Electronic / All styles

Parade Ground march back to Dark Entries with The Hidden Side, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. The brothers met Daniel B. and Patrick Codenys of Front 242 in 1982, marking the beginning of an enduring…

2025 stock Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dadaand Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well a…

*2025 stock. 50 copies limited edition* For more than two decades, Marcus Obst aka Dronæment and Mirko Uhlig aka Aalfang mit Pferdekopf have been gracing the international experimental music underground with harmonic drone ambient 'full of pure beauty', as it says on their first collaboration/split album 'Farewell Fields', released in 2007. After 17 years, the trilogy that began with ‘Farewell Fields’ is now completed with this new collaboration by Dronæment and Aalfang mit Pferdekopf, and atten…

*2025 stock. 50 copies limited edition* Having recently joined the attenuation circuit roster, rsn, a sound-aesthetic project in the field of tension between drone and ambient, offers another collaborative album. Although rsn is basically the solo project of Thomas Rosen, collaboration is crucial for his work, so here he joins forces with Philipp Maike aka Nagen. Nagen can be deciphered as a German word that means 'gnawing', and at times the microtonal drones in this improvised recording have ju…

*2025 stock. 50 copies limited edition* Voukolika Tragoudia (The Shepherd's Songs) is a collection of tracks that tries to imitate in fragments of extreme sound the wild and often primitive life on the mountains and plains of Creta. Growing up on this kind of environment it can surely be a catalyst for experimentation. The main characters of these sound ''postcards'' are firstly the animals (goats or sheep usually) while they carry on their necks pieces of iron in the form of bells, ungulae, bon…

*2025 stock. 50 copies limited edition* In 2024, one of Augsburg's most impressive industrial monuments will be 70 years old. Since 1954, the large disk-type gas holder of the gasworks in the Oberhausen district has dominated the Augsburg skyline. Even today, when the gasworks has been transformed into a cultural quarter, it is probably the most fascinating building on the site - thanks to its dimensions and unique acoustics. To mark its anniversary, we would like to bring its very special atmos…

*2025 stock. 100 copies limited edition* Frans de Waard and Sindre Bjerga are well-known for conjuring intensely captivating ambient dronescapes from rather lo-fi sources, both as solo artists and in their duo Tech Riders. The trio line-up heard on this album, however, came about when Sindre Bjerga and Fabio Orsi were working together for a week as part of the Brombron residency at Geluidwerkplaats Extrapool in Nijmegen. During that time, they had an impromptu meeting with Frans de Waard on 10 O…

Tip! The original environmental album from the Kyoto Connection available on Vinyl for the very first time. The album was composed, produced and recorded by Argentinian producer Facundo Arena over the course of one month in early 2018. A self trained musician and digital synths enthusiast, for this project Facundo wanted to move out of his comfort zone and compose the album purely using plugins and sequencing software on his iPad, running the songs directly onto tape, in this case his trusted 19…

"Siamo tutti in pericolo" is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebane's work with the "drone box" (a mechanised hurdy-gurdy) and zither as a…

*150 copies limited edition* 'Transplant Rejection’ is the second in a trilogy of cassette albums released via Muscut in the latter half of 2022. The work of Estonian artist and IDA Radio co-founder Robert Nikolajev, this collection of seven ‘almost’ dark ambient tracks embody the melancholy of autumn whilst hinting at the forthcoming eternal winter. A man with many hats, Nikolajev operates on the fringes of the leftfield house underground for labels such as Incienso, Collect-Call and Sad Fun as…

Teenage is almost entirely comprised of silent footage, and Bradford Cox’s original soundtrack is its essential other half. At once invigorating and atmospheric, Cox’s contemporary soundscape blurs the past and present. It brings history’s forgotten youth to life, and vibrates with the restless dreaminess of adolescence.  Bradford Cox is the lead singer of the acclaimed band Deerhunter, and the solo project Atlas Sound. As Atlas Sound Bradford has released three full albums, and Deerhunter has r…

From out of nowhere comes a unique collaborative album from Edvard Graham Lewis (Wire) & Mark Spybey (Zoviet France). Mixing lush electronic rhythms, sonic collage, ambient soundscapes and manipulated field recordings, these six compositions form an album with a strong identity. That this is such a vital and fertile partnership should come as no surprise. After all, both men have made careers out of creating confidently questing musics. Lewis with Wire, He Said, Hox, Dome etc. and Spybey with De…

Reissue of the seventh album from 1996 with reworked artwork and enhanced bonus material. Emerging from berlin at the dawn of the '80s, Einsturzende Neubauten crafted a distinctive postpunk, proto-industrial sound that the group is still expanding on 18 years later. Typically, a Neubauten track combines abrasive machine sounds and the simplest of musical elements - spare bass lines, aggressive chants, thudding beats - to produce surprisingly atmospheric music. 'Was ist ist' embodies the band's p…

