Portico Quartet / Hania Rani brings the singular Polish pianist and composer, Hania Rani, and East-London based widescreen minimalists, Portico Quartet, together for a unique collaboration. The idea was simple, each artist would rework one of each other's tunes. The result is a beautiful collaborative work that feel less like straight forward remixes and more like a new recording that brings the two acts distinctive sound worlds to a new place. The first track to be shared is Hania Rani - Nest (…
2001 release ** Limited edition of 600 hand-numbered copies. Special packaging with a fastener. "Roger Rotor has been involved in various projects of electronic music since the 80s (Bloodstar, Myiase and Rotor Syndrom among others), from grind/noise to industrial techno, characterised by their hypnotic rhythms and improvised manipulations. Without the use of sampling or digital sequencing, Rotor (synths, rhythm, tapes, effects) is joined on this recording by Rolf Brunner (car, synths, tapes). Th…
2017 release ** Limited edition of 200 copies. "Costis Drygianakis has been quietly working on his music in his native Greece, mainly self-releasing, since the early 1990s. In recent years he has been releasing field recording archives related to the More Mars Team, but this is his first original composition in a long time, with the cooperation of many performers including Jason Lescalleet. With collage, field recordings, and noise, this work fully displays the unique creepiness that this artist…
Dialogo launches their brand new Piero Umiliani Legacy Series, with stunning reissues of "Africa" and "Continente Nero", two of the celebrated Italian composer's most important and creatively visionary works, which have been remastered from the original analogue master tapes.
2024 stock. Ouroboros is an ancient symbol dating back more than 4000 years. A snake or dragon eats its own tail, and represents eternity, or the circularity of life. A more modern interpretation might suggest that mankind will eventually consume itself once it finishes consuming all the life and resources on Earth.Snake species are in decline just about everywhere. Agriculture, pesticide use, roads that separate breeding populations, habitat loss, decreased food supply and predation by other a…
*2022 stock* Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance …
*Includes 24-page booklet with photos and liner notes* Steve Reich's commercial success had ballooned after his prior release on ECM, Music for 18 Musicians, and this collection of three compositions, two new and one from 1967, was the follow-up. Music for a Large Ensemble is very much of a piece with the prior work, using extended melodic lines, a larger palette of sound colors, and key changes every several minutes. It's charming and pleasantly busy in an industrious way but really covers litt…
The Scandinavian project Arcanum brings together four artists all well-known to followers of directions in music at ECM: Arve Henriksen, Trygve Seim, Anders Jormin and Markku Ounaskari. They’ve played together in many permutations over the years, but this is their first album as a quartet. Compositions by Anders Jormin and Trygve Seim, the Finnish traditional “Armon Lapset” (Children of Mercy), and Jormin’s arrangement of Ornette Coleman’s “What Reason Could I Give” are slotted into a programm…
A Dark Flaring marks the Signum Quartett’s impressive return to ECM’s New Series after debuting for the label with striking performances on Erkki-Sven Tüür’s acclaimed chamber music recording Lost Prayers (2020). Here, the quartet has put together a unique programme dedicated to six South African composers, born in the 20th century, whose works for string quartet are united by the way they blend respect for the past with an instinct for the future in a wide-flung idiomatic scope. Whether writing…
Following on the back of their recent reissues of the Italian library music giant Piero Umiliani's 'Continente Nero' and 'Africa', Dialogo returns with three brand new entries in their Piero Umiliani Legacy Series, stunning reissues of the composer's mid '70s, highly sought-after LPs, 'Polinesia', 'L'Uomo e la Città' and 'Pianofender Blues'.
