coexist. Working with voice and modular electronics, Lowe treats sound as a sculptural and cinematic force, informe…
Time & Condition
* Limited edition housed in a die cut craft sleeve, flooded pocket, in printed inner sleeve, with insert * Malik King was an important part of the St Louis jazz scene of the 70's & 80's. He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Hu…
Emile Jacotey
This is one of the cornerstones of French progressive music. Originally issued in 1975, Émile Jacotey is the fourth LP by Ange, the band from Belfort that stood, by the middle of the decade, as the undisputed leaders of the French rock scene - and it remains among the most singular concept albums the era produced anywhere in Europe.
The album's great achievement lies in how it binds together two major cultural currents of 1970s France: the national passion for progressive rock, and what came to …
Fellini Satyricon
Nino Rota's most radical work finally gets deluxe treatment. His groundbreaking Fellini Satyricon score abandons melody for archaic soundscapes - tribal percussion, atonal instruments, dissonant choirs creating an alien musical language. This avant-garde masterpiece evokes ancient worlds through pure sonic imagination. Limited transparent red vinyl edition of 500.
Catherine Spaak
Catherine Spaak's self-titled 1963 debut album encapsulates the elegant melodic pop style of early 1960s Italy, extending Spaak’s cinematic charisma into the recording studio. Produced with the collaboration of top talents and distributed internationally, the album showcases her gentle vocal approach over finely arranged tracks, balancing French chanson influences with distinctly Italian songwriting. This release reflects Spaak’s position as a cross-cultural muse and a vital pop presence in the …
Kobaia
In early 1967, John Coltrane died. Christian Vander was twenty years old, living in something close to poverty in Paris, and Coltrane's death pulled the ground from under him. He went to Italy, to Milan and Turin, and spent nearly two years in a state of deliberate self-destruction. One morning in Turin he woke up and decided to stop. He returned to Paris, met bassist Laurent Thibault, and began working on something that had no name yet.
By 1969 Magma existed as a group. By 1970 they had a contr…
Faust'o
‘Faust'o’ is the eponymous artist's fifth album, produced and arranged with Alberto Radius. Reissued for the first time since 1983, the year the original album was released, it is now available in a black vinyl / 180 gram version, with a limited and numbered edition of 300 copies.
Non si sevizia un paperino
Transparent red vinyl format / 180 grams, limited edition numbered to 500 copies. The soundtrack for “Non si Sevizia un Paperino” (1972), composed by Riz Ortolani for Lucio Fulci’s giallo masterpiece, is a work of extraordinary intensity and contrast. Ortolani, a master at balancing melodic beauty with unsettling atmospheres, perfectly captures the essence of a film that blends mystery and violence with the innocence of a small Southern Italian village. The film, one of Lucio Fulci’s most acclai…
Kill!
Berto Pisano's lost 1971 masterpiece finally surfaces. His Kill! soundtrack blends gritty funk, sophisticated lounge, and psychedelic experimentation into magnetic perfection. Wah-wah guitars, hypnotic grooves, and exotic instruments create a seductive world of espionage and eroticism. Holy grail for collectors, now on transparent yellow vinyl edition of 500.