zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
Huge Tip! The New York based duo of Che Chen and Rick Brown, 75 Dollar Bill, return with Power Failures, their first full length since 2020. Issued as a beautiful double LP by Karlrecords, and possibly their best record to date - taking on expanded explorations and a greater sense of abstraction - across its four sides we encounter Chen and Brown interweaving hypnotic polyrhythms and complex tonal collisions, with occasional (and brilliant) contributions from "Little Big Band" mainstays Steve Ma…
From 2008 until 2017 Danai Simou has been working on the project WORMS. WORMS is a study on how inflictive memories can affect the present time. A research on sexuality, the human body, fears and desires, either through the use of her own body or over her close surroundings. Shot from the time she was seventeen years old until now. She has used DSLR, mirrorless, compact cameras and smartphones. A hand crafted xerox-printed photo zine with screen printed cover including the same titled project. A…
I.A. Maastunnel' A handmade art object of the work has been published in a limited edition of 50 copies by label Aloardi. It is a wooden pack made with the laser cutting technique, in a design based on the maps of the Maastunnel. It contains an USB pendrive with the documentary, including a bonus audio track, and an audio tape with the soundtrack.
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitting back a bit, seeking a wider focus. Wright gets nicely strident here and there, Coleman generally staying with breath tones early on, getting more vociferous later, Kasyansky hither and yon, doing a fine job integrating and coloring. There's a brea…
2008 release ** Limited edition of 250 hand-numbered copies. Comes in a folded A2-poster sleeve. "HBK is an ephemeric project held among musicians behind Genetic Transmission. Moan and Nojsens. Three minds. three individualities. tree artists sharing one inspired vision. These are people we know for years so it became somehow natural to invite their bastard child to our NN therapy group finally. starting the "Harsh Kontakt" series of relases from now on. The sound sculpture presented hereby has …
Bas van Huizen is a Dutch artist based in Xi'an, China. He mainly uses guitar, voice, found objects and computer to record work that ranges from beat based electronic music under the moniker Basi Goreng to more abstract works under his own name. In 2013 he added another pseudonym to his discography with an experimental noise album by Shoganai. In addition to music and sound art Bas van Huizen is also active as a video artist creating animation, music videos, live visuals, and video installations…
2008 release ** Comes in a folded A5 cardboard sleeve. "Accompanying Iron Molar’s second step into noise hell is, like a diabolical Virgil, Peacemaker, a “noisy” project by the drummer of the already noisy Brutal Truth and Total Fucking Destruction. One piece for the Italians, three for the American. It’s a shame that the space reserved for our compatriots is so limited, because Là Dove Vita C’Era I Volti Sembran Teschi In Cera is an excellent piece, marked by a solemn martial beat, which deve…
2007 release ** Oversized cardboard sleeve. "With his fourth solo-release, Reto Mäder aka RM74 takes us on a fevery missionary journey which is driven by an unholy quest for saturation and leads us into the dark places where tortured souls dwell. Unpredictably muckraking in the shoals of timeless abysses, RM74 seeks to kindle the supressed fires of passion. Nothing less! To do justice to this mission, Mäder interweaves acoustic instruments such as an organ, a piano, a bassguitar or a harp with a…
*100 copies limited edition* Shame File Music and Albert’s Basement follow up the critically-acclaimed 2022 reissue of seminal Melbourne band Ad Hoc's Distance cassette with the band's obscure barely-released (perhaps six home-dubbed copies) live cassette Corpse - available digitally and on a limited edition of 100 cassettes from September 2023 (pre-order now). Differing dramatically from Distance, Corpse captures the trio presenting a wall of almost self-playing instruments live to a bemused Cl…
Per-Ake Holmlander is born in 1957 in Skellefteå in the very north of Sweden. Holmlander received his diploma in classical tuba in 1983 at the Royal Academy of Music in Stockholm with Michael Lind as a teacher. Holmlander has always worked simultaneously with improvisation, jazz and rock music as well as classical and contemporary music.As an improviser Holmlander has worked with - Eje Thelin, Marilyn Crispell, Paul Lovens, Folke Rabe, Phil Minton, Sten Sandell, Sven-Åke Johansson, Mats Persson,…
Anchored in the idea that, despite all obstacles, the human experience casts a net of possibilities, Defiant Life – Vijay Iyer and Wadada Leo Smith second duo recording for ECM – proves a profound meditation on the human condition and both the suffering and resilience it entails. An ethereal iridescence glistens between Leo Smith’s unmistakable trumpet wail and Vijay’s textural key strokes on piano and Fender Rhodes, conjuring multi-dimensional spaces of thoughtful musical conversation. “We work…
Norwegian bassist Arild Andersen, an ECM musician for more than fifty years, is a masterful player who has always welcomed a challenge. His first recording with his new quartet – including rising stars Marius Neset and Helge Lien (both bandleaders in their own right)– is almost entirely improvised. The players make the leap of faith together and find and develop forms at the moment, an object lesson in spontaneous group creativity. Affirmation was recorded in November 2021 at Oslo’s Rainbow Stud…
