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2025 stock Simply one of the most seminal band in italian underground rock in the last 10 years. Don't miss them.

The two Old Time Relijun member Arrington De Dionyso and Aaron Hartman join Jacopo Andreini (Bz Bz ueu, L'Enfance Rouge...) and Fabio Magistrali (A Short Apnea) for a instrumental avant-jazz improvised project.

Recorded 9 August 2002 in Berlin.

Recorded between August and September 2004 in Duisburg.

Recorded on 25 May 2003 in Metz.

Udo SCHINDLER, soprano saxophone, bassclarinet. Margarita HOLZBAUER, cello. Harald LILLMEYER, electric guitar. Udo SCHINDLER, soprano saxophone, bassclarinet. Margarita HOLZBAUER, cello. Harald LILLMEYER, electric guitar. Udo Schindler studied flute on conservatory and architecture on university. starting as guitarist + saxplayer with rock and rockjazz. after moving to munich, performing free jazz, experimental and improvised music, Neue Musik, compositions for stage- and radio-play, lyric-publi…

Coralie Lonfat, laptop. Nathalie Huber, piano, objects, harmonium. Recorded in november 2012 at Atelier Musiquezag, Lausanne (CH).

Jason Kahn - amplified percussion. Vincent Millioud - violin. Bo Wiget - cello. Christian Weber - contrabass. Recorded in Zürich, 2008. Cover design Jason Kahn.

Dario Sanfilippo, computer, FeNeBaNo-LiDiSProS Project (Feedback Network Based Non-Linear Digital Signal Processing System). Recorded, mixed and mastered in 2008. Dario sanfilippo was born in Agrigento, Italy in 1983. He started working on electro-acoustic music in about 1997. Since then, his research concentrated on experimental and non-conventional music, both composed and improvised. His current main projects are based on computer for the creation of non-linear DSP systems through feedback-ne…

'Computer (Laptop), guitar: Mark Trayle. Percussion, Synthesizer (Analog), Composed By (Graphical Score) : Jason Kahn. Piano (Prepared): Olivia Block. Saxophone (Alto, Sopranino), electronics (Live-electronics): Ulrich Krieger. Recorded by Clay Chaplin April 25, 2008 in Los Angeles at the Cal Arts Center for Experiments in Art, Information and Technology Festival.'

Udo Schindler, bass- & contrabass-clarinet, soprano saxophone, cornet. Elisabeth Harnik, pleyel-piano. Live recording Octobver 26, 2012 in München.

Awesome trio, Ernesto Rodrigues, violin, viola; José Oliveira, percussion, acoustic guitar; Marco Franco, soprano saxophone. Recorded on 6 November 2001 at Exit Studio, Lisbon.

Recorded in real-time 28.11.01 in Lisbon.

Recorded and mixed in July 2002 at Estudi 84, Barcelona. Thanks to Anki Toner and Jakob Draminsky.

Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric continuity of each of them and the way it comes about, intuitively directed by a kind of sonorous alliteration. rumeur is about the manifestation of sound in its fluidity, its prolongment, or, better said, its sequence, in the same way that a rumour, by…

Recorded in Paris, May 27th 2001.

Recorded in the dining room of the Maison Bustros, Beirut, Lebanon on 21 August, 2004.

Recorded between th 31th July and 1st August 2003 at Tonstudio by Hrólfur Vagnsson.

Ferran Fages, electric guitar.Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played.'a cavall entre dos cavalls' is a exemple of that. The record…

Recorded, mixed and mastered at Experimental Sound Studio, Chicago on 5 June, 2004.

Recorded live in Jersey City, NJ on 8/8/2004.Mixed and mastered at Amme Studios in NYC 9/1/2004

Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music.

Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music. Away from mainstream artistic path, the band keeps on his quest for an honest experimental musical language. Anatrofobia’s music is a mix of improvisation, writing, acoustic and electronics, experimentation of non-idiomatic structures, unique timbral combinations: Anatrofobia plays with constantly variable themes, saturation and rarefac…

Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.

Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.

"This is another perfect Nimh album, a world of magnetic, somnanbulic, fuzzing, moving electronic textures and drones covered by glacially melancholic guitar parts. These recent years there have been many descent projects published under the dark ambient - prog electronic label, but The Unkept Secrets is exceptional, reaching a degree of composition and complexity rarely obtained in this specific genre. Meridians opens the album with an intimate, colourful, extatic droning minimalist guitar comp…

**200 copies** "Like The Snow delivers his first work after five years of research and experimentation. The project comes to life collecting a series of tracks that travel through electronic and ambient music in a dark sound world... At times almost danceable, absorbing the influences of the beloved synths of the '80s, reinterpreting in his own peculiar way the moods accumulated over time. For lovers of the most classic New Wave, Clan of Xymox and Neon... A project to discover and support."