*Reissue of the 1987 album, originally released on What's so funny.* "Like watching a stalker cleverly follow its prey for miles, only to watch it shy away just short of lodging a knife into the back of the followed, Fünf Auf der Nach Oben Offenen Richterskala (Five on the Open-Ended Richter-Scale) is Einstürzende Neubauten at their unsettling, gripping, and tension-ridden best. It was also the group's most subdued and measured work to that point, organic dark ambient that rarely utilized the ch…

*2022 stock* With Grundstück, a real rarity is being released on the commercial market for the first time: Originally issued in 2005 as a small limited edition, the much sought-after album is now officially available as a CD and also for the first time ever as an LP, each including a DVD with previously unpublished film recordings of the project and an extensive booklet. With their noise-laden anti-pop, Einstürzende Neubauten has established itself as one of the most radical, unpredictable and u…

Einstürzende Neubauten pushes the industrial humor to new creative peaks; taking a genre of music only meant to offend and confuse people into even more ***ed up territories. The music is surprisingly tragic, strangely moving, and is an experience that can only be called 'artistic'.

After a 35-year career, it's about time for a first ever 'Greatest Hits' release from this influential German band. This is the regular version on 140-gram vinyl. A download code is included.

*Reissue of the 1983 album, originally released on Some Bizzare and Rough Trade* "Einstürzende Neubauten's second album marks a radical progression in the band's sound as well as a revolutionary step forward in the realms of industrial and experimental music. Bassist Marc Chung (ex-Abwärts) and electronics engineer Alexander Hacke (later a member of Crime And The City Solution) joined the band during this time, and singer Blixa Bargeld also became a full-time member of Nick Cave And The Bad See…

People believe that the magic of Muslimgauze works best with looong tracks. Think the same? Then "Al-Zulfiquar Shaheed" is exactly for you! 75 minutes of mellow eastern-style hypnotism. Consisting of only five parts, the album shows Bryn's ability to create lengthy and detailed compositions filled with Arabic percussion, droning keyboards, vocal samples and ethereal atmospheres. A strong rhythmic, yet melodic album, that should be in the collection of every Muslimgauze fan. Definitely one of Bry…

Reissue of early 80s underground releases by Pekka Airaksinen, NWW-listed founding member of legendary Finnish improv group The Sperm.  Vertical Pillars comprises five expansive pieces - Dundubhisvararaga, Kanakamuni, Kashyapa, Shakyamuni, and Jambusuvarnadhvajakacanabhasa - that draw inspiration from ancient texts and Buddhist philosophy. Airaksinen’s compositional process integrates mathematical structures with elemental rhythms, dividing percussion into four symbolic layers: earth, water, fir…

Taroug is the solo project by drummer and electronic music producer Tarek Zarroug with roots in the suburbs of the Tunisian desert and having grown up in Germany. Following the release of his 2020 EP, "Perpetual," as well as a number of notable remixes for artists such as Archive, Taroug has continued to refine his musical aesthetic. Taroug's debut album Darts & Kites, set to be released on Denovali Records, draws inspiration from the Penrose tiling and explores themes of change and transformati…

September 23rd is the first release in William Basinski's new Arcadia Archive series. Recorded in September 1982 in his first loft in the pre-gentrified DUMBO neighborhood in Brooklyn, New York, September 23rd is a recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, September 23rd quickly evolved into a vastly different work. As Basinski explains: "The original piano rec…

"In 2016, I invited Norman Westberg to Australia for his first solo tour. He’d been in Australia a few years before that, touring The Seer with Swans, and it was during this tour that I’d had the fortune to meet him. Since that time Norman and I have worked on a number of projects together. He very kindly played some of the central themes on my Cruel Optimism album and I had the pleasure to produced his After Vacation Album. Last year Norman shared a multichannel live recording with me from a to…

"What remains after mutilating and reassembling an essential historical recording? How is it connected to a particular event in a grotesque and cyclical novella riddled with medical procedures of an aesthetic and deforming nature? Malakoot – this spiral, centres on a decision made one afternoon by a character. On a similar afternoon, full of anxiety, pressed by an unknowable presence in this city , I decided that the soundscape for such an inspiring work of fiction was a mutilated one; things co…

In times when arbitrariness, absolutist madness and the pressure to reject each other are boiled up into some kind of new normality, it sometimes feels as if you are doomed to drown in your sea of sorrows. Until you manage to resist the maelstrom, once again. To focus on the good and the beautiful, and to nurture it stout-heartedly. Nobody said, it’s gonna be easy. On his fifth album, Bruch seems to draw an analogy between the sea and life with his choice of title. The sea itself has never been …

A landmark archival release documenting Jean-Claude Éloy’s radical 20th-century innovations. This collection brings together three seminal works showcasing the French composer’s dual mastery of concert hall abstraction, cinematic narrative and GRM-era experimentation.

