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Nicolae Brînduş's Match / Soliloque 1&4 / Antifonia reissues the composer’s most eccentric works from the PHTORA cycle (1968-1972), blending collective improvisation, spectral tradition, Romanian folklore, and free jazz into a mesmerizing tapestry. Tape manipulations and reverberation add depth, while Ana Golici’s sleeve art captures the album’s vivid sensibility.
Iannis Xenakis's late electroacoustic music became electronic: all sounds are synthetic "explicit computer music" as Peter Hoffmann called it. The music presented here shows Xenakis's way back from spatialized immersive music and multimedia spectacle to simple loudspeaker music. The sound does not move anymore, there are no synchronized visuals: nothing remains but structured noise. Xenakis used two inventions he had already presented in the context of the Polytopes: sounds created by stochastic…
2022 Repress "Fractals" (1981): Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac. Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored. "Fractals" is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself. "Fractals", music p…
"Flutist Roberto Fabbriciani continues his releases dedicated to the flute repertoire of single composers with works by Belgian composer Henri Pousseur (1929-2009). Previous releases on Mode featured Aldo Clementi and Bruno Maderna.As with Fabbriciani’s preceeding Clementi and Maderna releases, this Pousseur release marks the first time Pousseur’s works for flute have been collected in one recording. It is important to note that Fabbriciani had a long working relationship with the composer.The s…
**Third edition of 70 copies, white water based ink silkscreened by Gerard Herman on thick brown board with die-cut center hole. Original white vinyl with silkscreened gold labels.** LP from Timo van Luijk and improvising jazz drummer Kris Vanderstraeten. spaced out improvised music, mainly acoustic and with a strong percussive touch. First album in their 10 year collaboration.
Edition of 300. 'L'etat intermediaire' (the intermediate state) began amidst the ending points of 'A Paper Doll's Whisper of Spring' (FP 022 : recorded 2012) and further inspired by some live performances in Leuven and London using mostly acoustical instrumentation. 'L'etat intermediare' collects 10 pieces by Andrew Chalk & Jean Noël Rebilly recorded over four years and into a narrative of personal journeys using some collected sounds, clarinets, string and keyboardinstruments. “Dreaming when …
In the 1970s, Robert Cahen turned to the burgeoning field of video art, where he became a pioneering artist. He was originally trained in musique concrète, his creative background, and joined the Groupe de Recherches Musicales in 1972. The pieces on this record were composed in the GRM studios between 1971 and 1974. They testify to a lively inspiration and imagination combined with a precocious formal mastery that already carries the seeds of later developments, which the artist cleverly and inv…
Last copies...Super tip! Divine Comédie stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante’s poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long time, this triptych was presented as a two-sided work in which Bernard Parmegiani’s Hell and François Bayle’s Purgatory responded to and extended each other, guided by Michel Hermon’s voice through the listener’s imagination. Because Paradise, a mixed p…
A subtle, moody, rich and wide-ranging work, in which atmosphere, emotion and dramaturgy lead the ear far beyond music into a world of hints, evocations, anticipation and association and, in passing, reveal a complex metonymic language that, at a deep level, invokes that mostly unconscious lexicon of sound we have all absorbed collectively and subliminally in the course of a century of movie-going, television viewing, documentary recording and electroacoustic experimentation. Once sounds have be…
**Much needed repress.** Often, when looking back over the history if experimental music in France, easy divisions can be seen to emerge. There are the pioneers of improvised music, usually associated with jazz, and there are the pioneers of electronic music, including tape, synthesis, and electroacoustic practice. This separation is convenient and serves historians well, providing simple answers for the what and why of what occurred, but, in most cases, fails to represent the true spirit of any…
Rezas Populares do Brasil, Anamak, Amkéa and Annazone, are vocal works. All the sounds on this disc originate with the Brazilian singer Anna Maria Kieffer. Two works, Anamak and Amkéa, have an "orchestral accompaniment", composed of tropical bird songs. Making use of elements of electroacoustic music and sound poetry, the music expresses wonder at Brazil's tropical beauty and, ultimately, an intense love of the abstraction of words and musical forms.
2004 release. Four previously unreleased realizations of Karlheinz Stockhausen's "Zylus" (different recordings than the one featured on the Columbia LP Electronics and Percussion -- Five Realizations. Recorded 1959-68. The term "New York School" refers to a circle of composers. "Zyklus" was written in 1959 and is one of the first solo pieces to utilize such a large number of percussion instruments (twenty-one). When Max Neuhaus first started to play this piece there were only three percussi…
*200 copies limited edition* In 1984, Música Electroacústica Mexicana was released as the third volume in the series Colección Hispano-Mexicana de Música Contemporánea, co-curated by Antonio Russek and artist Ángel Cósmos. This anthology served as a tableau of the contemporary state of Mexican electroacoustic music, featuring works by Russek, Raúl Pavón Sarrelangue, Roberto Morales Manzanares, and Vicente Rojo Cama. It marked the first-ever electroacoustic music release from Mexico. Although exp…
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
Bomb! Edition of 500 copies, with fold-out insert. Rolf Gehlhaar (1943-2019) was an instrumental and electronic music composer, and a pioneer in computer controlled interactive music. He grew up in the US where he studied philosophy and composition at Yale University. In 1967 he moved back to Germany to become Karlheinz Stockhausen’s personal assistant and member of his performing ensemble. In 1969 Gehlhaar co-founded, along with Johannes Fritsch (Metaphon 012) and David Johnson, the Feedback St…
*300 copies limited edition* Timo Van Luijk with percussionist Kris Vanderstraeten, together for an enchanting exploration of liminal psychoacoustic space. "Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt,Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Rogu…
**300 copies, 2019 stock** Percussionist Kris Vanderstraeten is one of the unsung heroes of Belgian free improvisation. Since the seventies, he has been experimenting with his unique set-up and different collaborations: the trio Sureau, a duo with Timo Van Luijk, several performances / recordings with young experimentalists.Trommels! is Vanderstraeten’s second solo album. It lures the listener into a universe without rules, a place where intuition and imagination decide what happens. Vanderstrae…
Some Fine Legacy is proud to announce the first LP by Project Pope, the collaborative project of Antwerp artist Gerard Herman and Christoph Heemann, known from his solo output as well as many releases with Mimir, In Camera and Mirror. Prior to Project Pope Gerard Herman has been producing a series of intriguing solo LP releases for the Entracte, Kraak and Opgewarmde Groenten labels. Then in 2021 the two met for a week at Les Ateliers Claus in Brussels to produce this new masterpiece of distorted…
*300 copies limited edition* Dreams, subtitled Scenes I-XV, captures imaginary scenes and sequenced into a full album of 52 minutes length at Impression Lointaine. Dreams being archaic and unpredictable in its composition, such as dreams themselves that make little sense upon waking and assembled using time limited constraints. And while immersed, and in privacy, form a thread of personal communication like a nostalgic memory-a painting of which we inhabit ourselves.
Many things of the past
Are…