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Original Japanese edition on Milestone of the 1977 double-album featuring Tony Williams, Jack DeJohnette, Eddie Gomez and Ron Carter. With insert and obi.
This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it’s a Play Time record. That’s a subtle but important distinction, for a couple reasons. One, the sound of Magic Object—a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog—doesn’t really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all. Let’s back up. The…
Moses Yoofee Trio, the Berlin group of pianist Moses Yoofee, drummer Noah Fürbringer and bassist Roman Klobe, came up through clips of their jams posted online, which drew a following and led to the 2023 mini-album Ocean on LEITER and a German Jazz Prize for live act of the year. Their 2025 debut album proper, MYT, expanded the improvised concept with fuller arrangements, landed on year-end lists and a German Jazz Award nomination, and sent them touring through Asia, the US and Europe.
Chasing L…
Gatefold LP edition + OBI. There are few figures in improvised music quite like Akira Sakata. A marine biologist by training, he surfaced in the early 1970s inside the Yamashita Yosuke Trio, one of the most ferocious units Japanese jazz has ever produced, and for half a century since he has gone entirely his own way: bandleader, relentless collaborator, singer of strange incantations, a man who can make an alto saxophone sound like grief and slapstick in the same breath. Born in 1945 near Hiros…
Bongo Joe and Sofa Records reissue the 1981 debut by Max Cilla, the Martinican flautist who spent his life restoring the bamboo flute of his island's hillsides to a music that had nearly forgotten it.
Soundway collects ten rare sides from Trinidad's revolutionary decade, when calypso, jazz and heavy percussion carried the charge of the Black Power years. Kaiso Power assembles music made for the dancehall and the steelband yard, its politics built into the rhythm rather than spelled out.
On The Will Come Is Now, Ronnie Boykins finally moves from Sun Ra’s bass chair to the centre of the frame, leading a septet through six originals where earthy groove, cosmic harmony and astonishing arco work reveal the band’s quiet architect as a full‑blown composer.
On Trio, Lowell Davidson explodes the piano tradition from the inside out, trading clustered storms, sudden lyric breaks and pregnant silence with Gary Peacock and Milford Graves in a one‑off 1965 session that still feels dangerously new.
On The Call, Henry Grimes refuses the “leader date as reward” narrative, stepping out as a co‑equal melodic force with Perry Robinson and Tom Price in a trio document where free jazz means deep listening, not just full‑bore blaze.
On Timeless Records: From The Archives (1974–1991), Antal rethreads the Dutch label’s glory years into a double‑LP of modal and spiritual fire - from Pharoah Sanders to Art Blakey, Woody Shaw and beyond - built for dancers, diggers and late‑night headphones alike.
This 2013 debut album by South Korean bassist and composer Kim Sung-Bae is a remarkable masterpiece. Anchored by a two-horn quintet, the music blends Eastern and Middle Eastern modes with spiritual jazz, weaving a soundscape that is deeply emotional, beautiful, and profoundly moving. The overarching narrative carries an epic, cinematic scale that commands repeat listens. From the sublimely beautiful, oriental-tinged piano trio masterpiece ‘Eastern Restaurant’ to the spellbinding Middle Eastern m…
BBE Music’s celebrated J Jazz compilation series reaches its fifth and final volume in early 2026, culminating in a track list that maintains the exceptionally high standard first set with volume one back in 2018. This final volume features a selection of tracks that is as diverse as it is deep, reflecting the rich and varied Japanese jazz scene that spanned from the late 1960s to the late 1980s, a golden era of innovation and creativity. J Jazz volume 5 sees compilers Tony Higgins and Mike Pede…
On Volume 3, Secular Music Group expand to a five‑piece and turn a single 4‑track tape machine into a labyrinth: live, no‑rehearsal performances that swell from lean modal vamps into ten‑part sound worlds where library funk, holy minimalism and jazz coexist.
Original 2LP documentation released by MPS/Basf of the great 1972 jazz/rock/fusion festival with exclusive live recordings by Anima, Association P.C., Kurt Edelhagen Big Band, Brassy Brew, Erwin Lehn Big Band, Karl Berger Company, Hans Koller Free Sound, Tremble Kids, Art Farmer Quartet, Rhythm Combination & Brass and the Michael Naura Quartet.
On And the birds sang…, Larry Stabbins revisits two of his deepest musical friendships, paring everything down to duets with Keith Tippett and Louis Moholo‑Moholo, where tenderness, ferocity and crooked song coexist in fiercely alive, small‑room intensity.
Thollem performs original themes and improvisations on four pianos in unique tuning systems devised by Clem Fortuna. Clem joins Thollem in performance on Ten Tone Equal Temperament with spontaneous tuning alterations.