1995 release ** "Bruit TTV is a sound research collective comprising artists associated to Obscure. Situated at the frontier of music/non-music and organized noises, Bruit TTV’s performances ally and oppose composition and improvisation, traditionnal and invented instruments, sound poetry and tapes, theatrics and technologies. Professionnal amateurs of yonder years, Bruit TTV takes position exploiting its multiple incompetences… The collective presents now its second album intitled Castafiore, a…

Replica mini-LP edition. Terry Riley (piano, organ, soprano saxophone) & John Cale (bass, harpsichord, piano, guitar, viola, organ) collaborated on this one-off album, released in 1970. At this time, rock music was a serious movement, removed from the joke it once was, quite unaware of the joke it would eventually become, and things like this sometimes happened. Cale, classically trained on the viola, must have been pretty pleased to get a shot to record with the '60s king of minimalist pu…

The abrasive, epochal debut. Moebius and Roedelius push organ, guitar and homemade electronics through banks of effects into three untitled slabs of proto-ambient drift. Year zero for German electronic music, still startling fifty years on.

*200 copies limited edition.* The soundtrack of a future in flux. As the father of cyberpunk, William Gibson imagined a world where technology and society collide, blurring the boundaries between human and machine, individual and system. His novels, particularly Neuromancer, painted a dystopian future where sprawling megacities pulse with neon, corporations rule from the shadows, and cyberspace serves as both playground and battlefield. In his vision, technology is a tool of empowerment and cont…

*200 copies limited edition* Drift, the ambient music project led by Gabriele Giuliani, originally active from 1995 to 1999 and recently revived after a lengthy hiatus, has become a significant name in the realm of isolationist ambient music. Drift’s compositions are often described as stark and minimalist, while the project’s albums have been lauded for their ultra-bleak soundscapes, characterized by extended, immersive tracks that evoke a sense of desolation, cementing Drift’s status as a cult…

In his liner notes to Aleph, Terry Riley explains that the work was created as "an improvised meditation on the various meanings of this supreme emanation from the Hebrew alphabet." It was made using a Korg Triton Studio 88 synth with his own sound design, and employing a just intonation scale used by Lou Harrison on his last work, "Nek Chand for Just Intonation National Steel Guitar," which was performed by Riley's son Gyan on the album Serenado. Riley has been using the scale for some time. Th…

8th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Described by Tietchens himself as his »Industrial« album, »Geboren, um zu Dienen« was originally released on the spanish Esplendor Geometrico label in 1986. The CD version incl. three unreleased bonus tracks from the same period and comes with a full colour fold-out booklet incl. liner notes by Tietchens himself.

First in a series of 18 CD's aiming to make available all early vinyl albums by Asmus Tietchens between 1980—1991 on CD. Each release features the original tracks (sometimes extended / original versions) + unreleased bonus tracks from the same recording period, original artwork + accompanying texts by Tietchens. This — the only 2CD in the series — feat. his very first album Nachtstücke from 1980 (incl. 4 bonus tracks) + a 2nd CD with archive material recorded with his long time friend Okko Bekke…

Part six in the ongoing re-release series of all early Tietchens albums on CD. »Formen letzter Hausmusik« was originally released on UNITED DAIRIES (the label run by Steven Stapleton of Nurse With Wound) in 1984. The original album consisted of a mix of archive tracks from the late 1960's / early 1970's and new tracks specially recorded for the release. Many people see »Formen letzter Hausmusik« as the first »real« Tietchens album laying the basis of what was about to follow in his long record…

Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.

Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.

"17th and final part in the re-release series of all early Tietchens albums between 1980—1991. Originally released on Dom Elchklang in 1991. This new version incl. 3 Bonus tracks and is another joint release by German labels Die Stadt and aufabwegen. Jewel case with full color artwork and poster booklet also feat. the original front and back cover. First edition of 600 copies. “It was just before the end of the heroic times when CV Liquidsky and I decided to record a studio album together. Almos…

Part 14th in the ongoing re-release series of all early Asmus TietchensVinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor GeometricoEGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…

Tracks 1 & 2 originally released on Marches Funebres LP (Multimood, 1989). Track 3 is a bonus track. Released as a joint release by German labels Die Stadt and Aufabwegen. Limited to 600 copies.