If the history of The Beach Boys includes the legendary 'lost' (...and rebuilt...) album Smile and The Who's Lifehouse album remained unfinished, even Le Forbici di Manitù can boast their "lost album", an ideal follow-up to their first full-lenght work entitled Saliva calda (Hot Saliva), published on cassette in 1990 by Rosa Luxemburg Corporation and reprinted again on tape in 2016 by The Tapeworm in London. The Vecchie vacche (Old Cows) project was in fact started around 2000 by the two origina…

A single, long, deeply moving, slow and expanded drone-track, built on everchanging sonic masses, low frequencies, strong electric/electronic sounds, field recordings, feedbacks, buzzes, hisses, rough distortions, sunken organ chords, subdued inserts of strings orchestral parts. Alternation of progressive crescendos, ambiental stasis, sudden, dramatic and catching dynamic shocks... An involving and extraordinary "trip" across an obscure sonic path, convincingly assembled in collaborative form by…

A new double cd from Silentes, containing soundworks by 'Chaotische Fraktale' and 'Letze Technologie'. These works were sourced from collaborations between M.B./Maurizio Bianchi, and Frequency in Cycles for Second/Sandro Kaiser. A fascinating sonic mix of influences here... industrial, electro-experimentation, minimalism, noise, and deep-listening. Large, drone-based segments meld with the distant sounds of reverberating piano and soft whispered melodies. Dramatic and dark. Huge pools of sound, …

This is the final chapter for this project run by Gianluca Becuzzi - well known for his old dark wave project Limvo but also for his solo works and collaborations with Fabio Orsi. Final Archives is a sort of collection of rare tracks recorded from 1999 to 2006 totally reworked and remastered in 2009. Absolute Grey is the title that Kinetix gave to his graphic artwork selection exhibited with an ambient score specifically composed for the exposition space. The exhibition is made up of ten grey sc…

Warm, involving, deep and penetrating sounds... Flowing sounds patterns, vibrating drones permeated by a discreet sense of tension, evolving in dark, obscure, foggy, nocturnal atmospheres, violated by raven voices, mysterious noises and sounds of metal objects in motion... And then concrete noises, confused and elusive melodies, feeble light flashes, buried echoes of human voices, distantr whispers, sudden passages of rough sounds, undefined nuisances, subliminal and hypnotic sequences, just lik…

**200 copies** Another gem by Fabio Orsi to launch the new decade in the best possible way. A long journey of over one hour that aptly summarizes the whole sound world that Fabio has created during the years. Ambient textures and long electronic excursions permeates these timeless tracks in the best tradition of the Italian ambient master.

Here comes a new welcome entry in the ‘private sounds’ series of the now growing 13 catalogue. "Ghosts of Industrial Sunday" is a short film by Maria Assunta Karini and Francesco Paolo Paladino, whose music were composed by Simon Fisher Turner. This release consists of a video DVD, which contains the film, and a audio CD that features the original soundtrack and other compositions inspired by this project that Turner created on purpose; they are accompanied by an oversize 20 pages booklet that o…

1996 release  ** "Rust Voor de Stilte" means "Quiet before the silence" and is inspired by fading memories and unattainable desires. "Rust Voor de Stilte" is music from the soul that speaks to the heart. Bittersweet strains reminiscent of music box melodies combined with elegant rhythms are just some of the elements that set this work apart from other contemporary ambient releases. Emmanuel Tuts-Schiemsky’s cool mixture of beauty and melancholic grace is a journey through experimental sounds.."

2004 release ** "Ideally inspired by the Inquisition era, like some titles of the tracks may suggest, "Whispers from the Ashes" presents Nimh (Giuseppe Verticchio) and Nefelheim joined together for the production of a dark oriented CD that alternates obscure and haunting atmospheres with more gloomy and sometimes dramatic and highly evocative episodes... In a blend of low frequences, metallic sounds, echoes of distant voices and human screams, whispers, concrete noises, ritual processions, sudde…

2004 release ** "This album reveals Giuseppe Verticchio’s incredible capacity to introduce us into an unique world of “concrete” sounds that sublimate the common nature. All compositions are means of communication. Concrete noises and electronic fequences are totally intertwined in an homogeneous spectral process. Lost signals features a minimal, obsessional synthesised micro-signal, endlessely repeated. It is progressively covered by moving, spherical electronic sequences, a cascade of natural …

A suggestive gallery of abstract images, confused fragments of life and real living experiences, sights of urban landscapes... Noisy and electronic interferences, mechanical machines movements, concrete noises, low frequences fluxes, hissing sounds,  interferences, but also melodic acoustic guitar pieces, human voices and other field recordings... A brave, uncompromising and heterogeneous "decomposed" mosaic of avantgarde sound art beyond time, beyond any point of view and any geometric coordina…

A monumental album featuring three impressive tracks in which Z'EV (mythical avant-garde experimental artist, percussion master and world wide performer), collects and exhibits brave and incredible sonic solutions, mixing and alternating enormous, deep and sometimes exploding and devastating sound masses based on low frequencies, to noisy metallic sounds, gongs and cymbal stratification... all oriented in temporary resounding "tunnels", where sonic elements are mixed through suggestive cyclic ec…

2025 stock "Limited restock, last copies... An original sealed pressing of Michael Yonkers's Michael Lee Yonkers from 1974. Self-recorded in 1971 and '72, Michael Lee Yonkers has often been referred to as Michael's "country" album. It is many folks' favorite of his early works, and is likely the weirdest. The roughhewn quality of these recordings has caused listeners to make comparisons with other "real people" outsiders like Grudzien and the Holy Modal Rounders, but there are more obvious, well…