Future Shuttle is a Greenpoint, NYC-based duo (sometimes trio) comprised of Jessa Farkas and Camilla Padgitt-Coles. Prior to the group’s early 2009 conception, the pair studied electronic music at Oberlin College alongside their friends in Blondes and Teengirl Fantasy. Blondes member Sam Haar also produced the Water’s Edge EP, the group’s first officially released recording. In Future Shuttle’s beautifully dense brew of psychedelic reprogramming, Tangerine Dream meets the KLF at the UFO Club, an…
West Coast synth guru Jonas Reinhardt (aka Jesse Reiner) makes his 100% Silk debut with 'Foam Fangs', which sees the usually downtempo producer pushing things up a couple of notches. The cosmic Jarre-esque synthesizer washes are still present, but are bolstered with chest-punching 4/4 rhythms and rubbery looping sequences straight out of the 1987 house rulebook. Somehow this gives the EP the glow of Detroit-era pioneer Juan Atkins and muddles it with the Italo-laced fuzz of Johnny Jewel. …
Chris Rose's Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I'm pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it's deceptively simple. Voice, guitar, some noisy shit, whatever. His playing is sick: fluid, unforced, warm, soothed and soothing. It's a bath you don't want to exit. Seriously, if yr going to play gui…
Last year, Bill Orcutt of 90s gnarly Miami noise group Harry Pussy blasted the bejesus out of blues with a beat-up guitar and blew us all away with How The Thing Sings to get a spot on our favorites of 2011. Now, Orcutt’s buddy Mark Feehan, who frequently played spastic guitar for Harry Pussy, is releasing his first solo record, MF, with old Harry Pussy promoters Siltbreeze Records. Feehan’s independent work is somewhat similar to Orcutt’s acoustic binges of raw Americana, but it echoes louder h…
Valedictorian/Exoskeleton, Dan Friel’s first release for Thrill Jockey, contains two brand new songs, as well as the first ever remixes of his music. “Valedictorian” opens the EP with a burst of adreneline, pure pop filtered through a layer of noise. “Exoskeleton” is more mysterious, with bursts of Friel’s overdriven synths coming in and out of focus over a steady pulse. The first remix is a dancefloor ready take on “Exoskeleton” courtesy of Moss of Aura, the solo project of Gerrit Welmers, one …
Over more than a decade Peter Kolovos has created an incredibly physical and dynamic musical language using the electric guitar. He plays music that unpredictably flows from electrified fragments of sound which fold and expand in dense layers and massive tones that surge and collapse in rapid succession. His approach has been called 'massively a-formal' and his control of timing and texture 'masterful.' Rather than set harmonic or rhythmic structures, he draws form from open sequences of …
In Chinese mythology, Pan Gu is the primeval man, born of the cosmic egg. One day the egg split open. The top half became the sky and the bottom half the earth. Pan Gu, who emerged from the broken egg, grew ten feet taller every day, just as the sky became ten feet higher and the earth ten feet thicker. After 18,000 years Pan Gu died. Then, like the cosmic egg, he split into a number of parts. His head formed the sun and moon, his blood the rivers and seas, his hair the forests, his sweat the ra…
Hockey Night was born accidentally at the Colour Out Of Space Festival in Brighton in 2008. It's a free jazzy brainchild of four Finnish musicians: Arttu Partinen, Jaakko Tolvi, Jonna Karanka and Sami Pekkola.Recorded live at Lal Lal Lal Festival 2012 by Élg and Jussi Ahonen.Mixed by Élg, mastered by Pentti Dassum, covers by Jonna.
After a twenty-three-year hiatus, The Dance of Reality marks the triumphant return of Alejandro Jodorowsky, the visionary Chilean filmmaker behind cult classics El Topo and The Holy Mountain. In the radiantly visceral autobiographical film, a young Jodorowsky is confronted by a collection of compelling characters that contributed to his burgeoning surreal consciousness. The legendary filmmaker was born in 1929 in Tocopilla, a coastal town on the edge of the Chilean desert, where the film was sho…
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
Sasu Ripatti links with the legendary Max Loderbauer (NSI., Sun Electric, MvO Trio) as Heisenberg for two knotty, complex riddim trips on his \"studio diary\" imprint. Adopting the mantle of the eponymous fictional meth chef*, the duo conduct fevered but controlled experiments in frayed, often frantic grooves eaten up with dissonant, freeform electronics. A-side is a 125bpm techno tunnel groove with offset bass hits embedded in a swarm of combustible modular chain reactions that dissolve to a gu…
The prickly, Autechrian productions of Chris Douglas aka Dalglish find a sympathetic home on PAN with 'Niaiw Ot Vile'. Under myriad guises - Scald Rougish, Seaes, Rook Vallade, among others - Chris has forged a twenty year career as a self-imposed arch-outsider on the fringes of electronic music, finding recognition and respect from intrepid explorers for his persistence and uncompromising approach, all the while remaining an elusive presence. Most notably he's worked with Mad Mike and Drexciya …
The project was created over two years in Seyðisfjörður, Iceland and in Berlin, Germany, and is an evolving conversation between Döring’s improvisation on acoustic instruments such as clarinet and saxophones, and Korabiewski’s electronic live treatment and composition with Döring’s sounds. A third compositional element is contributed by the particular ambiences of the spaces in which the recordings took place, as Korabiewski and Döring came together to record at sites with personal and acoustic …