500 copies, audiophile pressing. Perfect replica of the original packaging, newly remastered for optimal sound. Initially pressed in very few copies for TV production use only on Umiliani's Liuto label. A monster rare album with music by Alessandro Alessandroni and Oronzo De Filippi , produced by Piero Umiliani at the now legendary Sound Work Shop studio in Rome, January 1971. During the '70s, work days at Umiliani's Sound Workshop Studios were hectic; thousands of sessions were held in order to…
500 copies, audiophile pressing. Perfect replica of the original packaging, newly remastered for optimal sound. Before talking about "Psichedelica", one of the many and rare library albums signed by Piero Umiliani, we must step back in time, until June 1968, when Umiliani was working on the score of "Svezia Inferno e Paradiso" (Sweden Heaven and Hell), one of the many collaborations between director Luigi Scattini and the Maestro. In fact, a large part of the music recorded for that movie, one o…
2025 stock ** Limited edition of 100 copies. "Oorsprong is a tube, a line in a forest, a sound sculpture. Acoustics to be revealed. Activated by entering, it becomes a giant flute producing a tone that is so low, the body crashes into waves of pure pressure instead of sound. Untranslatable energy. Cerchi Cerchi is a quest in a forest to find traces of that untranslatable sound, its impact, its imprint, its memory. A hide and seek in which the body is concealed in the instrument, becoming its sec…
Electronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 ("Three Confusongs" and "Ryound Thygyzunz", featuring the voice and poetry of Stefan Weiser – later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Ca…
"I was obsessed, am obsessed, by The Groundhogs, so gave C93 a chance to cover their perfect "Sad-Go-Round" from their perfect Solid album. I also loved Black Sabbath, but had listened to them so much that I never wanted to hear them again. So Michael Cashmore's Perfect Playing of their intro to "Paranoid" was Perfect Way To Wave GoodBye to them, and slip into my visions of Lucifer Over London, May G+D damn him again. "The Seven Seals_" I wrote whilst sitting at my desk in my Then House in Aubre…
Reeling in the weeks -- which felt like years -- after my first Current 93 album, I had started on the difficult second C93 album, Dogs Blood Rising. Having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week after the release of Nature Unveiled, I realized that God was telling me that I had hit on a winning formula of Christian eschatology and Apocalyptic Christian texts over a Soundscape as cool as flies, but that I was missing the vital ingredi…
"Swastikas For Noddy is possibly, probably, maybe, or not, a seminal and sidereal masterpiece, the inspiration for 93,000 Masks On Nothings, none of which were groovy. For me, well, it was my first hallucinatory pick-nick, and the skies turned pixie red for it. I was given the album's title during an acid trip: seeing Noddy crucified in the sky, I asked God what the most inappropriate birthday present for Noddy might be. God answered me from the acid whirlwind: "Swastikas!" I recorded her in a r…
South-Asian vocalist, multi-instrumentalist and composer Ganavya releases her new studio album “Like the sky I've been too quiet” on Shabaka Hutchings’ Native Rebel Recordings. The album features contributions from artists including Kofi Flexxx, Floating Points, Carlos Niño, Leafcutter John and Mercury-nominated bassist Tom Herbert. Since graduating from Berklee College of Music, UCLA and Harvard, Ganavya has quickly become a much-in-demand artist on the US scene who consistently confounds expe…
Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging out with yout…
"The Light Is Leaving Us All is one of the C93 albums that haunts me the most. I was OverMoon and Blessed to work on it with the astonishing aeonic beautiful talents of Reinier Van Houdt, Alasdair Roberts, Ossian Brown, Rita Knuistingh Neven, Andrew Liles, Aloma Ruiz Boada, Michael York, Davide Pepe, Ania Goszczyńska, and Giulio Di Mauro. Once again, the voice in the mask of one of my favorite authors, and longest colleagues, Thomas Ligotti, also joined C93. The album's title was given to me in …
Benjamin Finger, James Plotkin, and Mia Zabelka craft a mesmerizing sonic world that buzzes and drones, glitches, and slithers, eventually careening into unexplored musical territory. Pleasure-Voltage was born in the mind (and studio) of Benjamin Finger -- a composer, electronic music producer, DJ, photographer, and film-maker based in Oslo, Norway who in recent years has become quite a prolific artist, expanding his stylistic palette from piano miniatures and off-kilter pop experiments to lyser…
zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
Huge Tip! The New York based duo of Che Chen and Rick Brown, 75 Dollar Bill, return with Power Failures, their first full length since 2020. Issued as a beautiful double LP by Karlrecords, and possibly their best record to date - taking on expanded explorations and a greater sense of abstraction - across its four sides we encounter Chen and Brown interweaving hypnotic polyrhythms and complex tonal collisions, with occasional (and brilliant) contributions from "Little Big Band" mainstays Steve Ma…
From 2008 until 2017 Danai Simou has been working on the project WORMS. WORMS is a study on how inflictive memories can affect the present time. A research on sexuality, the human body, fears and desires, either through the use of her own body or over her close surroundings. Shot from the time she was seventeen years old until now. She has used DSLR, mirrorless, compact cameras and smartphones. A hand crafted xerox-printed photo zine with screen printed cover including the same titled project. A…
I.A. Maastunnel' A handmade art object of the work has been published in a limited edition of 50 copies by label Aloardi. It is a wooden pack made with the laser cutting technique, in a design based on the maps of the Maastunnel. It contains an USB pendrive with the documentary, including a bonus audio track, and an audio tape with the soundtrack.