DW is an on-going cycle of Bernhard Lang's pieces, where composer explorespossibilities of loops and repetitions, which became his compositional trademark. Songbook I is another piece where Lang highly involves his patterns from Jazz and Pop music, transformed through “damaged beats”. "For many years one of my main influences beside the work of Philip Jeck were the movies of Martin Arnold: they more or less became the trigger for the series of pieces called Difference/Repetition
Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "bionic music." Notwithstanding the difficulty of listening, especially upon initial impact, you are facing treated and filtered synthetic sounds that become new organisms -- sound cells analyzed under the microscope. This CD also includes excerpts from private tape edit…
The origin to the name Oakeater is instructive to the underlying framework for this Chicago outfit. “Loosely influenced by Norse Mythology and an industrial shredder” cites Oakeater’s Alex Barnett, locating the band as a chimera of loaded allegorical components. Barnett, alongside Seth Sher and Jeremiah Fisher, formed Oakeater in the mid-aughts, recording and performing in fits and starts. The division of labor is rather fluid in the use of re-purposed electronics bolstered by guitars, sy…
Over the roughly ten years of their musical activity, Nadja has undoubtedly become one of the most well-known and influential Drone bands around. Their unique soundscapes, characterized by epic soundscapes, radiating synths, and hushed vocals have a truly mesmerizing effect and capture you with their bizarre beauty. On this album, Nadja explore new territory and focus on the endless ocean of the mind. Aidan and Leah are joined by Peter Broderick on violin, and Angela Chan on viola.
LP version in combination offset/screenprinted jacket. Edition of 500. The second L A N D album, Anoxia, sees Daniel Lea return alone with an outing that marks a shift from the industrial-inflected jazz-noir of 2012's Night Within into distinctly new terrain. Mixed by Ben Frost at Greenhouse Studios, Reykjavík; mastered by Rashad Becker at D&M, Berlin. CD packaged in a combination offset/screenprinted jacket. "Anoxia" means "total absence of oxygen," and in Lea's hands the term heralds aural e…
This record is the first record of this group to be released (not to be confused with the German namesake training krautrock record release on the Pilz label in 1971). It consists of tracks recorded on stage and in the studio from 1976 and 1978, when Dies Irae was at the top of its game. A record that will allow you to judge the qualities of this little-known group that claims its influences (including notorious groups of the era King Crimson, Van der Graaf generator and Magma) nevertheless has …
"Originally issued as a private LP in an edition of 400 copies in 1983. MB de-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperation of the negative. A sound that dilutes and coagulates, eluding the listeners with minimal variations that make the cyclic style of Phillip Glass resemble a carousel of colors. This CD also features two untitled tracks first issued on compilation cas…
Already established in the world of contemporary interpreters, with her debut release presents Hsin-Huei Huang her multiple pianistic abilities and approaches. Covering different composers through their very different styles, Huang offers mechanics (Lang's Hammerklaviersonatenmaschine), virtuosity ( avli) and sensitivity (Pintscher) all of that through fascinating amount of not only performing, but programming responsibility...
The Département d’Éducation Psychique group - Dynamo Dreesen and SVN : Andreas and Sven = DRESVN & Jean-Marc Foussat - was born in Paris June 25, 2014 in La Java, at a concert organized by Xavier Ehretsmann. The proposal of Xavier and our deep desire at all was to “mix” various networks for the unexpected meeting, improbable, surprising… of artists referenced “techno”, here DRESVN, with others from the “improvised music” in this instance Jean-Marc Foussat. And so as the duo DRESVN the German has…
**260 copies** Walser, the new album by Robert Piotrowicz, is a reiteration of the artist’s composition for the namesake film by Zbigniew Libera where a fictitious Concheli tribe enacts its ritual gestures through music and performance. Rather than following a traditional soundtrack format where music is written after the film is cut to illustrate the cinematic form, Piotrowicz treats the film music as a point of departure to create an autonomous sound work altogether. While its aesthetic narrat…
First time available 2CD set art-edition of the Charlemagne Palestine performances at Sonnabend Gallery, New York City, 2001. Privately issued by the composer in collaboration with Sonnabend Gallery and issued in an edition of 300 signed copies in large silkscreened gatefold folio in 2002. This art edition was never officially distributed and after 10 years a limited amount of copies is now exclusively available for the first time from Alga Marghen. The first contact between Charlemagne Pa…
Rainbow Island sound brings together elements of electronics, psych-space rhythms and temporal explorations. Their previous record RNBW was meant to be the inauguration of the project and the launch of the journey to the unexplored Bongolandia, while Crystal Smerluvio Riddims is the continuation of the exploration, brought to a more mature and conscious level. In this new album Rainbow Island’s futuristic psychedelia meets dub and primitive rhythms. In Rainbow Island words, the rhythmical heart …