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitting back a bit, seeking a wider focus. Wright gets nicely strident here and there, Coleman generally staying with breath tones early on, getting more vociferous later, Kasyansky hither and yon, doing a fine job integrating and coloring. There's a brea…
2008 release ** Limited edition of 250 hand-numbered copies. Comes in a folded A2-poster sleeve. "HBK is an ephemeric project held among musicians behind Genetic Transmission. Moan and Nojsens. Three minds. three individualities. tree artists sharing one inspired vision. These are people we know for years so it became somehow natural to invite their bastard child to our NN therapy group finally. starting the "Harsh Kontakt" series of relases from now on. The sound sculpture presented hereby has …
Bas van Huizen is a Dutch artist based in Xi'an, China. He mainly uses guitar, voice, found objects and computer to record work that ranges from beat based electronic music under the moniker Basi Goreng to more abstract works under his own name. In 2013 he added another pseudonym to his discography with an experimental noise album by Shoganai. In addition to music and sound art Bas van Huizen is also active as a video artist creating animation, music videos, live visuals, and video installations…
2008 release ** Comes in a folded A5 cardboard sleeve. "Accompanying Iron Molar’s second step into noise hell is, like a diabolical Virgil, Peacemaker, a “noisy” project by the drummer of the already noisy Brutal Truth and Total Fucking Destruction. One piece for the Italians, three for the American. It’s a shame that the space reserved for our compatriots is so limited, because Là Dove Vita C’Era I Volti Sembran Teschi In Cera is an excellent piece, marked by a solemn martial beat, which deve…
2007 release ** Oversized cardboard sleeve. "With his fourth solo-release, Reto Mäder aka RM74 takes us on a fevery missionary journey which is driven by an unholy quest for saturation and leads us into the dark places where tortured souls dwell. Unpredictably muckraking in the shoals of timeless abysses, RM74 seeks to kindle the supressed fires of passion. Nothing less! To do justice to this mission, Mäder interweaves acoustic instruments such as an organ, a piano, a bassguitar or a harp with a…
*100 copies limited edition* Shame File Music and Albert’s Basement follow up the critically-acclaimed 2022 reissue of seminal Melbourne band Ad Hoc's Distance cassette with the band's obscure barely-released (perhaps six home-dubbed copies) live cassette Corpse - available digitally and on a limited edition of 100 cassettes from September 2023 (pre-order now). Differing dramatically from Distance, Corpse captures the trio presenting a wall of almost self-playing instruments live to a bemused Cl…
Per-Ake Holmlander is born in 1957 in Skellefteå in the very north of Sweden. Holmlander received his diploma in classical tuba in 1983 at the Royal Academy of Music in Stockholm with Michael Lind as a teacher. Holmlander has always worked simultaneously with improvisation, jazz and rock music as well as classical and contemporary music.As an improviser Holmlander has worked with - Eje Thelin, Marilyn Crispell, Paul Lovens, Folke Rabe, Phil Minton, Sten Sandell, Sven-Åke Johansson, Mats Persson,…
Anchored in the idea that, despite all obstacles, the human experience casts a net of possibilities, Defiant Life – Vijay Iyer and Wadada Leo Smith second duo recording for ECM – proves a profound meditation on the human condition and both the suffering and resilience it entails. An ethereal iridescence glistens between Leo Smith’s unmistakable trumpet wail and Vijay’s textural key strokes on piano and Fender Rhodes, conjuring multi-dimensional spaces of thoughtful musical conversation. “We work…
Norwegian bassist Arild Andersen, an ECM musician for more than fifty years, is a masterful player who has always welcomed a challenge. His first recording with his new quartet – including rising stars Marius Neset and Helge Lien (both bandleaders in their own right)– is almost entirely improvised. The players make the leap of faith together and find and develop forms at the moment, an object lesson in spontaneous group creativity. Affirmation was recorded in November 2021 at Oslo’s Rainbow Stud…
Future Shuttle is a Greenpoint, NYC-based duo (sometimes trio) comprised of Jessa Farkas and Camilla Padgitt-Coles. Prior to the group’s early 2009 conception, the pair studied electronic music at Oberlin College alongside their friends in Blondes and Teengirl Fantasy. Blondes member Sam Haar also produced the Water’s Edge EP, the group’s first officially released recording. In Future Shuttle’s beautifully dense brew of psychedelic reprogramming, Tangerine Dream meets the KLF at the UFO Club, an…
West Coast synth guru Jonas Reinhardt (aka Jesse Reiner) makes his 100% Silk debut with 'Foam Fangs', which sees the usually downtempo producer pushing things up a couple of notches. The cosmic Jarre-esque synthesizer washes are still present, but are bolstered with chest-punching 4/4 rhythms and rubbery looping sequences straight out of the 1987 house rulebook. Somehow this gives the EP the glow of Detroit-era pioneer Juan Atkins and muddles it with the Italo-laced fuzz of Johnny Jewel. …
Chris Rose's Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I'm pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it's deceptively simple. Voice, guitar, some noisy shit, whatever. His playing is sick: fluid, unforced, warm, soothed and soothing. It's a bath you don't want to exit. Seriously, if yr going to play gui…
Last year, Bill Orcutt of 90s gnarly Miami noise group Harry Pussy blasted the bejesus out of blues with a beat-up guitar and blew us all away with How The Thing Sings to get a spot on our favorites of 2011. Now, Orcutt’s buddy Mark Feehan, who frequently played spastic guitar for Harry Pussy, is releasing his first solo record, MF, with old Harry Pussy promoters Siltbreeze Records. Feehan’s independent work is somewhat similar to Orcutt’s acoustic binges of raw Americana, but it echoes louder h…